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Robert Louis Stevenson Quotes: Sources, Meanings & Themes

Browse quotations by Robert Louis Stevenson with named works, context notes, meanings and recurring themes.

About the author

Context for this collection

1850–1894 · Scottish novelist, essayist, poet and travel writer

Common themes

Hope, happiness, purpose, friendship, grief, effort, resilience, self-development, moral conduct, travel and literary craft.

Source identified1
he must try to give happiness to others.

“he must try to give happiness to others.”

Stevenson makes other people’s happiness part of ordinary moral duty even while admitting that a person may not possess a complete theory of goodness.

Source details

A Christmas Sermon, section III, first published in Scribner’s Magazine in 1888; Project Gutenberg #14535. Stevenson writes that although a person may not know exactly what goodness is or what will make another person happy, he must still try to be good and try to give happiness to others. The inherited section-II note is corrected here after direct source review. This is historical ethical / Christian-sermon argument rather than a guarantee of emotional outcomes.

Source identified2
One person’s happiness is as sacred as another’s

“One person’s happiness is as sacred as another’s”

The claim gives equal moral weight to another person’s well-being, supporting intervention against injury without treating one individual’s happiness as inherently more valuable than another’s.

Source details

A Christmas Sermon, section III, Project Gutenberg #14535. In the discussion of intervention, revenge and defending a neighbour, Stevenson says one person’s happiness is as sacred as another’s and argues for defending the injured party when both cannot be protected. The inherited section-II note is corrected here after direct source review; “sacred” is moral rhetoric, not modern legal doctrine.

Source identified3
By being happy, we sow anonymous benefits upon the world

“By being happy, we sow anonymous benefits upon the world”

The essay treats visible good spirits as a diffuse social contribution whose effects may reach other people without the cheerful person ever knowing where they landed.

Source details

“An Apology for Idlers,” 1877; evidence text in Project Gutenberg editions. The sentence belongs to Stevenson’s broader defense of leisure and sociability against relentless busyness.

Source identified4
There is no duty we so much underrate as the duty of being happy.

“There is no duty we so much underrate as the duty of being happy.”

Stevenson argues that a person’s happiness can benefit others socially, so cheerfulness is not merely private pleasure in the essay’s deliberately provocative moral accounting.

Source details

‘An Apology for Idlers,’ represented in Project Gutenberg #69825, a 1905 Thomas B. Mosher reprint of the essay first published in the Cornhill Magazine in July 1877. ‘There is no duty we so much underrate as the duty of being happy’ appears in Stevenson's argument that cheerfulness can confer anonymous benefits on others. It remains provocative conduct-of-life essay rhetoric rather than clinical mental-health guidance or a universally binding moral duty.

Source identified5
To travel hopefully is a better thing than to arrive, and the true success is to labour.
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“To travel hopefully is a better thing than to arrive, and the true success is to labour.”

The value of a journey can lie in purposeful movement and effort rather than only in the moment of arrival.

Source details

Essay “El Dorado.”

Source identified6
Thus it is: added difficulty, added beauty;

“Thus it is: added difficulty, added beauty;”

In the specific context of verse technique, Stevenson argues that an additional formal constraint can create another opportunity for artistic achievement and aesthetic interest.

Source details

Essays in the Art of Writing, “On Some Technical Elements of Style in Literature”; Project Gutenberg #492. “Difficulty” here concerns literary form and craft, not a universal claim that hardship automatically makes things better.

Source identified7
We shall never learn the affinities of beauty

“We shall never learn the affinities of beauty”

Stevenson treats beauty as deeper than any complete technical explanation, warning that analysis of artistic mechanism does not exhaust why form can move or delight.

Source details

Essays in the Art of Writing, “On Some Technical Elements of Style in Literature,” represented by the 1905 Chatto & Windus edition in Project Gutenberg #492. The collection is posthumous; the excerpt concerns literary aesthetics.

Source identified8
To be what we are, and to become what we are capable of becoming, is the only end of life.

“To be what we are, and to become what we are capable of becoming, is the only end of life.”

Stevenson’s formulation links self-acceptance with development: a worthwhile life is not imitation of someone else’s pattern but fuller realization of capacities that belong to one’s own character.

Source details

Familiar Studies of Men and Books, essay ‘Henry David Thoreau: His Character and Opinions,’ section V, Project Gutenberg #425, transcribed from the 1896 Chatto & Windus edition. The surrounding paragraph quotes several Thoreau statements, but ‘To be what we are, and to become what we are capable of becoming...’ is Stevenson's own connective judgment before he returns to quoted Thoreau language. It therefore remains Stevenson literary-biographical criticism rather than a Thoreau quotation or a clinical rule about self-development.

Source identified9
This ground is hallowed by the heroes of defeat.

“This ground is hallowed by the heroes of defeat.”

The phrase grants dignity to people who struggled without conventional victory, reframing defeat as compatible with courage and a life still worthy of remembrance.

Source details

Memories and Portraits, in Stevenson’s reflection on graves and failed lives; Project Gutenberg #381. The sentence is literary commemoration, not a claim that every defeat is heroic.

Source identified10
there falls along with him a whole wing of the palace of our life.

“there falls along with him a whole wing of the palace of our life.”

The death of a close friend is pictured as structural loss inside the survivor’s own life because shared memory, recognition and companionship disappear with that person.

Source details

Memories and Portraits; Project Gutenberg #381. The surrounding passage describes friendship, mortality and memory; the architectural metaphor is kept as grief writing rather than literal psychology.

Source identified11
Both sides of me were in dead earnest.

“Both sides of me were in dead earnest.”

Jekyll describes his opposed impulses as sincerely felt rather than treating one side as merely a performance, intensifying the novel’s exploration of divided identity.

Source details

Strange Case of Dr Jekyll and Mr Hyde, “Henry Jekyll’s Full Statement of the Case,” Project Gutenberg #42. This is Jekyll’s fictional account of moral and psychological division inside the novel, not a medical or psychological diagnosis.

Source identified12
For my part, I travel not to go anywhere, but to go. I travel for travel’s sake.

“For my part, I travel not to go anywhere, but to go. I travel for travel’s sake.”

Stevenson values movement and lived experience as ends in themselves, making the act of travelling more important here than reaching a prestigious destination.

Source details

Travels with a Donkey in the Cevennes, “Cheylard and Luc,” Project Gutenberg #535. Stevenson follows the sentence by calling movement “the great affair” and describing the physical needs and difficulties of the road; it is literary travel reflection, not contemporary destination guidance.