Source identified
“I do not wish them to have power over men; but over themselves.”
The sentence defines empowerment as self-command rather than domination, centering education, judgment, and personal agency as the basis of freedom.
Source note: A Vindication of the Rights of Woman; Wollstonecraft distinguishes equality and self-government from power over others.
Source identified
“Only the Black Woman can say “when and where I enter, in the quiet, undisputed dignity of my womanhood, without violence and without suing or special patronage, then and there the whole Negro race enters with me.””
Cooper makes dignified self-possession politically consequential: the Black woman enters public life without begging special patronage, while her advance is framed as inseparable from broader racial progress.
Source note: A Voice from the South, “Womanhood a Vital Element in the Regeneration and Progress of a Race,” Project Gutenberg #61741 / Wikisource 1892 text. The sentence belongs to Cooper's Black feminist argument about representation, education and racial uplift; it is not a generic claim that one individual literally represents every Black person.
Source identified
“I believe in Liberty for all men: the space to stretch their arms and their souls, the right to breathe and the right to vote, the freedom to choose their friends, enjoy the sunshine, and ride on the railroads, uncursed by color; thinking, dreaming, working as they will in a kingdom of beauty and love.”
Liberty is described in civic, bodily and spiritual terms, joining political rights with the ordinary freedom to live without racial restriction.
Source note: Darkwater: Voices from Within the Veil, “Credo,” originally published in 1920. Project Gutenberg #15210. The sentence continues with freedom of association, movement, thought, dream and work “uncursed by color.”
Source identified
“I WAS A MAN NOW.”
The emphatic line records Douglass’s restored sense of manhood and dignity after resisting physical domination; it belongs to a specific autobiographical struggle against enslavement.
Source note: My Bondage and My Freedom, immediately after Douglass describes his resistance to Covey; capitalization follows the represented Project Gutenberg text.
Source identified
“I was a changed being after that fight.”
Douglass identifies resistance to Covey as a decisive psychological turning point in which a previously crushed sense of agency and personhood begins to return.
Source note: My Bondage and My Freedom, account of the fight with Edward Covey; Douglass explicitly presents the episode as a turning point in his life under slavery.
Source identified
“I sit with Shakespeare and he winces not.”
Du Bois refuses the premise that racial exclusion determines intellectual belonging: in the world of culture and thought he claims equal access to Shakespeare and other major writers without asking permission from the color line.
Source note: The Souls of Black Folk, “Of the Training of Black Men,” Project Gutenberg #408. The sentence opens a longer passage in which Du Bois moves “across the color line” among Shakespeare, Balzac, Dumas, Aristotle and Marcus Aurelius; the context is Black cultural and intellectual dignity under segregation.