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“We shall never learn the affinities of beauty”
Stevenson treats beauty as deeper than any complete technical explanation, warning that analysis of artistic mechanism does not exhaust why form can move or delight.
Source note: Essays in the Art of Writing, “On Some Technical Elements of Style in Literature,” represented by the 1905 Chatto & Windus edition in Project Gutenberg #492. The collection is posthumous; the excerpt concerns literary aesthetics.
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“All art constantly aspires towards the condition of music.”
Pater uses music as his model for the closest possible union of form and content, a critical claim about artistic structure rather than a literal hierarchy of media.
Source note: The Renaissance, “The School of Giorgione”; Project Gutenberg #2398. The surrounding paragraph explains that other arts strive to reduce the separation between matter and form.
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“To “give style” to one’s character—that is a grand and a rare art!”
Nietzsche treats character not as a fixed inventory but as material that can be consciously shaped into a more coherent form through sustained work.
Source note: The Joyful Wisdom, aphorism 290, “One Thing is Needful”; Thomas Common translation in the 1910 Oscar Levy edition.
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“Beauty is truth, truth beauty,—that is all ye know on earth, and all ye need to know.”
The famous closing joins beauty and truth in a deliberately compressed claim that continues to invite debate rather than a single easy reading.
Source note: “Ode on a Grecian Urn,” closing lines.
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“Originality.—What is originality? To see something which has no name as yet, and hence cannot be mentioned although it stares us all in the face.”
Originality is framed as noticing and naming what others already encounter but have not yet conceptualized clearly.
Source note: The Joyful Wisdom, aphorism 261, “Originality”; Thomas Common translation.
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“The future is yet to come”
The brief phrase anchors Hazlitt’s argument that the future does not possess greater reality merely because it has not happened yet; he compares its status with the already completed past.
Source note: Table-Talk, essay III, “On the Past and Future.” This is a short excerpt from Hazlitt’s comparison of past, present and future, not a standalone prediction about what the future will contain.