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“All that is great in man comes of labour;—greatness in art, in literature, in science.”
Smiles presents major artistic, literary and scientific achievement as inseparable from labour, reflecting the book’s strong Victorian ethic of industry.
Source note: Thrift, Chapter I, “Industry,” Project Gutenberg #14418. Smiles broadens his defence of labour from material production to art, literature, science and knowledge; the universal wording is his historical moral claim, not an empirical rule that effort alone guarantees greatness.
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“The noblest poem cannot be elaborated, and send down its undying strains into the future, without steady and painstaking labour.”
Poetic achievement is used as an example of creative work requiring patient elaboration rather than appearing complete in a single burst.
Source note: Thrift, Chapter I, “Industry,” Project Gutenberg #14418. The sentence follows Smiles’s claim that useful and beautiful thoughts arise from sustained intellectual work and uses poetry as one example of painstaking creative labour.
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“If you would make anything a habit, do it.”
Habit formation is reduced to repeated action: the behavior itself is what trains the pattern.
Source note: Discourses; Epictetus gives the instruction while explaining how repeated acts strengthen habits.
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“These crests only rise on the back of constant labour.”
Peak creative moments are described as resting on repeated labor, rejecting the idea that successful writing can be separated from sustained preparation.
Source note: On The Art of Reading, Lecture V, Project Gutenberg #16579; “crests” refers to exceptional moments of successful writing described immediately before.
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“So, in writing, only out of long preparation can come the truly triumphant flash”
The sudden-looking breakthrough is placed at the end of preparation rather than outside it: memorable execution is supported by work accumulated beforehand.
Source note: On The Art of Reading, Lecture V, Project Gutenberg #16579; excerpted from Quiller-Couch’s analogy between writing practice and concentrated performance.
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“it is only after years of practice that they will be able to illuminate noble words rightly for the eyes”
The ability to turn words into accomplished visual form is represented as a long-practiced craft rather than an effect that appears from inspiration alone.
Source note: Lectures on Art, Lecture VI, Project Gutenberg #19164. The passage discusses disciplined line, colour and illumination practice.