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“Words should serve the fact, and not substitute themselves for it”
Language is assigned a supporting role: words should clarify reality instead of becoming an impressive verbal screen that displaces the thing being discussed.
Source note: The Simple Life, Chapter IV, “Simplicity of Speech,” Mary Louise Hendee translation, Project Gutenberg #23092; Wagner criticizes language that replaces fact with display.
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“Jargon, which is not so much bad writing as the avoidance of writing.”
Jargon is criticized as evasive language that circles around meaning instead of doing the harder work of choosing direct, responsible words.
Source note: On the Art of Writing, Lecture VI, Project Gutenberg #17470; Quiller-Couch is recalling the preceding lecture’s argument about jargon and prose.
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“truth, in morals, has ever appeared to me the essence of the sublime; and, in taste, simplicity the only criterion of the beautiful.”
Wollstonecraft makes moral truth and aesthetic simplicity standards of seriousness, rejecting ornate politeness when it conceals what a writer actually believes.
Source note: A Vindication of the Rights of Men, opening letter to Edmund Burke, second edition (1790); this sentence follows Wollstonecraft’s refusal to disguise her sentiments behind courtly politeness.
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“the entire vitality of art depends upon its being either full of truth, or full of use”
Ruskin judges art by truthful representation or serviceable purpose as well as beauty, refusing to make technical impressiveness sufficient by itself.
Source note: Lectures on Art, Lecture IV “The Relation of Art to Use,” Project Gutenberg #19164. This is Ruskin’s aesthetic criterion, not an empirical definition accepted by all art theory.
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“Omit needless words.”
Conciseness is treated as removal of words that do no useful work, not as a demand that every sentence be short or stripped of necessary detail.
Source note: The Elements of Style, Chapter III, Rule 13, Project Gutenberg #37134; the surrounding paragraph explicitly says detail need not be eliminated.
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“Use the active voice.”
The rule favors direct sentence construction when it makes agency clearer, while the surrounding discussion still allows passive voice when context requires it.
Source note: The Elements of Style, Chapter III, Rule 10, Project Gutenberg #37134; Strunk immediately qualifies the rule by noting legitimate uses of passive construction.