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“In Wildness is the preservation of the World.”
Wild nature is presented not as useless space but as a preserving force for imagination, freedom, and human flourishing.
Source note: Essay “Walking”; Thoreau links uncultivated nature with renewal and human vitality.
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“The only way to get rid of a temptation is to yield to it.”
Voice: Fictional character · Lord Henry Wotton
The line is a deliberately seductive paradox rather than practical advice, expressing the character’s philosophy of appetite and indulgence.
Source note: The Picture of Dorian Gray, 1890 Lippincott magazine text, Chapter 2; Lord Henry states the temptation paradox while influencing Dorian in Basil Hallward’s garden.
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“Discourses on humility give occasion for pride to the boastful, and for humility to the humble.”
Pascal points to a self-referential danger: even learning or speaking about humility can become another stage for vanity unless a person is willing to examine the motives behind the performance.
Source note: The Thoughts of Blaise Pascal, C. Kegan Paul translation, Project Gutenberg #46921. The next sentence extends the paradox by observing how difficult it is to speak humbly about humility.
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“To define is to limit.”
Voice: Fictional character · Lord Henry Wotton
Definitions clarify ideas but can also narrow them, especially when a label is treated as the complete reality of a person or experience.
Source note: The Picture of Dorian Gray, 1891 edition, Chapter 17; Lord Henry answers the Duchess of Monmouth’s question “What are you?” with “To define is to limit.”
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“Forever — is composed of Nows —”
The future and the infinite are made from successive present moments, giving ordinary time a larger philosophical significance.
Source note: Poem 690; Dickinson builds the abstract idea of eternity from individual present moments.
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“A thing of beauty is a joy for ever.”
Keats opens the poem by claiming that beauty can continue to give delight beyond the instant in which it is first encountered.
Source note: Endymion, Book I, opening line; Project Gutenberg #24280. This is a poetic proposition within a Romantic work, not an empirical rule that every aesthetic experience remains pleasurable forever.