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108 quotations

Fear quotes

Source-backed quotations about anxiety, courage, imagination, risk, self-command, and the difference between danger and the stories we tell about it.

Topic guide

How to read fear quotes without flattening the idea

Fear can mean different things in different sources. This collection treats the topic as a question to investigate through multiple voices rather than as a keyword that automatically deserves a list. This collection includes 108 quotations across 53 authors or source voices and 82 named sources.

Compare wording, author, source, and explanation. Keep the line that clarifies the idea you actually need and follow its source when context changes the meaning. Useful neighboring ideas include Courage, Short, Strength, Inspirational, Motivational, Hope.

Four lenses worth comparing

  • Danger versus imagination — one way to turn a broad fear theme into a more precise reading question.
  • Courage and self-command — one way to turn a broad fear theme into a more precise reading question.
  • Risk and uncertainty — one way to turn a broad fear theme into a more precise reading question.
  • Stories the mind adds to events — one way to turn a broad fear theme into a more precise reading question.

What this collection contains

Voices: Seneca, Publilius Syrus, Marcus Aurelius, Paul the Apostle, William Shakespeare.

Sources: The Moral Sayings of Publius Syrus, If—, Thoughts of Marcus Aurelius Antoninus, Moral letters to Lucilius, An Essay on Criticism.

The page does not assume that popularity makes an attribution accurate or that a memorable sentence settles a complicated subject.

Questions worth asking: What does this source mean by fear? Which part depends on the original context? Which other author offers a different answer? And what would change in practice if you accepted the line as good advice?
Start here

Four ways into this fear collection

Browse by reading angle

Different ways into these fear quotes

These are reading groupings of the same quotations.

Reflective & philosophical

Quotations connected with deeper interpretation, perspective, philosophy, or sustained thought.

  1. “The righteous are bold as a lion.” — Proverbs · King James Bible — Proverbs 28:1
  2. “The better part of valour is discretion.” — William Shakespeare · Henry IV, Part 1
  3. “Fools rush in where angels fear to tread.” — Alexander Pope · An Essay on Criticism
  4. “To be, or not to be: that is the question.” — William Shakespeare · Hamlet
  5. “Hell is empty and all the devils are here.” — William Shakespeare · The Tempest

Practical & action-oriented

Lines connected with action, discipline, effort, habits, work, or perseverance.

  1. “calmness amid storm” — William Osler · Aequanimitas
  2. “It is not the critic who counts.” — Theodore Roosevelt · Citizenship in a Republic
  3. “Let us not be weary in well doing.” — Paul the Apostle · King James Bible — Galatians 6:9
  4. “No right way is easy in this rough world.” — John Muir · Stickeen
  5. “Courage cannot be cast down by adversity.” — Publilius Syrus · The Moral Sayings of Publius Syrus

Growth through difficulty

Material about failure, adversity, recovery, resilience, or learning from pressure.

  1. “calmness amid storm” — William Osler · Aequanimitas
  2. “It is not the critic who counts.” — Theodore Roosevelt · Citizenship in a Republic
  3. “Fear thou not; for I am with thee.” — Isaiah · King James Bible — Isaiah 41:10
  4. “Let us not be weary in well doing.” — Paul the Apostle · King James Bible — Galatians 6:9
  5. “hope for the patience to win my freedom.” — Rabindranath Tagore · Fruit-Gathering

Earlier sources

Older works represented in the collection, useful for comparing how the topic changes across time.

  1. “calmness amid storm” — William Osler · Aequanimitas
  2. “Be still, and know that I am God.” — King James Bible · King James Bible — Psalm 46:10
  3. “The righteous are bold as a lion.” — Proverbs · King James Bible — Proverbs 28:1
  4. “Fear thou not; for I am with thee.” — Isaiah · King James Bible — Isaiah 41:10
  5. “Let us not be weary in well doing.” — Paul the Apostle · King James Bible — Galatians 6:9
Large collection guide

How to use this fear collection

Compare ideas, voices and source contexts before choosing a line.

Read through four lenses

  • danger versus imagination
  • courage and self-command
  • risk and uncertainty
  • stories the mind adds to events

These lenses help separate different meanings inside a broad topic.

Collection at a glance

108 quotations from 53 voices and 82 named sources.

Length mix: 93 short · 11 medium · 4 long.

