Browse 9 quotations connecting Jane Austen with Trust, with meanings, source notes and related themes.
Sources represented here include Emma, Persuasion, Pride and Prejudice.
“There is no charm equal to tenderness of heart.”
Austen gives emotional gentleness greater value than surface charm or social performance.
Emma, Volume II, Chapter XIII, scan-backed 1816 John Murray first edition on Wikisource. This corrects the inherited Volume III note: Emma says to herself that there is no charm equal to tenderness of heart after Harriet’s gratitude and affection move her to reassess Harriet’s character.
“If I loved you less, I might be able to talk about it more.”
The difficulty of speaking is used as evidence of emotional depth, contrasting sincere feeling with polished or excessive declaration.
Emma, Volume III, Chapter XIII, scan-backed 1816 John Murray first edition on Wikisource. George Knightley tells Emma “If I loved you less, I might be able to talk about it more” during his declaration, explicitly contrasting the depth of his feeling with his difficulty making polished speeches.
“Seldom, very seldom, does complete truth belong to any human disclosure.”
Austen observes that even sincere accounts can contain omission, disguise, or misunderstanding, which makes careful listening and humility important in judging what people say.
Emma, Volume III, Chapter XIII, scan-backed 1816 John Murray first edition on Wikisource. The narrator observes that complete truth seldom belongs to any human disclosure while explaining that even the Emma–Knightley understanding contains mistaken conduct alongside genuine feeling.
“Friendship is certainly the finest balm for the pangs of disappointed love.”
Friendship is framed as practical emotional support when romantic hopes fail, without pretending it instantly removes disappointment.
Northanger Abbey.
“You pierce my soul. I am half agony, half hope.”
Wentworth’s letter holds pain and possibility together: the renewed declaration is intense because he still does not know whether Anne’s feelings have survived their long separation.
Persuasion, Chapter XXIII, Project Gutenberg #105. Captain Frederick Wentworth writes the line to Anne Elliot while listening to her conversation with Captain Harville; the letter is signed “F. W.” and is fictional character writing, not Austen autobiography.
“She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning.”
The narrator summarizes Anne’s development as a reversal: excessive caution shaped her early choice, while experience later teaches her to value warmer confidence and attachment.
Persuasion, Chapter IV, Project Gutenberg #105. This is narrator commentary after Anne reconsiders the engagement she ended at nineteen under Lady Russell’s persuasion.
“All the privilege I claim for my own sex (it is not a very enviable one; you need not covet it), is that of loving longest, when existence or when hope is gone.”
Anne claims endurance in love for women within a debate about constancy, but Austen gives the argument to a character in a particular social setting rather than presenting it as objective psychology about either sex.
Persuasion, Chapter XXIII, Project Gutenberg #105. Anne Elliot says this to Captain Harville after he describes men’s attachment to wives and families; the exchange immediately leads into Wentworth’s written declaration.
“My good opinion once lost, is lost forever.”
Darcy presents trust and esteem as difficult to restore once serious judgment has turned against someone, revealing both the firmness and the potential rigidity of his early character.
Pride and Prejudice, Chapter XI, Project Gutenberg #1342. Fitzwilliam Darcy says this to Elizabeth Bennet during their discussion of faults; Elizabeth immediately identifies the position as implacable resentment, so the novel itself does not leave the maxim unchallenged.
“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
The famous opening exposes assumptions about money, marriage, and social expectations while sounding as if it were stating an unquestionable fact.
Opening sentence of Chapter 1; the narrator immediately signals the novel’s social irony.
