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“The world is a perpetual caricature of itself.”
Social appearances repeatedly exaggerate or contradict reality, making ordinary life look like an ongoing parody of its own pretensions.
Source note: Soliloquies in England, “Dickens”; Santayana uses caricature to describe the gap between living reality and conventional masks.
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“To define is to limit.”
Voice: Fictional character · Lord Henry Wotton
Definitions clarify ideas but can also narrow them, especially when a label is treated as the complete reality of a person or experience.
Source note: The Picture of Dorian Gray, 1891 edition, Chapter 17; Lord Henry answers the Duchess of Monmouth’s question “What are you?” with “To define is to limit.”
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“Truth happens to an idea.”
The compact formulation summarizes James’s pragmatic account in which an idea’s truth is connected with processes of verification and validation rather than treated only as a static label.
Source note: Pragmatism, Lecture VI, “Pragmatism’s Conception of Truth”; Project Gutenberg #5116. Capitalization has been normalized from “Truth HAPPENS to an idea”; the surrounding passage explains verification and validation.
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“Nothing is so firmly believed, as what we least know.”
Certainty can be strongest where understanding is weakest, so confidence by itself is poor evidence that a belief has been examined well.
Source note: Essays of Montaigne, Book I, Charles Cotton translation, in a skeptical discussion of confident claims.
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“Convictions are more dangerous enemies of truth than lies.”
Nietzsche warns that fixed certainty can block revision more effectively than an obvious falsehood because conviction can make contrary evidence harder to examine.
Source note: Human, All-Too-Human, Part I, aphorism 483, “The Enemies of Truth”; Helen Zimmern translation, 1909 edition.
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“If the doors of perception were cleansed every thing would appear to man as it is, Infinite.”
Blake imagines habitual perception as a filter that narrows reality; cleansing it would reveal a less limited world.
Source note: The Marriage of Heaven and Hell, Plate 14; Blake’s prose-poetic argument about the limits and cleansing of perception.