Reading tip: Compare two or three authors, then open the source note for a quotation you plan to reuse.
Reading synthesis

What to compare before treating a fear quote as advice

The writers represented here do not necessarily agree with one another.

Three tensions worth keeping visible

  • danger versus imagination versus courage and self-command
  • risk and uncertainty versus stories the mind adds to events
  • a memorable line versus the fuller argument found in its source context

Read across disagreement, era and source

Frequently represented voices include Seneca, Publilius Syrus, Marcus Aurelius, Paul the Apostle. Frequently represented works include The Moral Sayings of Publius Syrus, If—, Thoughts of Marcus Aurelius Antoninus, Moral letters to Lucilius.

Nearby themes such as Courage, Short, Strength, Inspirational, Motivational can help narrow the question.

Context question: Before reusing a line, ask whether its claim depends on the larger argument, the genre of the source, or a historical setting that disappears when the sentence is isolated.
Collection map

How these fear quotations are spread across voices, sources and eras

Historical spread

  • Ancient / classical9 quotations
  • Ancient / medieval20 quotations
  • 1500s–1600s25 quotations
  • 1700s5 quotations
  • 1800s26 quotations
  • 1900s and later19 quotations
  • Undated / traditional4 quotations

Variety in the collection

53 distinct voices across 108 quotations and 82 named sources.

Representative voices

  1. “calmness amid storm” — William Osler · Aequanimitas
  2. “It is not the critic who counts.” — Theodore Roosevelt · Citizenship in a Republic
  3. “Be still, and know that I am God.” — King James Bible · King James Bible — Psalm 46:10
  4. “I shall obey God rather than you.” — Plato · Apology

Frequently represented works

  1. The Moral Sayings of Publius Syrus7 quotations · 1st century BCE
  2. If—4 quotations · 1910
  3. Thoughts of Marcus Aurelius Antoninus4 quotations · c. 170 CE
  4. Moral letters to Lucilius3 quotations · c. 65
  5. An Essay on Criticism2 quotations · 1711
  6. Citizenship in a Republic2 quotations · 1910
Compare voices

How different writers approach fear

Use these representative lines as a starting point before reading the full collection.

Seneca11 quotations in this topic

“For sometimes it is an act of bravery even to live.”

Moral Letters to Lucilius — Letter 78 · c. 65Read meaning & context →
Authors and sources

Who speaks here, and which works are represented?

108 shown
Source identified1
“calmness amid storm”

The compact metaphor describes steadiness under pressure: difficulty remains present, but it need not dictate the quality of judgment or conduct.

Source note: Aequanimitas, 1889 valedictory address. Osler uses the phrase while defining imperturbability for physicians and surgeons; it is retained as a professional ideal in its historical medical setting.

Source identified4
“I shall obey God rather than you.”
Voice: Dialogue speaker · Socrates

Socrates presents moral and philosophical duty as more binding than compliance with pressure from political authority.

Source note: Apology, Jowett translation; Socrates says he would continue practicing philosophy even if acquittal were conditioned on silence.

Source identified13
“No right way is easy in this rough world.”

Difficulty does not automatically mean the chosen course is wrong; worthwhile action can require courage and persistence through genuinely hard conditions.

Source note: Stickeen; Muir says this while attempting a dangerous glacier crossing, tying the line to immediate physical risk rather than abstract motivational language.

Source identified27
“This ground is hallowed by the heroes of defeat.”

The phrase grants dignity to people who struggled without conventional victory, reframing defeat as compatible with courage and a life still worthy of remembrance.

Source note: Memories and Portraits, in Stevenson’s reflection on graves and failed lives; Project Gutenberg #381. The sentence is literary commemoration, not a claim that every defeat is heroic.

Source identified28
“There was no help for it, however, but to go on.”
Voice: Quoted historical voice · George Stephenson

During the Chat Moss crisis, continuing became the practical choice after heavy investment and discouraging expert opinion had narrowed the alternatives.

Source note: The Life of George Stephenson and of his Son Robert Stephenson, Chapter XI, “Chat Moss—Construction of the Railway”; represented 1868 revised edition, Project Gutenberg #46229. Smiles records Stephenson’s first-person recollection of the directors’ crisis over Chat Moss in quoted speech.

Source identified34
“Let us stand by our duty, fearlessly and effectively.”

