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“Literature is a living art, to be practised.”
The short formulation emphasizes that literary skill develops through use and practice rather than through passive admiration of established works alone.
Source note: On the Art of Writing, Lecture XII, “On Style,” Project Gutenberg #17470; excerpted from Quiller-Couch’s summary of the course.
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“The more you draw, the better. Draw everything you can.”
Voice: Fictional character · Loristan
Repeated drawing is treated as the route to improvement, making practice and quantity of attempts part of developing a useful skill.
Source note: The Lost Prince; Project Gutenberg #384. Loristan encourages Marco to strengthen a sketching ability useful to the story’s secret mission.
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“We may not be capable of much; but we can all write better than that, if we take a little trouble.”
Improvement is framed as practical rather than mystical: even modest writers can remove avoidable weakness when they slow down and revise deliberately.
Source note: On the Art of Writing, Lecture V, “Interlude: On Jargon,” Project Gutenberg #17470; Quiller-Couch contrasts direct prose with inflated official phrasing.
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“That you must master the secret for yourselves lay implicit in our bargain, and you were never promised that a writer's training would be easy.”
Learning to write is presented as demanding practice rather than a shortcut: difficulty belongs to the training and does not by itself signal failure.
Source note: On the Art of Writing, Lecture XII, “On Style,” Project Gutenberg #17470; excerpted from Quiller-Couch’s reminder that students must master craft for themselves.
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“A little learning is a dangerous thing.”
Partial knowledge can produce misplaced confidence; the warning favors deeper study over shallow certainty.
Source note: An Essay on Criticism, Part II; Pope warns that shallow learning can produce premature confidence before deeper study tempers judgment.
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“How many a man has dated a new era in his life from the reading of a book.”
Thoreau treats reading as potentially transformative: a book can mark a genuine before-and-after point when it gives language to questions a reader has struggled to express.
Source note: Walden, chapter “Reading,” in the discussion of books that can reveal new possibilities and answer enduring questions.