Charlotte Perkins Gilman Quotes: Sources, Meanings & Themes
Browse quotations by Charlotte Perkins Gilman with named works, context notes, meanings and recurring themes.
“We were now well used to seeing women not as females but as people; people of all sorts, doing every kind of work.”
Van’s narration marks how sustained contact with Herland has challenged the visitors’ habit of treating sex as the first category through which women must be understood.
Source details
Herland, Chapter 12, “Expelled,” Project Gutenberg #32. Van Jennings narrates that after more than a year in Herland the visitors have become accustomed to seeing women “not as females but as people” across every kind of work. This is retrospective fictional narration inside Gilman’s feminist utopian novel, not a neutral sociological finding.
“in spite of you and Jane! And I’ve pulled off most of the paper, so you can’t put me back!”
At the story’s climax, the narrator treats tearing away the wallpaper as an escape from the confinement she has come to associate with the room and with the figures controlling her.
Source details
The Yellow Wallpaper, represented by Project Gutenberg #1952. The words are spoken by the unnamed narrator to John at the story’s disturbing climax; the scene depicts psychological breakdown inside fiction and is not presented as mental-health guidance.
“There is no female mind. The brain is not an organ of sex.”
Gilman rejects the idea that intellectual capacity should be divided into essentially male and female kinds, arguing instead for shared human mental development.
Source details
Women and Economics, Chapter VIII, Project Gutenberg #57913. Gilman rejects the contemptuous category of a “female mind,” immediately adding that the brain is not an organ of sex and comparing “female mind” to “female liver.” It is a historical equality argument embedded in Gilman’s period-specific social/evolutionary framework, not a current neuroscience citation.