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George Eliot Quotes About Trust

Browse 7 quotations connecting George Eliot with Trust, with meanings, source notes and related themes.

Sources

Where these trust quotations appear

Sources represented here include The Mill on the Floss, Silas Marner, Daniel Deronda.

7 shown
Quotations

7 matching quotations with meanings and source context

Source identified1
every unostentatious word or smile that shows a heart awake to others

“every unostentatious word or smile that shows a heart awake to others”

Voice: Narrator voice · Narrator

The phrase values small, unshowy signs of attention because they reveal active awareness of other people rather than performative benevolence.

Source details

Daniel Deronda; narrator-level phrase in a passage about unnoticed social influence and responsiveness to others.

Source identified2
What do we live for, if it is not to make life less difficult to each other?

“What do we live for, if it is not to make life less difficult to each other?”

Voice: Fictional character · Dorothea Brooke

A meaningful life is connected with reducing other people’s burdens, making usefulness and care central rather than peripheral.

Source details

Middlemarch, Book VIII, Chapter LXXII, Project Gutenberg #145. Dorothea asks what people live for if not to make life less difficult for one another while arguing that Lydgate’s friends should investigate the calumny against him and support him. It is fictional character dialogue inside the novel’s moral and social drama, not an empirical definition of life’s purpose.

Source identified3
The little child had come to link him once more with the whole world.

“The little child had come to link him once more with the whole world.”

Voice: Narrator voice · Narrator

The child reverses Silas’s isolation by creating a relationship that reconnects him with ordinary human concern, neighborhood life, affection, and a future beyond his private hoard.

Source details

Silas Marner; Eliot describes the social and emotional change produced by Eppie after Silas had withdrawn from other people and organized life around his gold.

Source identified4
There was love between him and the child that blent them into one, and there was love between the child and the world.

“There was love between him and the child that blent them into one, and there was love between the child and the world.”

Voice: Narrator voice · Narrator

Affection between caregiver and child becomes a bridge rather than a closed bond: loving the child also draws Silas outward toward the wider world she naturally engages.

Source details

Silas Marner; the narration emphasizes that Eppie’s attachment joins Silas not only to her but also to the social world from which he had retreated.

Source identified5
My child! I'll go with you. You've got a mother.

“My child! I'll go with you. You've got a mother.”

Voice: Fictional character · Mrs. Tulliver

Mrs Tulliver’s immediate decision to accompany Maggie turns motherhood into concrete solidarity when her daughter expects rejection and isolation.

Source details

The Mill on the Floss, Book VII, Project Gutenberg #6688. Mrs Tulliver responds after Maggie returns under public condemnation.

Source identified6
you mustn't think o' running away from father. What 'ud father do without his little wench?

“you mustn't think o' running away from father. What 'ud father do without his little wench?”

Voice: Fictional character · Mr. Tulliver

Mr Tulliver answers a child’s impulse to run away by stressing reciprocal attachment: Maggie matters to her father as much as she depends on him.

Source details

The Mill on the Floss, Book I, Project Gutenberg #6688. Mr Tulliver speaks to Maggie; dialect and fictional voice are retained rather than normalized into authorial advice.

Source identified7
the mother pleased herself with wearing out her own hands to save the hands that had so much more life in them.

“the mother pleased herself with wearing out her own hands to save the hands that had so much more life in them.”

Voice: Narrator voice · Narrator

The narrator depicts maternal sacrifice through physical labour, showing Mrs Tulliver taking extra wear upon herself to preserve more possibility for her daughter.

Source details

The Mill on the Floss, Book IV, Project Gutenberg #6688. Narrator commentary on Mrs Tulliver's work for Maggie; the period gender context remains part of the scene.

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