“taste is free, and all styles are good which amuse;”
Adams allows room for personal aesthetic preference even while asking readers to understand the very different energy and values expressed by medieval architecture.
Source details
Mont-Saint-Michel and Chartres, Chapter I, Project Gutenberg #4584. Adams’s playful guide-narrator says that “taste is free, and all styles are good which amuse” while comparing Norman seriousness with later French architectural taste before asking the reader to understand the energy expressed by Norman art. It is rhetorical aesthetic commentary rather than a complete or empirical theory of artistic value.