What does this quote mean?

“We shall never learn the affinities of beauty”

Stevenson treats beauty as deeper than any complete technical explanation, warning that analysis of artistic mechanism does not exhaust why form can move or delight.

Source note: Essays in the Art of Writing, “On Some Technical Elements of Style in Literature,” represented by the 1905 Chatto & Windus edition in Project Gutenberg #492. The collection is posthumous; the excerpt concerns literary aesthetics.

“There is then creative reading as well as creative writing.”

Reading can be an active intellectual act when the reader interprets, connects, questions, and produces new understanding rather than merely receiving words passively.

Source note: The American Scholar; Emerson argues that books should awaken independent thought rather than replace it.

“The more I read, the more I was led to abhor and detest my enslavers.”

Reading gave Douglass language and arguments for realities he already felt, while clearer understanding made the injustice of slavery harder to endure passively.

Source note: Narrative, Chapter VII; the sentence follows his reading of political dialogue and speeches defending emancipation and human rights.

“How many a man has dated a new era in his life from the reading of a book.”

Thoreau treats reading as potentially transformative: a book can mark a genuine before-and-after point when it gives language to questions a reader has struggled to express.

Source note: Walden, chapter “Reading,” in the discussion of books that can reveal new possibilities and answer enduring questions.

“Reading maketh a full man; conference a ready man; and writing an exact man.”

Bacon distinguishes what reading, conversation, and writing each contribute to intellectual development.

Source note: Of Studies; Bacon distinguishes the intellectual uses of reading, conversation, and writing within the essay’s compact account of study and judgment.

“True Wit is Nature to Advantage drest, what oft was Thought, but ne’er so well Exprest.”

Pope defines memorable writing as clear expression that gives familiar thought a form readers immediately recognize.

Source note: An Essay on Criticism; original eighteenth-century spelling is substantially retained.