Qquoteatlas.infoquotes, sources and meanings
133 quotations

Never give up quotes

Source-backed quotations about perseverance, courage, resilience, repeated effort, setbacks, and continuing when a worthwhile aim remains possible.

Topic guide

How to read never give up quotes without flattening the idea

Never Give Up can mean different things in different sources. Achievement language is strongest when it connects motivation with specific behaviors: starting, practicing, persisting, choosing standards, and learning from results. This collection includes 133 quotations across 56 authors or source voices and 92 named sources.

Use the quotations to compare approaches to effort rather than as guarantees of success. The useful question is what a line changes about the next decision, not how intense it sounds. Useful neighboring ideas include Hope, Inspirational, Motivational, Strength, Short, Resilience.

Four lenses worth comparing

  • Persistence after setbacks — one way to turn a broad never give up theme into a more precise reading question.
  • Courage when results are uncertain — one way to turn a broad never give up theme into a more precise reading question.
  • Resilience and recovery — one way to turn a broad never give up theme into a more precise reading question.
  • When continuing is wiser than quitting — one way to turn a broad never give up theme into a more precise reading question.

What this collection contains

Voices: Frances Hodgson Burnett, Booker T. Washington, Emily Brontë, Samuel Smiles, Elizabeth Barrett Browning.

Sources: The Lost Prince, If—, A Child's Grave at Florence, My Larger Education, Optimism: An Essay.

The page avoids treating exhaustion, status, or endless work as proof of worth. Persistence matters, but so do judgment, recovery, and choosing work that deserves the effort.

Questions worth asking: What does this source mean by never give up? Which part depends on the original context? Which other author offers a different answer? And what would change in practice if you accepted the line as good advice?
Start here

Four ways into this never give up collection

Browse by reading angle

Different ways into these never give up quotes

These are reading groupings of the same quotations.

Short & memorable

Concise lines for readers who want the core idea without a long passage.

  1. “But I kept at it” — Booker T. Washington · Working With the Hands
  2. “learn how to live.” — Thomas Carlyle · Latter-Day Pamphlets
  3. “They are upheld by hope” — George MacDonald · Lilith: A Romance
  4. “His motto was 'Persevere!'” — Samuel Smiles · The Life of George Stephenson and of his Son Robert Stephenson
  5. “For us, to hope and bear on.” — Elizabeth Barrett Browning · A Child's Grave at Florence

Reflective & philosophical

Quotations connected with deeper interpretation, perspective, philosophy, or sustained thought.

  1. “Sweet are the uses of adversity.” — William Shakespeare · As You Like It
  2. “We learn wisdom from failure much more than from success.” — Samuel Smiles · Self-Help
  3. “Long is the way and hard, that out of Hell leads up to light.” — John Milton · Paradise Lost
  4. “The strongest of all warriors are these two—Time and Patience.” — Leo Tolstoy · War and Peace
  5. “The art of life is more like the wrestler’s art than the dancer’s.” — Marcus Aurelius · Thoughts of Marcus Aurelius Antoninus

Practical & action-oriented

Lines connected with action, discipline, effort, habits, work, or perseverance.

  1. “But I kept at it” — Booker T. Washington · Working With the Hands
  2. “His motto was 'Persevere!'” — Samuel Smiles · The Life of George Stephenson and of his Son Robert Stephenson
  3. “You can do it! You can do it!” — Frances Hodgson Burnett · The Secret Garden
  4. “Wrestle bravely with disease.” — Seneca · Moral Letters to Lucilius — Letter 78
  5. “Slow but steady wins the race.” — Aesop · Aesop’s Fables — The Hare and the Tortoise

Growth through difficulty

Material about failure, adversity, recovery, resilience, or learning from pressure.

  1. “But I kept at it” — Booker T. Washington · Working With the Hands
  2. “learn how to live.” — Thomas Carlyle · Latter-Day Pamphlets
  3. “They are upheld by hope” — George MacDonald · Lilith: A Romance
  4. “His motto was 'Persevere!'” — Samuel Smiles · The Life of George Stephenson and of his Son Robert Stephenson
  5. “For us, to hope and bear on.” — Elizabeth Barrett Browning · A Child's Grave at Florence

Earlier sources

Older works represented in the collection, useful for comparing how the topic changes across time.

