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“The past is never more than an experiment.”
Past conduct provides information rather than an unchangeable verdict; Bennett uses that distinction to argue that present habits can still be revised.
Source note: Mental Efficiency, “Breaking with the Past.” The sentence frames prior experience as material for correction rather than a permanent identity.
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“For life goes not backward nor tarries with yesterday.”
Life continues forward despite attachment to what has already happened, so care for the past cannot make the present remain there.
Source note: The Prophet, “On Children”; Gibran contrasts parents’ memory of yesterday with children belonging to a life that moves forward.
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“For of all sad words of tongue or pen, The saddest are these: “It might have been!””
Voice: Poetic speaker · Narrator of “Maud Muller”
Whittier compresses regret into the imagined alternative life: both Maud and the Judge later measure their ordinary lives against a possibility neither chose when they briefly met.
Source note: “Maud Muller,” in The Works of Whittier, Volume I, Project Gutenberg #9567. The poem first shows both characters imagining the life they might have shared, then calls “It might have been” the saddest formulation before ending with a separate note of hope.
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“Regrets are the natural property of grey hairs; and I enjoy, in common with all other men, at least my share of such inheritance.”
Voice: Fictional character · Old Martin Chuzzlewit
Old Martin treats regret as an almost ordinary inheritance of age: living long enough produces memories of choices, estrangements and missed opportunities that cannot all be revisited without hindsight.
Source note: Martin Chuzzlewit, Chapter X, Project Gutenberg #968. Old Martin Chuzzlewit says this while speaking to Pecksniff. The scene is part of a deliberately strategic performance inside the novel, so the maxim remains attached to the character rather than being flattened into direct Dickens autobiography.
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“The readiness is all.”
Voice: Fictional character · Hamlet
The emphasis is not on controlling every outcome but on meeting what comes with preparedness and acceptance.
Source note: Act 5, Scene 2.
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“What’s past is prologue.”
Voice: Fictional character · Antonio
The past is framed as context rather than the whole story, leaving the future open to further action.
Source note: The Tempest, Act 2, Scene 1; Antonio says this while urging Sebastian toward a conspiracy against Alonso. The phrase is therefore embedded in morally compromised dramatic persuasion rather than neutral advice.