Browse 7 quotations connecting Charles Dickens with Relationship, with meanings, source notes and related themes.
Each quotation is included because its central idea connects with this theme, not simply because one matching word appears in the sentence.
Sources represented here include Dombey and Son, Great Expectations, Martin Chuzzlewit. Keeping the work and source note beside each quotation makes differences in setting, speaker and emphasis easier to see.
Sources represented here include Dombey and Son, Great Expectations, Martin Chuzzlewit.
“Oh Floy, take me home, and never leave me!”
Paul’s appeal to Florence makes his sister and home inseparable sources of safety and affection during his decline, intensifying the novel’s sibling bond.
Source note: Dombey and Son, Chapter 16, Project Gutenberg #821. The words are associated with the dying child Paul and his sister Florence; they are fictional dialogue, not Dickens autobiography.
“I wish that we should know and trust each other, Florence.”
Edith deliberately asks for mutual knowledge and trust with Florence before marriage joins their households, framing family relationship as something that must be built.
Source note: Dombey and Son, Chapter 30, Project Gutenberg #821. Edith speaks to Florence while inviting her into closer confidence.
“Never let us be parted any more, Papa. Never let us be parted any more!”
The repeated plea marks reconciliation as a commitment to renewed family presence after years in which pride and neglect kept father and daughter emotionally apart.
Source note: Dombey and Son, Chapter 59, Project Gutenberg #821. Florence speaks while embracing her father after returning to him.
“You are dear to me, Florence. I did not think that anything could ever be so dear to me”
Edith’s attachment to Florence becomes an unexpected form of family affection within a household otherwise marked by coldness, pride and strained marriage.
Source note: Dombey and Son, Chapter 35, Project Gutenberg #821. Edith speaks to Florence; the line belongs to their fictional relationship inside the Dombey household.
“Papa! Dearest Papa! Pardon me, forgive me! I have come back to ask forgiveness on my knees.”
Florence approaches her estranged father through humility and forgiveness, making reunion depend on restored relationship rather than on winning an argument about the past.
Source note: Dombey and Son, Chapter 59, Project Gutenberg #821. Florence returns to Mr Dombey after his collapse and asks for reconciliation.
“I knew it was much to be regretted, but still it was not to be helped.”
Pip recognizes that his changed ambitions separated him from a simpler life he now sees could have been better, yet he also acknowledges that the lost path cannot simply be restored by wishing.
Source note: Great Expectations, Project Gutenberg #1400. Pip says this to Biddy after admitting that settling at the forge with Joe—and perhaps eventually with Biddy—might have made him a different and better-satisfied person. The line is Pip’s fictional first-person speech.
“Regrets are the natural property of grey hairs; and I enjoy, in common with all other men, at least my share of such inheritance.”
Old Martin treats regret as an almost ordinary inheritance of age: living long enough produces memories of choices, estrangements and missed opportunities that cannot all be revisited without hindsight.
Source note: Martin Chuzzlewit, Chapter X, Project Gutenberg #968. Old Martin Chuzzlewit says this while speaking to Pecksniff. The scene is part of a deliberately strategic performance inside the novel, so the maxim remains attached to the character rather than being flattened into direct Dickens autobiography.