Source identified
“You and I are but sewing-machines.”
Voice: Dialogue speaker · Old Man
The comic comparison reduces human pride by placing ordinary people beside the much richer creative machinery Twain has just attributed to Shakespeare.
Source note: What Is Man?, Old Man speaking after comparing Shakespeare with a Gobelin loom; the machine metaphor is part of the essay’s comic-philosophical dialogue.
Source identified
“ignorance gives one a large range of probabilities.”
Voice: Narrator voice · Narrator
The narrator uses irony to show how not knowing enough can make almost anything seem plausible, widening speculation rather than understanding.
Source note: Daniel Deronda; narrator’s ironic observation while Gwendolen speculates about Grandcourt, represented from Project Gutenberg #7469.
Source identified
“We don’t care to eat toadstools that think they are truffles.”
Voice: Epigraph / fictional source voice · Pudd’nhead Wilson’s Calendar
The food comparison mocks pretension: the problem is not merely being ordinary, but adopting an inflated estimate of one’s own status and expecting others to accept it.
Source note: Pudd’nhead Wilson, Chapter V epigraph, introduced as a remark concerning upstarts in the Calendar sequence.
Source identified
“Selfishness must always be forgiven you know, because there is no hope of a cure.”
Voice: Fictional character · Mary Crawford
The line is comic rather than literal advice, using exaggeration to expose how readily people excuse entrenched self-interest.
Source note: Mary Crawford makes the remark while discussing motives and conduct in company.
Source identified
“There is only one thing in the world worse than being talked about, and that is not being talked about.”
Voice: Fictional character · Lord Henry Wotton
The joke exposes the appetite for attention by suggesting that even negative notice can seem preferable to complete social invisibility.
Source note: The Picture of Dorian Gray, 1890 Lippincott magazine text, Chapter 1; Lord Henry gives the reputation paradox while discussing Basil Hallward’s portrait.
Source identified
“When we speak of Clive, Nelson, and Putnam as men who “didn’t know what fear was,” we ought always to add the flea—and put him at the head of the procession.”
Voice: Epigraph / fictional source voice · Pudd’nhead Wilson’s Calendar
The heroic comparison is deliberately deflated by promoting the flea above famous military figures, exposing how literalizing a cliché can make grand praise sound ridiculous.
Source note: Pudd’nhead Wilson, Calendar epigraph before the chapter section in which the flea comparison appears.