Source identified
“He who binds to himself a joy does the winged life destroy.”
Trying to possess a joyful moment permanently can damage it, while accepting impermanence allows experience to remain alive and free.
Source note: Short poem commonly titled “Eternity”; Blake contrasts grasping with the passing movement of joy.
Source identified
“It is eternity now.”
Jefferies collapses ordinary chronological distinctions into an intensely experienced present, describing the current moment as participation in eternity rather than a point merely passing toward the future.
Source note: The Story of My Heart, Chapter I; Project Gutenberg #2317. This is Jefferies’s speculative spiritual autobiography and the statement is philosophical-poetic, not a scientific theory of time.
Source identified
“The future is yet to come”
The brief phrase anchors Hazlitt’s argument that the future does not possess greater reality merely because it has not happened yet; he compares its status with the already completed past.
Source note: Table-Talk, essay III, “On the Past and Future.” This is a short excerpt from Hazlitt’s comparison of past, present and future, not a standalone prediction about what the future will contain.
Source identified
“Now is eternity; now is the immortal life.”
The repeated ‘now’ intensifies Jefferies’s claim that spiritual significance is experienced in the present rather than postponed to a distant future or afterlife.
Source note: The Story of My Heart, Chapter I; Project Gutenberg #2317. Jefferies is articulating a personal metaphysical intuition, so the source note preserves its spiritual and literary character.
Source identified
“In a world where all is fleeting, change alone endures.”
Stability is temporary, so practical judgment requires expecting change rather than treating present arrangements as permanent.
Source note: Counsels and Maxims, T. Bailey Saunders translation, in a discussion of fortune and apparent stability.
Source identified
“All the world’s a stage, and all the men and women merely players.”
Voice: Fictional character · Jaques
The metaphor treats life as a sequence of roles and stages, inviting reflection on identity, aging, and impermanence.
Source note: As You Like It, Act 2, Scene 7; Jaques introduces the famous seven-ages speech by comparing human life with a stage.