Browse 9 quotations connecting Jane Austen with Trust, with meanings, source notes and related themes.
Each quotation is included because its central idea connects with this theme, not simply because one matching word appears in the sentence.
Sources represented here include Emma, Persuasion, Pride and Prejudice. Keeping the work and source note beside each quotation makes differences in setting, speaker and emphasis easier to see.
Sources represented here include Emma, Persuasion, Pride and Prejudice.
“There is no charm equal to tenderness of heart.”
Austen gives emotional gentleness greater value than surface charm or social performance.
Source note: Emma, Volume III; the line appears in Austen’s treatment of tenderness, character, and the value placed on a warm heart.
“If I loved you less, I might be able to talk about it more.”
The difficulty of speaking is used as evidence of emotional depth, contrasting sincere feeling with polished or excessive declaration.
Source note: Chapter 49; Mr. Knightley struggles to express the depth of his feeling to Emma.
“Seldom, very seldom, does complete truth belong to any human disclosure.”
Austen observes that even sincere accounts can contain omission, disguise, or misunderstanding, which makes careful listening and humility important in judging what people say.
Source note: Emma, Volume III, Chapter 13, during the narrator’s reflection on Emma and Mr. Knightley’s conversation.
“Friendship is certainly the finest balm for the pangs of disappointed love.”
Friendship is framed as practical emotional support when romantic hopes fail, without pretending it instantly removes disappointment.
Source note: Northanger Abbey.
“You pierce my soul. I am half agony, half hope.”
Wentworth’s letter holds pain and possibility together: the renewed declaration is intense because he still does not know whether Anne’s feelings have survived their long separation.
Source note: Persuasion, Chapter XXIII, Project Gutenberg #105. Captain Frederick Wentworth writes the line to Anne Elliot while listening to her conversation with Captain Harville; the letter is signed “F. W.” and is fictional character writing, not Austen autobiography.
“She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning.”
The narrator summarizes Anne’s development as a reversal: excessive caution shaped her early choice, while experience later teaches her to value warmer confidence and attachment.
Source note: Persuasion, Chapter IV, Project Gutenberg #105. This is narrator commentary after Anne reconsiders the engagement she ended at nineteen under Lady Russell’s persuasion.
“All the privilege I claim for my own sex (it is not a very enviable one; you need not covet it), is that of loving longest, when existence or when hope is gone.”
Anne claims endurance in love for women within a debate about constancy, but Austen gives the argument to a character in a particular social setting rather than presenting it as objective psychology about either sex.
Source note: Persuasion, Chapter XXIII, Project Gutenberg #105. Anne Elliot says this to Captain Harville after he describes men’s attachment to wives and families; the exchange immediately leads into Wentworth’s written declaration.
“My good opinion once lost, is lost forever.”
Darcy presents trust and esteem as difficult to restore once serious judgment has turned against someone, revealing both the firmness and the potential rigidity of his early character.
Source note: Pride and Prejudice, Chapter XI, Project Gutenberg #1342. Fitzwilliam Darcy says this to Elizabeth Bennet during their discussion of faults; Elizabeth immediately identifies the position as implacable resentment, so the novel itself does not leave the maxim unchallenged.
“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
The famous opening exposes assumptions about money, marriage, and social expectations while sounding as if it were stating an unquestionable fact.
Source note: Opening sentence of Chapter 1; the narrator immediately signals the novel’s social irony.