Browse 12 quotations connecting George Eliot with Family, with meanings, source notes and related themes.
Each quotation is included because its central idea connects with this theme, not simply because one matching word appears in the sentence.
Sources represented here include The Mill on the Floss, Silas Marner. Keeping the work and source note beside each quotation makes differences in setting, speaker and emphasis easier to see.
Sources represented here include The Mill on the Floss, Silas Marner.
“The little child had come to link him once more with the whole world.”
The child reverses Silas’s isolation by creating a relationship that reconnects him with ordinary human concern, neighborhood life, affection, and a future beyond his private hoard.
Source note: Silas Marner; Eliot describes the social and emotional change produced by Eppie after Silas had withdrawn from other people and organized life around his gold.
“There was love between him and the child that blent them into one, and there was love between the child and the world.”
Affection between caregiver and child becomes a bridge rather than a closed bond: loving the child also draws Silas outward toward the wider world she naturally engages.
Source note: Silas Marner; the narration emphasizes that Eppie’s attachment joins Silas not only to her but also to the social world from which he had retreated.
“Something had come to replace his hoard which gave a growing purpose to the earnings, drawing his hope and joy continually onward beyond the money.”
Money changes meaning when it serves a person rather than replacing relationship; caring for Eppie gives Silas’s work a forward-looking purpose that wealth alone had failed to provide.
Source note: Silas Marner; Eliot contrasts the former hoard with Eppie, whose needs and future redirect Silas’s earnings toward hope, relationship, and practical care.
“A hand is put into theirs, which leads them forth gently towards a calm and bright land, so that they look no more backward; and the hand may be a little child's.”
Recovery may arrive through relationship rather than argument: caring for another person can redirect attention from what was lost toward a future that again contains responsibility and hope.
Source note: Silas Marner; the image follows Eliot’s description of people being drawn away from destructive isolation, with a child’s hand representing the relationship that leads forward.
“My house is yours, mother, always”
Tom gives his mother an unconditional place in his home, presenting adult family duty as continuing practical support rather than a temporary obligation.
Source note: The Mill on the Floss, Book VII, Project Gutenberg #6688. Tom speaks to Mrs Tulliver as she prepares to leave with Maggie.
“My child! I'll go with you. You've got a mother.”
Mrs Tulliver’s immediate decision to accompany Maggie turns motherhood into concrete solidarity when her daughter expects rejection and isolation.
Source note: The Mill on the Floss, Book VII, Project Gutenberg #6688. Mrs Tulliver responds after Maggie returns under public condemnation.
“bear it well, because we love you; your children will always love you.”
Maggie offers her father an assurance that bankruptcy does not cancel his children’s attachment, separating family love from public or financial failure.
Source note: The Mill on the Floss, Book III, Project Gutenberg #6688. Maggie speaks to her father when he realizes the extent of the bankruptcy.
“Don't fret, mother. I shall soon be able to get money; I'll get a situation of some sort.”
Tom responds to family financial collapse by trying to reassure his mother and assuming responsibility for earning, showing duty emerging under pressure.
Source note: The Mill on the Floss, Book III, Project Gutenberg #6688. Tom speaks after the Tulliver bankruptcy; the line belongs to a fictional family crisis.
“you mustn't think o' running away from father. What 'ud father do without his little wench?”
Mr Tulliver answers a child’s impulse to run away by stressing reciprocal attachment: Maggie matters to her father as much as she depends on him.
Source note: The Mill on the Floss, Book I, Project Gutenberg #6688. Mr Tulliver speaks to Maggie; dialect and fictional voice are retained rather than normalized into authorial advice.
“the two children forgot everything else in the sense that they had one father and one sorrow.”
Shared grief temporarily overrides conflict between Tom and Maggie, revealing their sibling bond through the experience of loving and fearing for the same father.
Source note: The Mill on the Floss, Book III, Project Gutenberg #6688. Narrator commentary while Tom and Maggie sit beside their father.
“the mother pleased herself with wearing out her own hands to save the hands that had so much more life in them.”
The narrator depicts maternal sacrifice through physical labour, showing Mrs Tulliver taking extra wear upon herself to preserve more possibility for her daughter.
Source note: The Mill on the Floss, Book IV, Project Gutenberg #6688. Narrator commentary on Mrs Tulliver's work for Maggie; the period gender context remains part of the scene.
“Her father had always defended and excused her, and her loving remembrance of his tenderness was a force within her”
Remembered parental tenderness becomes a source of endurance for Maggie when her father is vulnerable, showing how earlier care continues to shape later loyalty.
Source note: The Mill on the Floss, Book III, Project Gutenberg #6688. Narrator commentary on Maggie beside her father after the family's collapse.