Once a moral and political conclusion has been reached, Lincoln argues that intimidation and evasive compromise should not displace the duty that follows from that judgment.

Source note: Cooper Union Address, February 27, 1860. The sentence appears in Lincoln’s closing argument about opposing slavery’s spread and should not be detached into a context-free command about every disputed duty.

Source identified36
“Doubt of any sort cannot be removed except by Action.”
Voice: Fictional narrator · Diogenes Teufelsdröckh (framed voice)

The fictional philosophy presented in Sartor argues that some uncertainty becomes clearer only after conduct tests an idea in experience rather than allowing speculation to continue without limit.

Source note: Sartor Resartus, Book II, Chapter IX; Project Gutenberg #1051. The line is voiced within the Teufelsdröckh framework and is therefore source-attributed to the work rather than treated as uncomplicated Carlyle autobiography.

Source identified37
“Our errors are surely not such awfully solemn things.”

James resists treating every possible intellectual mistake as catastrophic, because an excessive fear of error can itself prevent inquiry, experience and the possibility of gaining truth.

Source note: The Will to Believe, essay “The Will to Believe”; Project Gutenberg #26659. James is contrasting the risk of being mistaken with the cost of refusing every uncertain intellectual venture.

Source identified45
“To see what is right and not to do it is want of courage.”

Recognizing the right course is incomplete if fear or convenience prevents a person from acting on that judgment.

Source note: The Analects of Confucius, James Legge’s public-domain English translation; Book II connects moral recognition with the courage required for action.

Source identified49
“In life and death a chainless soul, With courage to endure.”

The closing wish joins freedom with endurance, defining courage not as control over events but as keeping the soul unchained through them.

Source note: “The Old Stoic,” Project Gutenberg #1019. This is the poem’s closing aspiration and remains a literary statement rather than medical or psychological guidance.

Source identified53
“Yet I did hope for success, and persisted in the undertaking.”

Douglass links hope with continued effort: uncertainty about the outcome does not prevent him from persisting in a difficult undertaking.

Source note: My Bondage and My Freedom; Douglass is recounting one of the practical struggles through which persistence accompanied his pursuit of greater freedom and independence.

Source identified56
“Taking a new step, uttering a new word is what they fear most.”
Voice: Fictional character · Raskolnikov

The thought notices how novelty can feel more threatening than familiar difficulty, but in the novel it belongs to Raskolnikov while he is approaching a contemplated crime, so it is not presented as generic motivational advice.

Source note: Crime and Punishment, Part I, Chapter I, Constance Garnett translation, Project Gutenberg #2554. Raskolnikov thinks this while walking toward the pawnbroker during his 'rehearsal'; the surrounding monologue is morally compromised and intentionally unstable.

Source identified59
“Reverencing the rights of humanity, I shall dare to assert them.”

Wollstonecraft presents public argument as an obligation to defend human rights even when ridicule or social pressure makes such advocacy uncomfortable.

Source note: A Vindication of the Rights of Men, opening pages; the sentence immediately follows her statement that she contends for the rights of men and liberty of reason.

Source identified61
“The thinker has to decide, to choose; and there is always a risk.”

Choosing among plausible interpretations necessarily involves uncertainty, so sound thinking requires a cautious selection that remains open to confirmation or correction by later events.

Source note: How We Think, Chapter VIII. The sentence concerns choosing the idea or principle relevant to a perplexing situation; the next clause says the prudent thinker selects warily, subject to later confirmation or frustration.

Source identified62
“I am not afraid of storms, for I am learning how to sail my ship.”
Voice: Fictional character · Amy March Laurence

Difficulty becomes part of learning rather than proof that progress is impossible; skill grows while the storm is being navigated.

Source note: Little Women; the represented public-domain text places the sailing metaphor inside the novel’s broader language of learning through difficulty.

Source identified64
“The art of life is more like the wrestler’s art than the dancer’s.”

Life requires readiness for unexpected pressure, closer to maintaining balance in a contest than performing a fully choreographed sequence.

Source note: Meditations, Book VII, section 61, George Long translation; the full sentence emphasizes readiness for sudden and unexpected onsets.

Source identified65
“From that moment, I understood the pathway from slavery to freedom.”

Understanding why enslavers feared literacy revealed education as a route toward agency, turning reading into a concrete part of Douglass’s pursuit of freedom.

