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Walter Scott Quotes: Sources, Meanings & Themes

Browse quotations by Walter Scott with named works, context notes, meanings and recurring themes.

Source identified1
Oh, what a tangled web we weave, When first we practise to deceive!
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“Oh, what a tangled web we weave, When first we practise to deceive!”

Scott’s narrator condenses Marmion’s worsening predicament into a warning that one deception tends to require further concealment and creates increasingly complex consequences.

Source details

Marmion, Canto VI, stanza XVII, Project Gutenberg #4010, transcribed from the 1888 Cassell & Company edition. “Oh, what a tangled web we weave, When first we practise to deceive!” is the narrator’s moral comment as Marmion realizes that his own intrigue is closing around him. It remains narrative commentary inside Scott’s historical romance in verse rather than a standalone empirical rule.

Source identified2
Come one, come all! this rock shall fly From its firm base as soon as I.
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“Come one, come all! this rock shall fly From its firm base as soon as I.”

Fitz-James refuses intimidation despite being surrounded, using the rock image to express a determination not to be moved from his position by threats.

Source details

The Lady of the Lake, Canto V, “The Combat,” stanza X, Project Gutenberg #45888. Fitz-James says “Come one, come all!” with his back against a rock after Roderick Dhu’s signal reveals armed followers around him. The defiant rock image is fictional martial speech in Scott’s historical romance in verse rather than current safety, combat or self-help advice.

Source identified3
Breathes there the man, with soul so dead, Who never to himself hath said, This is my own, my native land!
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“Breathes there the man, with soul so dead, Who never to himself hath said, This is my own, my native land!”

Scott’s minstrel treats attachment to one’s homeland as a deep part of identity and imagines emotional estrangement from home as a profound loss of belonging.

Source details

The Lay of the Last Minstrel, Canto VI, stanza I; reviewed against the 1805 first-edition scan, leaf 170. The patriotic homeland passage is voiced by Scott's minstrel/narrator at the opening of Canto VI and continues into the warning about dying 'unwept, unhonoured, and unsung.' It is Romantic literary rhetoric rather than a rule about nationality or civic loyalty.