Browse quotations by Christina Rossetti with named works, context notes, meanings and recurring themes.
Focused collections bring together quotations from this author around one recurring idea.
“My life is in the falling leaf: O Jesus, quicken me.”
The falling leaf becomes an image of decline while the prayer asks for renewed life, joining grief and seasonal imagery to explicitly Christian hope.
Source note: “A Better Resurrection,” Project Gutenberg #16950. The direct address to Jesus is essential context and is preserved rather than secularized into generic recovery advice.
“I have no wit, no words, no tears; My heart within me like a stone Is numbed too much for hopes or fears.”
The speaker describes a state of grief so depleted that even ordinary language and tears feel unavailable, before the poem turns explicitly toward Christian prayer.
Source note: “A Better Resurrection,” in the devotional section of Goblin Market and Other Poems; Project Gutenberg #16950. This is Christian devotional poetry, not a clinical description or treatment recommendation.
“The watch is long betimes and late, The prize is slow to win.”
The devotional poem acknowledges prolonged waiting and delayed fulfillment directly, making patience meaningful precisely because the hoped-for result is slow.
Source note: “Advent,” in the devotional section of Goblin Market and Other Poems; Project Gutenberg #16950. The watch is explicitly Christian expectation of Christ, not a secular promise that persistence guarantees a prize.
“Yet count we not His promise slack, But watch and wait for Him.”
The speakers continue waiting despite delay because they interpret the promise through faith, combining endurance with explicitly religious expectation.
Source note: “Advent,” Project Gutenberg #16950. 'His' refers to Christ; the line remains Christian devotional poetry rather than being generalized into an evidence-free guarantee about outcomes.
“I'd use to-day that cannot last, Be glad to-day and sing.”
Awareness that another spring is not guaranteed turns attention toward using the present day rather than postponing every form of gladness.
Source note: “Another Spring,” Project Gutenberg #16950. The stanza begins conditionally—'If I might see another Spring'—so the present-focused conclusion grows from mortality and uncertainty.
“Remember me when I am gone away, Gone far away into the silent land.”
The opening request names anticipated separation directly, making remembrance part of how love is imagined continuing after the speaker is gone.
Source note: “Remember,” first published in Goblin Market and Other Poems (1862); Project Gutenberg #16950. The sonnet later softens this request by allowing compassionate forgetting rather than demanding perpetual grief.
“Better by far you should forget and smile Than that you should remember and be sad.”
Love is expressed through releasing the other person from an obligation to grieve, placing their future well-being above continued remembrance.
Source note: Closing thought of Remember; Rossetti shifts from asking to be remembered toward permitting compassionate forgetting.
“There is no life like Spring-life born to die.”
Rossetti places renewal beside mortality in the same phrase, making seasonal beauty meaningful partly because its new life is temporary.
Source note: “Spring,” Project Gutenberg #16950. This is a lyric reflection on transience, not a literal biological generalization about all life.
“There is no time like Spring, When life's alive in everything.”
Spring is praised as a concentrated moment of visible renewal, when growth in plants and birds makes seasonal change feel immediate and abundant.
Source note: “Spring,” in Goblin Market and Other Poems; Project Gutenberg #16950. The surrounding poem also stresses that spring passes and that spring-life is born to die.
“The sap will surely quicken soon or late, The tardiest bird will twitter to a mate.”
After earlier doubt, the poem turns to seasonal signs that arrive at different speeds, using delayed spring as an image of hope that can outlast uncertainty.
Source note: “The First Spring Day,” Project Gutenberg #16950. The stanza continues into explicitly spiritual hope about renewal in this world or the world to come.
“So Spring must dawn again with warmth and bloom, Or in this world, or in the world to come.”
The speaker insists on eventual spring while leaving its fulfillment open between earthly renewal and a religious hope beyond this life.
Source note: “The First Spring Day,” Project Gutenberg #16950. The alternative 'world to come' makes the Christian eschatological dimension explicit.
“Does the road wind up-hill all the way? Yes, to the very end.”
The compact dialogue makes the difficulty of the road explicit while also committing to continuing all the way to its end.
Source note: “Up-Hill,” in Goblin Market and Other Poems (1862); Project Gutenberg #16950. The road is a spiritual-life allegory, so the line is not reduced to literal travel advice.
“Will the day's journey take the whole long day? From morn to night, my friend.”
The answer accepts that a meaningful journey may require the whole available day rather than promising a quick or effortless finish.
Source note: “Up-Hill,” Project Gutenberg #16950. The poem is an allegorical question-and-answer sequence about the soul’s journey, endurance and eventual rest.