Source identified
“For grief indeed is love and grief beside.”
The sonnet treats grief as attachment plus the pain attached to what has been lost, refusing to separate sorrow cleanly from love.
Source note: Sonnets from the Portuguese, Sonnet XXXV; Project Gutenberg #2002. The statement is part of an intimate love sonnet shaped by earlier bereavements.
Source identified
“Parting is such sweet sorrow.”
Voice: Fictional character · Juliet
The phrase holds affection and pain together: separation hurts precisely because the relationship being left is valued.
Source note: Romeo and Juliet, Act 2, Scene 2; Juliet speaks as the lovers part for the night.
Source identified
“Trust love even if it brings sorrow. Do not close up your heart.”
The advice refuses to make sorrow a reason for emotional withdrawal, presenting openness to love as worthwhile even when attachment can also bring pain.
Source note: The Gardener, poem 27; Project Gutenberg #6686. This is dialogue within a lyric sequence, and the surrounding exchange explicitly pairs love with tears and enduring sorrow.
Source identified
“Remember me when I am gone away, Gone far away into the silent land.”
The opening request names anticipated separation directly, making remembrance part of how love is imagined continuing after the speaker is gone.
Source note: “Remember,” first published in Goblin Market and Other Poems (1862); Project Gutenberg #16950. The sonnet later softens this request by allowing compassionate forgetting rather than demanding perpetual grief.
Source identified
“And ever has it been that love knows not its own depth until the hour of separation.”
Separation can expose the depth of attachment that ordinary familiarity concealed, making loss a painful measure of how much the bond mattered.
Source note: The Prophet, “On Love.”
Source identified
“The course of true love never did run smooth.”
Voice: Fictional character · Lysander
Love is described as complicated rather than frictionless, which makes the line a durable reminder against idealizing relationships.
Source note: A Midsummer Night’s Dream, Act 1, Scene 1; Lysander says this to Hermia while describing the obstacles that repeatedly frustrate lovers. It is character dialogue inside their threatened relationship.