  1. “learn how to live.” — Thomas Carlyle · Latter-Day Pamphlets
  2. “They are upheld by hope” — George MacDonald · Lilith: A Romance
  3. “His motto was 'Persevere!'” — Samuel Smiles · The Life of George Stephenson and of his Son Robert Stephenson
  4. “For us, to hope and bear on.” — Elizabeth Barrett Browning · A Child's Grave at Florence
  5. “Little strokes fell great oaks.” — Benjamin Franklin · Poor Richard’s Almanack
Large collection guide

How to use this never give up collection

Compare ideas, voices and source contexts before choosing a line.

Read through four lenses

  • persistence after setbacks
  • courage when results are uncertain
  • resilience and recovery
  • when continuing is wiser than quitting

These lenses help separate different meanings inside a broad topic.

Collection at a glance

133 quotations from 56 voices and 92 named sources.

Length mix: 104 short · 24 medium · 5 long.

Reading tip: Compare two or three authors, then open the source note for a quotation you plan to reuse.
Reading synthesis

What to compare before treating a never give up quote as advice

The writers represented here do not necessarily agree with one another.

Three tensions worth keeping visible

  • persistence after setbacks versus courage when results are uncertain
  • resilience and recovery versus when continuing is wiser than quitting
  • a memorable line versus the fuller argument found in its source context

Read across disagreement, era and source

Frequently represented voices include Frances Hodgson Burnett, Booker T. Washington, Emily Brontë, Samuel Smiles. Frequently represented works include The Lost Prince, If—, A Child's Grave at Florence, My Larger Education.

Nearby themes such as Hope, Inspirational, Motivational, Strength, Short can help narrow the question.

Context question: Before reusing a line, ask whether its claim depends on the larger argument, the genre of the source, or a historical setting that disappears when the sentence is isolated.
Collection map

How these never give up quotations are spread across voices, sources and eras

Historical spread

  • Ancient / classical3 quotations
  • Ancient / medieval10 quotations
  • 1500s–1600s14 quotations
  • 1700s8 quotations
  • 1800s55 quotations
  • 1900s and later41 quotations
  • Undated / traditional2 quotations

Variety in the collection

56 distinct voices across 133 quotations and 92 named sources.

Representative voices

  1. “But I kept at it” — Booker T. Washington · Working With the Hands
  2. “learn how to live.” — Thomas Carlyle · Latter-Day Pamphlets
  3. “They are upheld by hope” — George MacDonald · Lilith: A Romance
  4. “His motto was 'Persevere!'” — Samuel Smiles · The Life of George Stephenson and of his Son Robert Stephenson

Frequently represented works

  1. The Lost Prince5 quotations · 1915
  2. If—4 quotations · 1910
  3. A Child's Grave at Florence3 quotations · c. 1850
  4. My Larger Education3 quotations · 1911
  5. Optimism: An Essay3 quotations · 1903
  6. Poor Richard’s Almanack3 quotations · 1736
Compare voices

How different writers approach never give up

Use these representative lines as a starting point before reading the full collection.

Authors and sources

Who speaks here, and which works are represented?

133 shown
Source identified1
“But I kept at it”

The short phrase summarizes Washington’s response to repeated failure while learning demanding household work under Mrs. Ruffner’s supervision.

Source note: Working With the Hands, Chapter I; Project Gutenberg #64504. This is an autobiographical fragment whose surrounding paragraph describes repeated attempts before improvement.

Source identified2
“learn how to live.”

The phrase appears in a national crisis argument: old methods are described as exhausted, so survival requires learning a different way of organizing collective life.

Source note: Latter-Day Pamphlets, No. IV “The New Downing Street”; Project Gutenberg #1140. Carlyle is discussing England amid nineteenth-century political and social crisis, not giving a context-free personal wellness instruction.

Source identified3
“They are upheld by hope”
Voice: Fictional character · Mr. Raven

Hope functions as support even before the characters fully understand what they are hoping for, separating sustaining expectation from complete intellectual certainty.

Source note: Lilith: A Romance; Project Gutenberg #1640. Mr. Raven speaks the line within MacDonald’s symbolic Christian fantasy, so it remains fictional and theological in context.

