Source identified
“I am the poet of the Body and I am the poet of the Soul.”
Body and soul are claimed together rather than ranked as opposites, reinforcing the poem’s refusal to treat embodied life as lesser or unworthy of celebration.
Source note: Song of Myself, section 21 in the 1882 Leaves of Grass text; the line opens a passage joining bodily and spiritual experience.
Source identified
“One world is aware and by far the largest to me, and that is myself.”
Whitman treats the self as an immense field still being discovered, not as a small fixed label; inward experience becomes a world worthy of sustained attention.
Source note: Song of Myself, 1882 text; the line follows “I exist as I am, that is enough,” which already exists separately in this collection.
Source identified
“Welcome is every organ and attribute of me, and of any man hearty and clean, not an inch nor a particle of an inch is vile.”
Whitman rejects the division of the person into acceptable and shameful fragments, extending his democratic imagination to the body and to ordinary human embodiment.
Source note: Song of Myself, 1882 Leaves of Grass text on Wikisource; the source continues “and none shall be less familiar than the rest.”
Source identified
“I WAS A MAN NOW.”
The emphatic line records Douglass’s restored sense of manhood and dignity after resisting physical domination; it belongs to a specific autobiographical struggle against enslavement.
Source note: My Bondage and My Freedom, immediately after Douglass describes his resistance to Covey; capitalization follows the represented Project Gutenberg text.
Source identified
“The Ideal is in thyself”
Voice: Fictional narrator · Diogenes Teufelsdröckh (framed voice)
The phrase turns the search for an ideal life inward, arguing that a person’s task is to shape present circumstances through capacities and standards not supplied wholly from outside.
Source note: Sartor Resartus, Book II, Chapter IX; Project Gutenberg #1051. The surrounding passage is highly rhetorical and spoken through the book’s fictional-philosophical construction rather than as a plain autobiographical maxim.
Source identified
“I know I am solid and sound.”
Whitman’s speaker declares an underlying soundness that is not presented as a verdict from other people, making self-assurance part of the poem’s larger democratic self.
Source note: Song of Myself, 1882 text; this statement begins a sequence of increasingly expansive declarations about the speaker’s place in the universe.