Source note: Narrative, Chapter VI; Douglass recalls hearing Hugh Auld argue that literacy would make him unfit for slavery.

Source identified67
“Courage is resistance to fear, mastery of fear—not absence of fear.”
Voice: Epigraph / fictional source voice · Pudd’nhead Wilson’s Calendar

Courage is defined as governing fear rather than never feeling it, which makes courage compatible with vulnerability.

Source note: Pudd’nhead Wilson, Pudd’nhead Wilson’s Calendar; the courage aphorism appears in Twain’s chapter-epigraph sequence and is preserved as a Calendar maxim rather than character dialogue.

Source identified69
“I am not afraid. I shall not be afraid. In some way I shall get out.”
Voice: Fictional character · Marco Loristan

Faced with immediate confinement and uncertainty, Marco turns fear into a commitment to keep looking for a way out rather than surrendering to panic.

Source note: The Lost Prince; Project Gutenberg #384. Marco is trapped during the fictional mission; the line describes literary courage and does not advise ignoring real-world danger.

Source identified72
“Who is content needs fear no shame. Who knows to stop incurs no blame.”

Knowing what is enough protects dignity from endless comparison and acquisition; the ability to stop becomes part of self-respect rather than evidence of insufficient ambition.

Source note: Tao Teh King, chapter 44, James Legge translation; these compact poetic lines follow a contrast among fame, life, and wealth.

Source identified74
“how anxious they are that your school life here will not be successful.”

Washington asks students to imagine the concern carried by people close to them, turning family anxiety into a reason to take school responsibilities seriously.

Source note: Character Building, “Growth,” Project Gutenberg #60484. The line sits inside a longer appeal to remember parents and others invested in the student’s success.

Source identified75
“The moral fear of shame had risen superior to the physical fear of harm.”
Voice: Dialogue speaker · Old Man

The dialogue describes competing fears rather than fearlessness: social shame can become strong enough to override the immediate impulse to escape physical danger.

Source note: What Is Man?, Old Man describing the imagined timid soldier in battle; the example analyzes how one learned pressure may overpower another fear.

Source identified79
“A certain kind of self-respect or native pride is necessary to a good life.”

Russell treats a durable sense of inward worth as necessary for living without surrendering completely to defeat, pressure or external judgment.

Source note: Political Ideals, discussion of what social institutions should make possible for individuals. Russell immediately connects self-respect with courage, hope and living by the best within oneself despite obstacles.

Source identified80
“My long-crushed spirit rose, cowardice departed, bold defiance took its place.”

Resistance restored a sense of personhood and self-command, marking a psychological turning point even before Douglass obtained legal freedom.

Source note: Narrative, Chapter X; the line follows Douglass’s physical resistance to Edward Covey and precedes his resolve never again to be a slave in fact.

Source identified81
“Let me not pray to be sheltered from dangers but to be fearless in facing them.”

The prayer asks not for the removal of danger but for courage within it, shifting the desired response from guaranteed safety toward steadiness under difficulty.

Source note: Fruit-Gathering, poem LXXIX, translated by Tagore from Bengali; Project Gutenberg #6522. The line is explicitly prayer language and should not be read as advice to ignore real safety precautions.

Source identified84
“Cowards die many times before their deaths; the valiant never taste of death but once.”
Voice: Fictional character · Julius Caesar

The contrast suggests that repeated fear can make a person suffer imagined losses long before the real event arrives.

Source note: Julius Caesar, Act 2, Scene 2; Caesar contrasts repeated imagined fear with the single reality of death.

Source identified86
“For I now call a freedom from anxiety a security, on which freedom a happy life depends.”
Voice: Dialogue speaker · M. (Cicero’s dialogue persona)

Cicero treats inner security as freedom from destabilizing anxiety, making mental steadiness an important condition of a genuinely happy and self-directed life.

Source note: Tusculan Disputations, Book V; Cicero discusses security as freedom from anxiety within a larger argument about virtue, stability, and the conditions of happiness.

Source identified88
“I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.”
Voice: Fictional narrator · J. (first-person narrator)

Nothing physical has changed, but the narrator’s interpretation has transformed completely; the comic contrast shows how anxious reading can alter felt experience without new evidence.