Source identified4
“His motto was 'Persevere!'”

Smiles condenses Stephenson’s response to repeated engineering and institutional obstacles into a single governing principle of continued effort.

Source note: The Life of George Stephenson and of his Son Robert Stephenson, Chapter XI, “Chat Moss—Construction of the Railway”; represented 1868 revised edition, Project Gutenberg #46229. The motto appears in Smiles’s surrounding narration immediately after the quoted Chat Moss recollection.

Source identified5
“For us, to hope and bear on.”

The short clause gives the bereaved survivors a modest task: continue carrying the loss while keeping some form of hope available.

Source note: “A Child’s Grave at Florence,” stanza XXIX; Project Gutenberg #31015. The surrounding stanza contrasts the family’s earthly grave and silence with the child’s imagined heavenly life.

Source identified6
“You can do it! You can do it!”
Voice: Reported speaker · Mary Lennox, recalled by Colin

The repeated encouragement is paired in the scene with Colin’s own attempt, making confidence a support for action rather than a substitute for trying.

Source note: The Secret Garden; Project Gutenberg #113. Colin recalls Mary repeating this while he was trying to stand; the source does not justify using the line as medical treatment advice.

Source identified11
“My head is bloody, but unbowed.”

The speaker acknowledges injury without surrendering inward posture, making the line a compact image of retaining agency and self-possession under circumstances that have already caused real harm.

Source note: “Invictus,” first published in Henley’s 1888 Book of Verses (written 1875) and represented through the public-domain poem text. This is the second stanza’s closing line, following “Under the bludgeonings of chance”; this collection keeps the poem’s defiant lyric voice rather than treating it as a guarantee that adversity can always be mastered.

Source identified16
“rise superior to the trials of life”

Equanimity is presented as a capacity to meet adversity without allowing every trial to overthrow judgment, patience, or the ability to continue useful action.

Source note: Aequanimitas, 1889. The wording appears in Osler’s discussion of patience and equanimity; the source note keeps the medical-graduation context visible rather than treating it as universal therapeutic advice.

Source identified19
“No right way is easy in this rough world.”

Difficulty does not automatically mean the chosen course is wrong; worthwhile action can require courage and persistence through genuinely hard conditions.

Source note: Stickeen; Muir says this while attempting a dangerous glacier crossing, tying the line to immediate physical risk rather than abstract motivational language.

Source identified23
“The thing for you to do is to fight it out.”

Difficulty is answered with continued effort rather than self-pity, while the surrounding advice remains focused on practical persistence rather than bravado.

Source note: Character Building, “The Cultivation of Stable Habits,” Project Gutenberg #60484. After describing two Tuskegee graduates who finished what they undertook, Washington tells students to “fight it out” and stick to their course despite discouragement and material difficulty.

Source identified24
“there must be hope while there is existence”

MacDonald grounds hope in his theology of a continuously good God, making continued existence itself evidence, within his religious argument, that despair need not be final.

Source note: Unspoken Sermons, in the sermon discussion preserved by Project Gutenberg #9057. This is explicitly Christian theology and not a secular or clinical proposition about prognosis.

Source identified29
“For uses, therefore, I must count worth while.”
Voice: Fictional narrator · Aurora Leigh

After describing a slow return from profound loss, Aurora reconnects being alive with possible uses and reasons to continue engaging with the world.

Source note: Aurora Leigh, Book I; Project Gutenberg #56621. The line occurs after the narrator recounts bereavement and a gradual return to ordinary life; it is literary narration, not clinical advice.

Source identified30
“That which does not kill me, makes me stronger.”

Nietzsche compresses endurance into a deliberately hard maxim: surviving an ordeal can leave a person with greater capacity, but the aphorism does not establish that every injury, trauma or loss is beneficial.

Source note: The Twilight of the Idols, “Maxims and Missiles,” maxim 8, Anthony M. Ludovici translation, 1911 Complete Works edition, Project Gutenberg #52263. The source introduces it as “From the military school of life.”

Source identified32
“I had to try myself at the same time, of course.”
Voice: Fictional character · Colin Craven

Colin explicitly adds his own effort to the encouragement he received, keeping agency and practice inside the novel’s language of 'Magic.'

