Source identified
“The bustle in a house The morning after death Is solemnest of industries Enacted upon earth.”
Ordinary household activity after a death is portrayed as solemn work, emphasizing the practical tasks that continue while grief has only just begun.
Source note: Poem in Poems: First Series (1890), Project Gutenberg #12242. “The Bustle in a House” is used as an editorial first-line source identifier; the poem continues from physical tasks toward putting love away for eternity.
Source identified
“Here is the ancient floor, Footworn and hollowed and thin, Here was the former door Where the dead feet walked in.”
A familiar interior is revisited through traces of people who have died, turning worn architecture into a physical prompt for family memory and loss.
Source note: “The Self-Unseeing,” Poems of the Past and the Present (1901), Project Gutenberg #3168. The poem reconstructs a remembered domestic scene; its dead belong to that literary memory.
Source identified
“Unable are the loved to die — For Love is Immortality —”
The poem treats love as a form of continuity that resists the finality of physical death.
Source note: Opening lines.
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“I bequeath myself to the dirt to grow from the grass I love.”
Death becomes continuity with nature rather than simple disappearance, connecting mortality with renewal, earth, and the lives that follow.
Source note: Final section of “Song of Myself”; the speaker imagines returning physically to the earth.
Source identified
“Remember me when I am gone away, Gone far away into the silent land.”
The opening request names anticipated separation directly, making remembrance part of how love is imagined continuing after the speaker is gone.
Source note: “Remember,” first published in Goblin Market and Other Poems (1862); Project Gutenberg #16950. The sonnet later softens this request by allowing compassionate forgetting rather than demanding perpetual grief.
Source identified
“Flower-petals flee; But, since it once hath been, No more that severing scene Can harrow me.”
Falling petals accompany a recognition that a severing event belongs to the past and cannot happen for the first time again, joining natural recurrence to changed grief.
Source note: “De Profundis I,” Project Gutenberg #3168. The passage belongs to one speaker's reflection on bereavement and seasonal return.