Source identified1
“To err is human; to forgive, divine.”
Error is treated as ordinary human limitation, while forgiveness requires an additional act of generosity.
Source note: An Essay on Criticism, Part II; Pope warns that shallow learning can produce premature confidence before deeper study tempers judgment.
Source identified2
“A little learning is a dangerous thing.”
Partial knowledge can produce misplaced confidence; the warning favors deeper study over shallow certainty.
Source note: An Essay on Criticism, Part II; Pope warns that shallow learning can produce premature confidence before deeper study tempers judgment.
Source identified3
“A little Learning is a dang’rous Thing.”
Partial knowledge can create confidence before understanding has become deep enough to recognize its limits.
Source note: An Essay on Criticism; Pope follows the line with the image of drinking deeply from the Pierian spring.
Source identified4
“True wit is nature to advantage dress’d; what oft was thought, but ne’er so well express’d.”
Strong expression often succeeds not by inventing an alien idea but by giving memorable form to something many people already sensed.
Source note: Part II of An Essay on Criticism; Pope defines wit through clear expression of recognizable truth.
Source identified5
“To help me thro' this long disease, my Life,”
Pope describes poetry as something that helps him endure life, linking literary work with friendship, illness, and the long experience of living.
Source note: Epistle to Dr Arbuthnot; Pope is explaining why he wrote, addressing his physician and friend John Arbuthnot in a satirical verse epistle.
Source identified6
“What then remains but well our pow'r to use, And keep good-humour still whate'er we lose?”
Voice: Fictional character · Clarissa
Within Clarissa’s speech, the practical response to inevitable loss is to use one’s capacities well and preserve composure rather than trying to make change impossible.
Source note: The Rape of the Lock, Canto V; Clarissa speaks before the poem immediately returns to comic battle, a contrast that keeps the moral counsel inside the satire.