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“I WAS A MAN NOW.”
The emphatic line records Douglass’s restored sense of manhood and dignity after resisting physical domination; it belongs to a specific autobiographical struggle against enslavement.
Source note: My Bondage and My Freedom, immediately after Douglass describes his resistance to Covey; capitalization follows the represented Project Gutenberg text.
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“I was a changed being after that fight.”
Douglass identifies resistance to Covey as a decisive psychological turning point in which a previously crushed sense of agency and personhood begins to return.
Source note: My Bondage and My Freedom, account of the fight with Edward Covey; Douglass explicitly presents the episode as a turning point in his life under slavery.
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“I sit with Shakespeare and he winces not.”
Du Bois refuses the premise that racial exclusion determines intellectual belonging: in the world of culture and thought he claims equal access to Shakespeare and other major writers without asking permission from the color line.
Source note: The Souls of Black Folk, “Of the Training of Black Men,” Project Gutenberg #408. The sentence opens a longer passage in which Du Bois moves “across the color line” among Shakespeare, Balzac, Dumas, Aristotle and Marcus Aurelius; the context is Black cultural and intellectual dignity under segregation.
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“Whoso would be a man must be a nonconformist.”
Emerson argues that mature character requires enough independence to resist conformity when conviction points elsewhere.
Source note: Self-Reliance, in the section urging trust in one’s own judgment.
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“You may give them your love but not your thoughts.”
Care can be generous without requiring another person to inherit every belief or preference.
Source note: The Prophet, “On Children.”
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“Self-development is a higher duty than self-sacrifice.”
Stanton challenges a moral standard that praises women mainly for self-denial, arguing instead that developing one’s capacities is itself an important obligation.
Source note: The Woman’s Bible, Stanton commentary; the line appears in her critique of idealizing women’s self-sacrifice and is preserved in the Project Gutenberg text.