Source identified1
“Murder your darlings.”
The memorable command advises writers to delete showy passages they love when those passages serve vanity or ornament more than the work as a whole.
Source note: On the Art of Writing, Lecture XII, “On Style,” Project Gutenberg #17470; the phrase concludes Quiller-Couch’s warning against purchased or extraneous ornament.
Source identified2
“Literature is a living art, to be practised.”
The short formulation emphasizes that literary skill develops through use and practice rather than through passive admiration of established works alone.
Source note: On the Art of Writing, Lecture XII, “On Style,” Project Gutenberg #17470; excerpted from Quiller-Couch’s summary of the course.
Source identified3
“Style, for example, is not—can never be—extraneous Ornament.”
Style is separated from decoration added after the fact; effective prose should grow from the thought, purpose, voice and structure of the writing itself.
Source note: On the Art of Writing, Lecture XII, “On Style,” Project Gutenberg #17470; typographic dashes are normalized from the represented plain-text edition.
Source identified4
“Jargon, which is not so much bad writing as the avoidance of writing.”
Jargon is criticized as evasive language that circles around meaning instead of doing the harder work of choosing direct, responsible words.
Source note: On the Art of Writing, Lecture VI, Project Gutenberg #17470; Quiller-Couch is recalling the preceding lecture’s argument about jargon and prose.
Source identified5
“Literature is not a mere Science, to be studied; but an Art, to be practised.”
Quiller-Couch treats literature as an active craft: serious understanding should eventually lead beyond analysis into the disciplined practice of making language.
Source note: On the Art of Writing, Preface, Project Gutenberg #17470; the sentence states the central premise of the Cambridge lecture series.
Source identified6
“We may not be capable of much; but we can all write better than that, if we take a little trouble.”
Improvement is framed as practical rather than mystical: even modest writers can remove avoidable weakness when they slow down and revise deliberately.
Source note: On the Art of Writing, Lecture V, “Interlude: On Jargon,” Project Gutenberg #17470; Quiller-Couch contrasts direct prose with inflated official phrasing.
Source identified7
“The first virtue, the touchstone of a masculine style, is its use of the active verb and the concrete noun.”
Behind the dated gendered phrase, the practical craft advice is to prefer active verbs and concrete nouns when they make prose more direct and intelligible.
Source note: On the Art of Writing, Lecture V, “Interlude: On Jargon,” Project Gutenberg #17470. “Masculine style” is retained as period wording, not endorsed as a gender standard.
Source identified8
“That you must master the secret for yourselves lay implicit in our bargain, and you were never promised that a writer's training would be easy.”
Learning to write is presented as demanding practice rather than a shortcut: difficulty belongs to the training and does not by itself signal failure.
Source note: On the Art of Writing, Lecture XII, “On Style,” Project Gutenberg #17470; excerpted from Quiller-Couch’s reminder that students must master craft for themselves.