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Deep Quotes by Emily Dickinson

Browse 10 quotations connecting Emily Dickinson with Deep, with meanings, source notes and related themes.

Sources

Where these deep quotations appear

Sources represented here include A Well — Emily Dickinson, Beclouded — Emily Dickinson, Earth Is Short — Emily Dickinson.

10 shown
Quotations

10 matching quotations with meanings and source context

Source identified1
But nature is a stranger yet; The ones that cite her most Have never passed her haunted house, Nor simplified her ghost.

“But nature is a stranger yet; The ones that cite her most Have never passed her haunted house, Nor simplified her ghost.”

Even close observers do not fully explain nature in this ending; familiarity with natural objects leaves room for strangeness, uncertainty and intellectual humility.

Source details

“A Well,” Poems: Third Series (1896), Project Gutenberg #12242. The ghost and haunted-house language is metaphorical, emphasizing nature's unresolved mystery.

Source identified2
The sky is low, the clouds are mean, A travelling flake of snow Across a barn or through a rut Debates if it will go.

“The sky is low, the clouds are mean, A travelling flake of snow Across a barn or through a rut Debates if it will go.”

Low cloud, uncertain snow and cramped rural space give the weather a subdued emotional atmosphere without turning the natural scene into a simple moral lesson.

Source details

“Beclouded,” in Poems: First Series (1890), Project Gutenberg #12242. Nature is personified in the poem; the editorial heading and punctuation reflect the early printed edition.

Source identified3
I reason, earth is short, And anguish absolute, And many hurt; But what of that?

“I reason, earth is short, And anguish absolute, And many hurt; But what of that?”

The poem begins from mortality and undeniable anguish, then presses beyond those observations by asking what explanatory or consoling conclusion can actually follow from them.

Source details

“Earth Is Short,” Poems: First Series (1890), Project Gutenberg #12242. The poem proceeds into questions about heaven and God; its religious questions remain questions rather than verified metaphysical claims.

Source identified4
I measure every grief I meet With analytic eyes; I wonder if it weighs like mine, Or has an easier size.

“I measure every grief I meet With analytic eyes; I wonder if it weighs like mine, Or has an easier size.”

Personal grief becomes a lens for noticing other people's suffering, with the speaker comparing losses while admitting that another person's burden cannot be known directly.

Source details

“Griefs,” Poems: Third Series (1896), Project Gutenberg #12242. The poem explores comparison and recognition of suffering rather than offering a clinical scale for grief.

Source identified5
I never lost as much but twice, And that was in the sod; Twice have I stood a beggar Before the door of God!

“I never lost as much but twice, And that was in the sod; Twice have I stood a beggar Before the door of God!”

Two deaths are remembered as losses so severe that the speaker figures herself as spiritually impoverished and dependent before God.

Source details

Poem in Poems: First Series (1890), represented by its opening line for source disambiguation; Project Gutenberg #12242. Its theological language belongs to the lyric speaker.

Source identified6
My life closed twice before its close; It yet remains to see If Immortality unveil A third event to me.

“My life closed twice before its close; It yet remains to see If Immortality unveil A third event to me.”

The speaker treats profound separations as deaths within a still-living life, leaving the final meaning of another separation to the poem's religious-metaphysical horizon.

Source details

“Parting,” Poems: Third Series (1896), Project Gutenberg #12242. The poem is lyric and metaphysical; its language of immortality is not presented as empirical evidence about an afterlife.

Source identified7
Success is counted sweetest by those who ne’er succeed.

“Success is counted sweetest by those who ne’er succeed.”

People who lack an achievement may understand its value more intensely because distance and deprivation make the desire clearer.

Source details

Opening line of Poem 112; Dickinson links desire with the sharpness of perceived value.

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