Source identified
“Omit needless words.”
Conciseness is treated as removal of words that do no useful work, not as a demand that every sentence be short or stripped of necessary detail.
Source note: The Elements of Style, Chapter III, Rule 13, Project Gutenberg #37134; the surrounding paragraph explicitly says detail need not be eliminated.
Source identified
“Murder your darlings.”
The memorable command advises writers to delete showy passages they love when those passages serve vanity or ornament more than the work as a whole.
Source note: On the Art of Writing, Lecture XII, “On Style,” Project Gutenberg #17470; the phrase concludes Quiller-Couch’s warning against purchased or extraneous ornament.
Source identified
“Use the active voice.”
The rule favors direct sentence construction when it makes agency clearer, while the surrounding discussion still allows passive voice when context requires it.
Source note: The Elements of Style, Chapter III, Rule 10, Project Gutenberg #37134; Strunk immediately qualifies the rule by noting legitimate uses of passive construction.
Source identified
“Vigorous writing is concise.”
Strunk links force with economy: prose becomes stronger when each word contributes to the sentence rather than merely increasing its length.
Source note: The Elements of Style, Chapter III, Rule 13, Project Gutenberg #37134; this sentence introduces the explanation of “Omit needless words.”
Source identified
“Keep related words together.”
Placing modifiers and connected elements near one another reduces ambiguity and makes the grammatical relationships in a sentence easier to understand.
Source note: The Elements of Style, Chapter III, Rule 16, Project Gutenberg #37134; the following examples focus on avoiding misplaced modifiers and broken relationships.
Source identified
“Beauty is truth, truth beauty”
The compressed closing formula binds beauty and truth inside the ode’s meditation on art, inviting interpretation rather than offering a settled philosophical definition.
Source note: “Ode on a Grecian Urn,” in Keats: Poems Published in 1820; Project Gutenberg #23684. The words are presented as the urn’s closing message, so the source page preserves the dramatic-poetic framing.