Source note: The Secret Garden; Project Gutenberg #113. The sentence immediately follows Colin’s memory of being encouraged while attempting to stand; it remains fictional context, not rehabilitation guidance.

Source identified33
“But still night after night the game was played.”
Voice: Narrator voice · Narrator

The brief sentence makes repetition itself visible: improvement continues after early success because practice is maintained night after night.

Source note: The Lost Prince; Project Gutenberg #384. 'The game' is the boys’ repeated training exercise in memory, recognition and recall.

Source identified34
“This ground is hallowed by the heroes of defeat.”

The phrase grants dignity to people who struggled without conventional victory, reframing defeat as compatible with courage and a life still worthy of remembrance.

Source note: Memories and Portraits, in Stevenson’s reflection on graves and failed lives; Project Gutenberg #381. The sentence is literary commemoration, not a claim that every defeat is heroic.

Source identified35
“There was no help for it, however, but to go on.”
Voice: Quoted historical voice · George Stephenson

During the Chat Moss crisis, continuing became the practical choice after heavy investment and discouraging expert opinion had narrowed the alternatives.

Source note: The Life of George Stephenson and of his Son Robert Stephenson, Chapter XI, “Chat Moss—Construction of the Railway”; represented 1868 revised edition, Project Gutenberg #46229. Smiles records Stephenson’s first-person recollection of the directors’ crisis over Chat Moss in quoted speech.

Source identified41
“You can turn over a new leaf every hour if you choose.”

A failed plan need not govern the remainder of the day; Bennett frames each hour as another practical opportunity to restart deliberate action.

Source note: How to Live on 24 Hours a Day, discussion of beginning a programme of self-directed use of spare time. The sentence is practical encouragement within Bennett’s period self-improvement argument.

Source identified43
“I’m the only one in the world who wants it to be alive.”
Voice: Fictional character · Mary Lennox

Mary’s desire to revive the neglected garden turns care into a purpose: she values the possibility of life before she knows whether the plants can recover.

Source note: The Secret Garden; Project Gutenberg #113. Mary is speaking about the locked garden she has discovered, so the sentence remains tied to the novel’s literal plot.

Source identified44
“The more you draw, the better. Draw everything you can.”
Voice: Fictional character · Loristan

Repeated drawing is treated as the route to improvement, making practice and quantity of attempts part of developing a useful skill.

Source note: The Lost Prince; Project Gutenberg #384. Loristan encourages Marco to strengthen a sketching ability useful to the story’s secret mission.

Source identified46
“Joseph was able to keep a little hope alive in his heart”
Voice: Narrator voice · Narrator

Despite discouraging circumstances, the character preserves a small continuing expectation that helps him keep engaging with family life and the work still available to him.

Source note: At the Back of the North Wind; Project Gutenberg #225. This is narrator description of Joseph during financial and emotional strain, not a promise that hope alone changes circumstances.

Source identified51
“We learn wisdom from failure much more than from success.”

Failure can expose what does not work and force closer observation, turning setbacks into information that uncomplicated success may never reveal.

Source note: Self-Help, Chapter XI, “Self-Culture—Facilities and Difficulties,” Project Gutenberg #935. The passage follows Charles James Fox’s contrast between early success and perseverance after failure, then leads into examples of discoveries and learning produced through mistakes and failed attempts.

Source identified53
“In life and death a chainless soul, With courage to endure.”

The closing wish joins freedom with endurance, defining courage not as control over events but as keeping the soul unchained through them.

Source note: “The Old Stoic,” Project Gutenberg #1019. This is the poem’s closing aspiration and remains a literary statement rather than medical or psychological guidance.

Source identified54
“Does the road wind up-hill all the way? Yes, to the very end.”

The compact dialogue makes the difficulty of the road explicit while also committing to continuing all the way to its end.

Source note: “Up-Hill,” in Goblin Market and Other Poems (1862); Project Gutenberg #16950. The road is a spiritual-life allegory, so the line is not reduced to literal travel advice.

Source identified55
“The watch is long betimes and late, The prize is slow to win.”

The devotional poem acknowledges prolonged waiting and delayed fulfillment directly, making patience meaningful precisely because the hoped-for result is slow.