Source note: Three Men in a Boat, Chapter I; this sentence ends the British Museum self-diagnosis sequence.

Source identified90
“What then? have you not received greatness of heart, received courage, received fortitude?”

The rhetorical question redirects attention from hardship toward capacities already available for meeting it—courage, endurance, and largeness of spirit.

Source note: The Golden Sayings of Epictetus, saying XIV, in the passage comparing life’s difficulties with enduring the Olympic festival.

Source identified91
“There mark what Ills the Scholar's Life assail; Toil, Envy, Want, the Garret, and the Jail.”

The poem refuses to romanticize scholarship by listing labor, envy, poverty and danger among the possible companions of intellectual ambition.

Source note: The Vanity of Human Wishes; the couplet follows Johnson’s invitation to pause from learning to be wise and belongs to a cautionary satire on human wishes.

Source identified93
“For God hath not given us the spirit of fear; but of power, and of love, and of a sound mind.”

Fear is contrasted with capacities for strength, care, and disciplined judgment, encouraging action that is not governed solely by anxiety.

Source note: 2 Timothy 1:7 in the King James Version; the verse contrasts fear with power, love, and disciplined-mindedness.

Source identified95
“And, though I have grown serene And strong since then, I think that God has willed A still renewable fear.”

The speaker recognizes real growth in serenity and strength while admitting that earlier sorrow still leaves a fear that can return.

Source note: Sonnets from the Portuguese, Sonnet XXXVI; Project Gutenberg #2002. The growth is emotional and relational within the poem, not a clinical recovery benchmark.

Source identified96
“Thou must be like a promontory of the sea, against which though the waves beat continually, yet it stands.”

The image recommends steadiness under repeated pressure: external disturbance can arrive continuously without requiring inner collapse.

Source note: Meditations, Book IV, in the public-domain Casaubon-style English text distributed by Project Gutenberg.

Source identified98
“Yet nothing sets us free from these alternations of hope and fear so well as always fixing some limit to our successes.”

Seneca links tranquility with limits: endless ambition keeps hope and fear alternating, while defining enough can reduce dependence on uncertain future gains.

Source note: Of Peace of Mind; Seneca argues that setting limits to success helps interrupt the repeated swing between expectation and fear.

Source identified99
“grudge no expense of trouble, patience, or courage, in the striving to accomplish the hard thing you have set yourselves to do.”

Addressing art students, Morris emphasizes the persistence, patience and courage needed to carry difficult creative work toward the standard the maker has chosen.

Source note: Hopes and Fears for Art, lecture “The Art of the People”; Project Gutenberg #3773. The counsel is explicitly directed to people studying or practicing art.

Source identified100
“Sorrow and gladness, suffering and enjoyment, hope and fear, hatred and love, ignorance and enlightenment, are nowhere but in the heart.”

The sentence places emotional interpretation inside the mind, emphasizing how inner conditions shape the way external events are experienced and understood.

Source note: Out from the Heart; Allen lists contrasting mental conditions while arguing that the inner life strongly shapes experience.

Source identified101
“He who has tasted the sweetness of solitude and tranquillity, is free from fear and free from sin, while he tastes the sweetness of drinking in the law.”

Solitude is valued because it can create conditions for tranquility and sustained attention, not because isolation itself is always preferable to human connection.

Source note: Dhammapada 205, Max Müller translation; the verse joins solitude and tranquillity with “drinking in the law,” preserving its religious context.

Source identified102
“whoever may Discern true ends here, shall grow pure enough To love them, brave enough to strive for them, And strong to reach them though the roads be rough”

The political poem links clearer ends with the character needed to pursue them, moving from discernment to courage, effort and persistence on a difficult road.

Source note: Casa Guidi Windows, Part II; Project Gutenberg #31015. Browning is writing specifically about Tuscan and Italian political freedom, so the excerpt is not detached from its Risorgimento context.

Source identified103
“When we speak of Clive, Nelson, and Putnam as men who “didn’t know what fear was,” we ought always to add the flea—and put him at the head of the procession.”
Voice: Epigraph / fictional source voice · Pudd’nhead Wilson’s Calendar

The heroic comparison is deliberately deflated by promoting the flea above famous military figures, exposing how literalizing a cliché can make grand praise sound ridiculous.

Source note: Pudd’nhead Wilson, Calendar epigraph before the chapter section in which the flea comparison appears.

