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Christina Rossetti Quotes About Hope

Browse 9 quotations connecting Christina Rossetti with Hope, with meanings, source notes and related themes.

Sources

Where these hope quotations appear

Sources represented here include Advent — Christina Rossetti, The First Spring Day — Christina Rossetti, Up-Hill — Christina Rossetti.

9 shown
Quotations

9 matching quotations with meanings and source context

Source identified1
My life is in the falling leaf: O Jesus, quicken me.

“My life is in the falling leaf: O Jesus, quicken me.”

The falling leaf becomes an image of decline while the prayer asks for renewed life, joining grief and seasonal imagery to explicitly Christian hope.

Source details

“A Better Resurrection,” in Goblin Market and Other Poems (1862 first edition), Devotional Pieces, printed page 137 / scan leaf 153. “My life is in the falling leaf: O Jesus, quicken me” closes the first stanza as a direct Christian prayer for renewed life; the address to Jesus and resurrection frame are essential context and are not secularized into generic recovery advice.

Source identified2
The watch is long betimes and late, The prize is slow to win.

“The watch is long betimes and late, The prize is slow to win.”

The devotional poem acknowledges prolonged waiting and delayed fulfillment directly, making patience meaningful precisely because the hoped-for result is slow.

Source details

‘Advent,’ second stanza, in Goblin Market, The Prince's Progress, and Other Poems, Project Gutenberg #16950. ‘The watch is long betimes and late, / The prize is slow to win’ belongs to Rossetti's explicitly Christian devotional waiting; later stanzas name Christ and Jesus Christ directly. It is devotional poetry rather than a secular guarantee that persistence produces a reward.

Source identified3
Yet count we not His promise slack, But watch and wait for Him.

“Yet count we not His promise slack, But watch and wait for Him.”

The speakers continue waiting despite delay because they interpret the promise through faith, combining endurance with explicitly religious expectation.

Source details

“Advent,” Project Gutenberg #16950. 'His' refers to Christ; the line remains Christian devotional poetry rather than being generalized into an evidence-free guarantee about outcomes.

Source identified4
I'd use to-day that cannot last, Be glad to-day and sing.

“I'd use to-day that cannot last, Be glad to-day and sing.”

Awareness that another spring is not guaranteed turns attention toward using the present day rather than postponing every form of gladness.

Source details

“Another Spring,” Project Gutenberg #16950. The stanza begins conditionally—'If I might see another Spring'—so the present-focused conclusion grows from mortality and uncertainty.

Source identified5
There is no time like Spring, When life's alive in everything.

“There is no time like Spring, When life's alive in everything.”

Spring is praised as a concentrated moment of visible renewal, when growth in plants and birds makes seasonal change feel immediate and abundant.

Source details

“Spring,” in Goblin Market and Other Poems; Project Gutenberg #16950. The surrounding poem also stresses that spring passes and that spring-life is born to die.

Source identified6
The sap will surely quicken soon or late, The tardiest bird will twitter to a mate.

“The sap will surely quicken soon or late, The tardiest bird will twitter to a mate.”

After earlier doubt, the poem turns to seasonal signs that arrive at different speeds, using delayed spring as an image of hope that can outlast uncertainty.

Source details

“The First Spring Day,” Project Gutenberg #16950. The stanza continues into explicitly spiritual hope about renewal in this world or the world to come.

Source identified7
So Spring must dawn again with warmth and bloom, Or in this world, or in the world to come.

“So Spring must dawn again with warmth and bloom, Or in this world, or in the world to come.”

The speaker insists on eventual spring while leaving its fulfillment open between earthly renewal and a religious hope beyond this life.

Source details

“The First Spring Day,” Project Gutenberg #16950. The alternative 'world to come' makes the Christian eschatological dimension explicit.

Source identified8
Does the road wind up-hill all the way? Yes, to the very end.

“Does the road wind up-hill all the way? Yes, to the very end.”

The compact dialogue makes the difficulty of the road explicit while also committing to continuing all the way to its end.

Source details

“Up-Hill,” in Goblin Market and Other Poems (1862); Project Gutenberg #16950. The road is a spiritual-life allegory, so the line is not reduced to literal travel advice.

Source identified9
Will the day's journey take the whole long day? From morn to night, my friend.

“Will the day's journey take the whole long day? From morn to night, my friend.”

The answer accepts that a meaningful journey may require the whole available day rather than promising a quick or effortless finish.

Source details

“Up-Hill,” Project Gutenberg #16950. The poem is an allegorical question-and-answer sequence about the soul’s journey, endurance and eventual rest.

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