Source note: “Advent,” in the devotional section of Goblin Market and Other Poems; Project Gutenberg #16950. The watch is explicitly Christian expectation of Christ, not a secular promise that persistence guarantees a prize.

Source identified56
“Yet I did hope for success, and persisted in the undertaking.”

Douglass links hope with continued effort: uncertainty about the outcome does not prevent him from persisting in a difficult undertaking.

Source note: My Bondage and My Freedom; Douglass is recounting one of the practical struggles through which persistence accompanied his pursuit of greater freedom and independence.

Source identified62
“Yet count we not His promise slack, But watch and wait for Him.”

The speakers continue waiting despite delay because they interpret the promise through faith, combining endurance with explicitly religious expectation.

Source note: “Advent,” Project Gutenberg #16950. 'His' refers to Christ; the line remains Christian devotional poetry rather than being generalized into an evidence-free guarantee about outcomes.

Source identified64
“I am not afraid of storms, for I am learning how to sail my ship.”
Voice: Fictional character · Amy March Laurence

Difficulty becomes part of learning rather than proof that progress is impossible; skill grows while the storm is being navigated.

Source note: Little Women; the represented public-domain text places the sailing metaphor inside the novel’s broader language of learning through difficulty.

Source identified65
“The art of life is more like the wrestler’s art than the dancer’s.”

Life requires readiness for unexpected pressure, closer to maintaining balance in a contest than performing a fully choreographed sequence.

Source note: Meditations, Book VII, section 61, George Long translation; the full sentence emphasizes readiness for sudden and unexpected onsets.

Source identified66
“She would sing while I was weeping; If I listened, she would cease.”

The unstable personified Hope seems available only at a distance, intensifying the poem’s portrait of encouragement that disappears when directly sought.

Source note: “Hope,” Project Gutenberg #1019. The line is part of a deliberately bleak personification and should not be misread as simple positive-thinking advice.

Source identified67
“If I am a princess in rags and tatters, I can be a princess inside.”
Voice: Fictional character · Sara Crewe

Dignity is separated from possessions and appearance, locating self-worth in conduct and inner standards when external status has been stripped away.

Source note: A Little Princess; Sara uses an imagined inner identity to preserve dignity during poverty and mistreatment.

Source identified68
“I learned well because I never forgot it. And I learned. Did I not?”
Voice: Fictional character · Marco Loristan

Marco looks back on deliberate training and judges himself by whether he actually learned and retained what repeated instruction required.

Source note: The Lost Prince; Project Gutenberg #384. Marco says this while explaining that his father had long been preparing him for responsibility within the fictional plot.

Source identified70
“It is hard to fail, but it is worse never to have tried to succeed.”

Roosevelt contrasts the disappointment of an unsuccessful attempt with the deeper loss of never attempting worthwhile work at all, making participation and effort more important than guaranteed success.

Source note: The Strenuous Life, speech before the Hamilton Club, Chicago, April 10, 1899; Project Gutenberg #58821. The sentence appears in Roosevelt’s opening argument for active effort and immediately follows his praise of the person who embodies “victorious effort”; it is preserved as historical motivational rhetoric rather than a promise that effort always produces success.

Source identified71
“I am not afraid. I shall not be afraid. In some way I shall get out.”
Voice: Fictional character · Marco Loristan

Faced with immediate confinement and uncertainty, Marco turns fear into a commitment to keep looking for a way out rather than surrendering to panic.

Source note: The Lost Prince; Project Gutenberg #384. Marco is trapped during the fictional mission; the line describes literary courage and does not advise ignoring real-world danger.

Source identified72
“His efforts were long, laborious, and sometimes apparently hopeless.”

Smiles emphasizes the duration and difficulty of John Harrison’s work before success, making perseverance visible as sustained labor rather than instant inspiration.

Source note: Men of Invention and Industry, Chapter III, “John Harrison: Inventor of the Marine Chronometer”; Project Gutenberg #725. This is Smiles’s biographical narration, not Harrison speaking in first person.

Source identified74
“Upon the wreckage of thy yesterday design the structure of to-morrow.”

Past failure is treated as material for reconstruction rather than a final verdict, making tomorrow a project that can be designed from what has already been learned.