Source identified104
“If a man's thoughts are not dissipated, if his mind is not perplexed, if he has ceased to think of good or evil, then there is no fear for him while he is watchful.”

The verse connects watchfulness with freedom from mental scattering and fear, describing a mind that is not constantly pulled apart by confused or reactive thought.

Source note: Dhammapada 39, Max Müller translation; its religious vocabulary belongs to the text’s discipline of watchful thought and should not be reduced to a clinical claim about anxiety.

Source identified105
“I believe in some blending of hope and sunshine sweetening the worst lots. I believe that this life is not all; neither the beginning nor the end. I believe while I tremble; I trust while I weep.”
Voice: Fictional narrator · Lucy Snowe

Lucy Snowe holds hope and fear at the same time; endurance here does not require the disappearance of trembling or grief before trust becomes possible.

Source note: Villette, late in the novel; spoken in the first-person narrative voice of the fictional Lucy Snowe. The religious hope belongs to Lucy’s character and scene, not a direct autobiographical declaration by Charlotte Brontë.

Source identified106
“Man never rises to the dignity of true living until he has the courage that dares to face ingratitude calmly, and to pursue his course unchanged when his good works meet with thanklessness or disdain.”

Jordan separates the worth of principled action from the applause it receives, arguing that worthwhile conduct sometimes has to continue without gratitude or recognition.

Source note: The Power of Truth, “The Courage to Face Ingratitude.” Project Gutenberg #56020; first published August 1902. Jordan’s standard is moral perseverance, not indifference to all criticism.

Source identified107
“It is a most extraordinary thing, but I never read a patent medicine advertisement without being impelled to the conclusion that I am suffering from the particular disease therein dealt with in its most virulent form.”
Voice: Fictional narrator · J. (first-person narrator)

The narrator’s self-diagnosis escalates every advertisement into a personal medical crisis, satirizing suggestibility and the way anxious reading can turn ordinary sensations into certainty.

Source note: Three Men in a Boat, Chapter I; the narrator explains why every patent-medicine advertisement convinces him he has the advertised disease.

Source identified108
“The scientific attitude of mind involves a sweeping away of all other desires in the interests of the desire to know—it involves suppression of hopes and fears, loves and hates, and the whole subjective emotional life, until we become subdued to the material, able to see it frankly, without preconceptions, without bias, without any wish except to see it as it is, and without any belief that what it is must be determined by some relation, positive or negative, to what we should like it to be, or to what we can easily imagine it to be.”

Inquiry becomes more reliable when the wish to know is allowed to challenge hopes, fears and preferences that would otherwise predetermine the answer.

Source note: Mysticism and Logic and Other Essays, “The Place of Science in a Liberal Education.” Russell continues by describing an attempt to see material frankly, without preconception or wishful bias.

Read beyond the line

Compare the idea, then check the source context

A memorable sentence can change meaning when separated from its original work. Each card keeps the author, source, source note and explanation together.

Use quotations carefully

One line rarely settles a complicated subject

Compare writers, genres and time periods before treating a quotation as advice or a complete statement of an author’s view.

Questions about this collection

How to use these fear quotes

What do these fear quotes focus on?

The collection brings together quotations whose central idea connects with fear. The topic guide and related themes help distinguish different ways authors approach the idea.

Which authors and sources appear here?

Representative voices include Seneca, Publilius Syrus, Marcus Aurelius. Representative sources include The Moral Sayings of Publius Syrus, If—, Thoughts of Marcus Aurelius Antoninus. Author and source links make it easy to continue reading in context.

How should I read the attribution labels?

“Source identified” means the quotation is connected with a named source. “Attribution review” or “Disputed” signals that the attribution needs extra caution. Editions, punctuation and translations can still vary.

Why include a meaning under every quote?

A memorable line can be flattened or misread when separated from its context. The explanation states the immediate idea in new wording, while source notes flag where genre, scene, speaker or translation matters.

Can I use one of these fear quotes in a message, caption, speech or journal?

Yes, but choose for fit rather than popularity. Check the author and source, avoid changing wording in a way that alters the meaning, and consider whether the line suits your situation and audience.

What if a quotation or attribution seems wrong?

Check the source note and verification label first. If stronger evidence changes the attribution, wording or source context, the record can be corrected. See the verification method for details.