Source identified
“And lose, and start again at your beginnings.”
Starting again after loss is presented as a test of composure rather than as evidence that the earlier effort was meaningless.
Source note: If—, third stanza; the surrounding passage describes losing one’s winnings and beginning again.
Source identified
“What, to our eyes, may seem hopeless failure is often but the dawning of a greater success.”
Immediate appearances can mislead: a failure may reveal another direction or become part of later success, so present defeat need not define the whole trajectory.
Source note: The Majesty of Calmness, “Failure as a Success.” The passage is motivational interpretation, not a promise that every loss will produce a better outcome.
Source identified
“If Winter comes, can Spring be far behind?”
The seasonal image turns hardship into a temporary phase: decline can contain the possibility of renewal even when that renewal is not yet visible.
Source note: Final line of Ode to the West Wind; the changing seasons become a metaphor for historical and personal renewal.
Source identified
“If you can wait and not be tired by waiting.”
Patience is portrayed as active endurance: the ability to continue without letting delay become defeat.
Source note: If—, first stanza; the line frames patience as sustained conduct under delay.
Source identified
“You can turn over a new leaf every hour if you choose.”
A failed plan need not govern the remainder of the day; Bennett frames each hour as another practical opportunity to restart deliberate action.
Source note: How to Live on 24 Hours a Day, discussion of beginning a programme of self-directed use of spare time. The sentence is practical encouragement within Bennett’s period self-improvement argument.
Source identified
“I’m the only one in the world who wants it to be alive.”
Voice: Fictional character · Mary Lennox
Mary’s desire to revive the neglected garden turns care into a purpose: she values the possibility of life before she knows whether the plants can recover.
Source note: The Secret Garden; Project Gutenberg #113. Mary is speaking about the locked garden she has discovered, so the sentence remains tied to the novel’s literal plot.