Meaning of “They love us for their own sakes, and…”

Emma, Volume III, Chapter XIII, scan-backed 1816 John Murray first edition on Wikisource. The narrator observes that complete truth seldom belongs to any human disclosure while explaining that even the Emma–Knightley understanding contains mistaken conduct alongside genuine feeling.

Act 2, Scene 2; Juliet separates Romeo from the social meaning of his family name.

Indian Summer of a Forsyte, represented in Project Gutenberg #2594. Irene says the line to old Jolyon while speaking about her dead lover; it is emotionally charged fictional dialogue, and the surrounding conversation immediately gives old Jolyon a more ironic response.

All for Love, represented by Project Gutenberg #2062. Dolabella speaks the line while reflecting on Antony’s passion and his own conflicting attraction to Cleopatra. It is dramatic character speech inside a tragedy, not Dryden autobiography or a universal developmental claim.

Miss Billy, Chapter XVI, ‘Kate Takes a Hand,’ Project Gutenberg #3266. The line ‘It's home—all the home there is—anywhere!’ occurs at the end of the chapter after Billy decides to leave the Henshaw household because she fears disrupting it; Chapter XVII begins immediately afterward. It is Billy Neilson's distressed fictional speech about a specific domestic conflict, not a general rule about family, belonging or housing.

Sonnets from the Portuguese, Sonnet XXXV, Project Gutenberg #2002. “For grief indeed is love and grief beside” occurs as the lyric speaker asks whether a new beloved can fill a place still occupied by family memory and bereavement. It remains intimate Victorian love poetry, not a clinical model or universal definition of grief.