“It was the best of times, it was the worst of times.”
Opposing conditions can exist at the same time, making an era or a life impossible to reduce to a single description.
Source details
A Tale of Two Cities, opening sentence.
Browse 6 quotations connecting Charles Dickens with Life, with meanings, source notes and related themes.
Sources represented here include Great Expectations, A Tale of Two Cities, Martin Chuzzlewit.
“It was the best of times, it was the worst of times.”
Opposing conditions can exist at the same time, making an era or a life impossible to reduce to a single description.
A Tale of Two Cities, opening sentence.
“I knew it was much to be regretted, but still it was not to be helped.”
Pip recognizes that his changed ambitions separated him from a simpler life he now sees could have been better, yet he also acknowledges that the lost path cannot simply be restored by wishing.
Great Expectations (1861), global Chapter XVII / Volume I Chapter XVII in the Chapman & Hall three-volume first book edition. Pip tells Biddy that the simpler life he might have led at the forge was “much to be regretted,” then admits that his ambitions make that lost alternative impossible to restore. Verified against the scan-backed Wikisource Chapter XVII transcription and cross-checked with Project Gutenberg #1400. This remains Pip’s retrospective fictional narration and dialogue, not Dickens autobiography.
“Take nothing on its looks; take everything on evidence. There’s no better rule.”
Appearances are weak evidence; better judgment comes from examining what can actually be supported.
Great Expectations (1861), global Chapter XL / Volume III Chapter I in the Chapman & Hall three-volume first book edition. Mr. Jaggers tells Pip “Take nothing on its looks; take everything on evidence. There’s no better rule” while insisting that he has stayed to the strict line of fact about Pip’s benefactor. Verified against the scan-backed Wikisource Volume III Chapter I transcription and cross-checked with Project Gutenberg #1400. This remains fictional legal dialogue and character method rather than a modern legal or scientific standard.
“Regrets are the natural property of grey hairs; and I enjoy, in common with all other men, at least my share of such inheritance.”
Old Martin treats regret as an almost ordinary inheritance of age: living long enough produces memories of choices, estrangements and missed opportunities that cannot all be revisited without hindsight.
Martin Chuzzlewit, Chapter X, Project Gutenberg #968. Old Martin Chuzzlewit says that regrets are the natural property of grey hairs while speaking to Pecksniff during a deliberately strategic performance. The maxim remains fictional character speech shaped by manipulation and family conflict rather than direct Dickens autobiography or a clinical claim about aging.
“No one is useless in this world who lightens the burden of it to anyone else.”
Usefulness is defined through reducing another person’s burden, making service a direct measure of value.
Our Mutual Friend, Book III, Chapter IX (“Somebody Becomes the Subject of a Prediction”), verified against Project Gutenberg #883 and the stable Wikisource chapter transcription. John Rokesmith (the Secretary) answers Bella Wilfer after she calls herself “useless enough in this world.” This older catalog row modernizes Dickens’s represented wording “who lightens the burden of it for any one else” to “who lightens the burden of it to anyone else”; the frozen quotation remains unchanged and is explicitly treated as a wording variant of the same passage. This is fictional character dialogue about practical usefulness, not an empirical or clinical definition of human worth.
“There are dark shadows on the earth, but its lights are stronger in the contrast.”
Dickens uses contrast to suggest that hardship can make moments of goodness and happiness more visible without pretending that the darker parts of life are unreal.
The Pickwick Papers, near the closing chapter, Project Gutenberg #580. The narrator deliberately leaves Pickwick and his companions in a moment of happiness and contrasts life’s “dark shadows” with its stronger lights; this is literary narration, not a promise that suffering always ends well.