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“The poetry of earth is never dead.”
Seasonal change does not extinguish natural life; the poem hears a continuing voice in both summer and winter.
Source note: On the Grasshopper and Cricket, opening line.
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“Autumn spoke loudly of the beautiful.”
Wilcox treats autumn itself as an emphatic expression of beauty, using seasonal color and change as evidence for attentive aesthetic appreciation.
Source note: Poems of Optimism, “Beauty”; Project Gutenberg #7421. The surrounding stanza describes autumn forests as a gallery of vivid colors; the line is poetic and devotional observation, not a scientific claim about aesthetic value.
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“Lo! I have found the world is very fair.”
The declaration concludes a deliberate search for beauty by affirming that close attention has revealed much in the world worth valuing.
Source note: Poems of Optimism, “Beauty”; Project Gutenberg #7421. The surrounding poem is explicitly religious and aesthetic, repeatedly connecting beauty with God, stars, sunsets and ordinary perception.
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“But, whichever way I go, I am glad I came.”
The pleasure of walking is not confined to one perfect route because attention and openness allow value to emerge from whichever road is actually taken.
Source note: Winter Sunshine, essay “The Exhilarations of the Road.” The sentence follows Burroughs’s comparison of winter walks in different directions and precedes his claim that all roads lead toward the walker’s sought-for Jerusalem.
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“I'd use to-day that cannot last, Be glad to-day and sing.”
Awareness that another spring is not guaranteed turns attention toward using the present day rather than postponing every form of gladness.
Source note: “Another Spring,” Project Gutenberg #16950. The stanza begins conditionally—'If I might see another Spring'—so the present-focused conclusion grows from mortality and uncertainty.
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“the one who has schooled himself to see the brighter side of life, the beautiful things in life, will speak of the beauties that are in the rain drops, and the freshness of the newly bathed flowers, shrubs and trees.”
Attention to a rainy morning becomes a concrete example of trained appreciation: the same conditions can include beauty and freshness as well as inconvenience.
Source note: Character Building, “Two Sides of Life,” Project Gutenberg #60484. This is an illustrative scene about perspective, not a claim that difficult conditions should always be reframed positively.