10 quotations linked to The Lost Prince by or associated with Frances Hodgson Burnett, with source notes, explanations and related topics.
Observation, training, repetition, memory, courage, discipline, practice and preparation for a fictional political mission.
Use these links when you want to inspect the wording in its wider work or edition.
“But still night after night the game was played.”
The brief sentence makes repetition itself visible: improvement continues after early success because practice is maintained night after night.
The Lost Prince; Project Gutenberg #384. 'The game' is the boys’ repeated training exercise in memory, recognition and recall.
“The more you draw, the better. Draw everything you can.”
Repeated drawing is treated as the route to improvement, making practice and quantity of attempts part of developing a useful skill.
The Lost Prince; Project Gutenberg #384. Loristan encourages Marco to strengthen a sketching ability useful to the story’s secret mission.
“I learned well because I never forgot it. And I learned. Did I not?”
Marco looks back on deliberate training and judges himself by whether he actually learned and retained what repeated instruction required.
The Lost Prince; Project Gutenberg #384. Marco says this while explaining that his father had long been preparing him for responsibility within the fictional plot.
“I am not afraid. I shall not be afraid. In some way I shall get out.”
Faced with immediate confinement and uncertainty, Marco turns fear into a commitment to keep looking for a way out rather than surrendering to panic.
The Lost Prince; Project Gutenberg #384. Marco is trapped during the fictional mission; the line describes literary courage and does not advise ignoring real-world danger.
“To make each one many times was the best way to imbed it in his memory.”
The narration connects repeated practice with stronger recall, showing Marco deliberately using repetition to make a learned association more durable.
The Lost Prince; Project Gutenberg #384. The exercise involves repeatedly sketching faces connected with places for the novel’s secret mission.
“After a third day's concentration they knew by heart everything given to them to learn.”
The narration connects sustained concentration across several days with mastery of the assigned material rather than portraying learning as instantaneous.
The Lost Prince; Project Gutenberg #384. The material being memorized is fictional mission information, while the quoted sentence simply describes the learning process.
“It is well to observe everything and to train one's self to remember faces and circumstances.”
Observation and memory are presented as trainable abilities strengthened by deliberate attention rather than fixed talents that either appear or do not.
The Lost Prince; Project Gutenberg #384. Loristan is training Marco for a fictional diplomatic and political mission, so the advice belongs to that narrative setting.
“Another part was The Rat's training of his memory, and bringing home his proofs of advance at night when he returned from his walk.”
The Rat tracks improvement through repeated memory exercises and concrete evidence of progress, making development something practiced and demonstrated over time.
The Lost Prince, Chapter XVIII, “Cities and Faces,” Project Gutenberg #384. The narrator describes “Another part” of the boys’ secret-game preparation as The Rat training his memory and bringing home nightly proofs by describing, reciting or roughly sketching what he had observed. It remains fictional training narrative, not an experimentally established memory-training prescription.
“They concentrated all their powers upon it. They wrote and re-wrote—they repeated to each other what they committed to memory as if it were a lesson.”
The boys improve through concentrated rehearsal, rewriting and mutual repetition, giving the learning process visible effort rather than effortless talent.
The Lost Prince; Project Gutenberg #384. The material being memorized belongs to a fictional covert political mission, so the record focuses on the described study process rather than the mission itself.
“The game he had amused himself with so long—the game of trying to remember pictures and people and places clearly and in detail—had been a wonderful training.”
A game repeatedly practiced for pleasure becomes useful preparation, showing skill growing out of accumulated attention rather than appearing only when the stakes become serious.
The Lost Prince; Project Gutenberg #384. The narration refers to Marco’s long-running memory game, which later becomes useful inside the novel’s fictional secret mission.
