Source identified
“Happy is the man who learns from the misfortunes of others.”
Other people’s failures can become instruction when we pay attention to consequences before repeating the same mistake ourselves.
Source note: Moral printed after “The Lion, the Fox, and the Ass”; the fox changes his conduct after observing the ass’s fate.
Source identified
“Ideas make the world we live in, and impressions furnish ideas.”
Experience is mediated by interpretation: sensory impressions become ideas, and those ideas help shape the meaningful world a person inhabits.
Source note: The World I Live In, opening essays on sensation and perception; Keller explains how touch and other impressions become intellectual experience.
Source identified
“We live at home, quiet, confined, and our feelings prey upon us.”
Voice: Fictional character · Anne Elliot
Anne links emotional persistence partly to social circumstance: restricted movement and occupation can leave fewer external demands to interrupt sustained feeling.
Source note: Persuasion, Chapter XXIII, Project Gutenberg #105. Anne Elliot says this to Captain Harville while contrasting women’s domestic confinement with men’s professions, business, travel and continual occupation. It is a historically situated fictional argument, not a modern mental-health claim.
Source identified
“Seldom, very seldom, does complete truth belong to any human disclosure.”
Voice: Narrator voice · Narrator
Austen observes that even sincere accounts can contain omission, disguise, or misunderstanding, which makes careful listening and humility important in judging what people say.
Source note: Emma, Volume III, Chapter 13, during the narrator’s reflection on Emma and Mr. Knightley’s conversation.
Source identified
“What’s in a name? That which we call a rose by any other word would smell as sweet.”
Voice: Fictional character · Juliet
The line questions whether labels and inherited identities should determine the value or reality of the person beneath them.
Source note: Act 2, Scene 2; Juliet separates Romeo from the social meaning of his family name.
Source identified
“Its one source is the knowledge of Ideas; its one aim the communication of this knowledge.”
Within Schopenhauer’s aesthetics, art begins in a mode of apprehending what he calls Ideas and succeeds by communicating that apprehension through an artistic medium; this is his philosophical theory of art rather than a universal empirical definition.
Source note: The World as Will and Idea, Vol. I, Third Book, §36, Haldane and Kemp translation, Project Gutenberg #38427. The sentence immediately follows Schopenhauer’s answer that art is the kind of knowledge concerned with the Ideas outside ordinary relations.