Source note: Poems of Progress and New Thought Pastels, “The Structure”; Project Gutenberg #3228. The following lines emphasize purpose, wisdom, resolve and patience, which anchors the rebuilding metaphor.

Source identified76
“bear it well, because we love you; your children will always love you.”
Voice: Fictional character · Maggie Tulliver

Maggie offers her father an assurance that bankruptcy does not cancel his children’s attachment, separating family love from public or financial failure.

Source note: The Mill on the Floss, Book III, Project Gutenberg #6688. Maggie speaks to her father when he realizes the extent of the bankruptcy.

Source identified77
“the struggle which evil necessitates is one of the greatest blessings.”

Keller interprets struggle as capable of developing strength, patience and helpfulness, while speaking from her own philosophical and religious framework.

Source note: Optimism: An Essay (1903), Project Gutenberg #31622. This is Keller’s reflective claim, not a clinical assertion that suffering is inherently beneficial.

Source identified79
“A certain kind of self-respect or native pride is necessary to a good life.”

Russell treats a durable sense of inward worth as necessary for living without surrendering completely to defeat, pressure or external judgment.

Source note: Political Ideals, discussion of what social institutions should make possible for individuals. Russell immediately connects self-respect with courage, hope and living by the best within oneself despite obstacles.

Source identified80
“Patience is the finest and worthiest part of fortitude,—and the rarest, too.”

Ruskin separates patience from mere persistence: fortitude is not only continuing to act, but also bearing delay, frustration and incomplete results without losing steadiness.

Source note: The Ethics of the Dust, Lecture IV, Project Gutenberg #4701. Ruskin immediately contrasts many persevering people with the rarer patient person and later insists that genuine patience is not necessarily passive or idle.

Source identified81
“Will the day's journey take the whole long day? From morn to night, my friend.”

The answer accepts that a meaningful journey may require the whole available day rather than promising a quick or effortless finish.

Source note: “Up-Hill,” Project Gutenberg #16950. The poem is an allegorical question-and-answer sequence about the soul’s journey, endurance and eventual rest.

Source identified82
“’Tis the set of the soul that decides its goal and not the calm or the strife.”

The nautical metaphor places direction in the stance a person adopts toward conditions, arguing that purpose can survive both ease and adversity.

Source note: Poems of Optimism, “The Winds of Fate,” first published in this collection in 1913; Project Gutenberg #7421. The statement is metaphorical poetry about agency, not a denial of material constraints or unequal circumstances.

Source identified83
“The situation was disheartening, but I had energy, experience, health and hope.”

The memoir acknowledges discouraging circumstances while inventorying the practical and psychological resources Barnum believed remained available to him.

Source note: Struggles and Triumphs, 1872 author’s edition; this is autobiographical reflection from Barnum’s account of rebuilding after a difficult business period.

Source identified84
“Let me not pray to be sheltered from dangers but to be fearless in facing them.”

The prayer asks not for the removal of danger but for courage within it, shifting the desired response from guaranteed safety toward steadiness under difficulty.

Source note: Fruit-Gathering, poem LXXIX, translated by Tagore from Bengali; Project Gutenberg #6522. The line is explicitly prayer language and should not be read as advice to ignore real safety precautions.

Source identified85
“Love, strong as Death, shall conquer Death, Through struggle made more glorious.”

The bereavement poem turns enduring love into a religious claim that loss does not exhaust the relationship or its hoped-for future.

Source note: “A Child’s Grave at Florence,” stanza XXIII; Project Gutenberg #31015. This is Christian elegiac conviction, not empirical evidence about death or grief outcomes.

Source identified86
“although the world is full of suffering, it is full also of the overcoming of it.”

The sentence holds suffering and human overcoming together, giving Keller’s optimism a basis in endurance rather than pretending suffering is absent.

Source note: Optimism: An Essay (1903), Project Gutenberg #31622. The surrounding passage explicitly says her optimism does not rest on the absence of evil.

Source identified87
“But the man worth while is the one who will smile when everything goes dead wrong.”

The poem defines tested cheerfulness as the capacity to retain some steadiness when circumstances turn badly, rather than as pleasantness that exists only when life is easy.

Source note: Poems of Cheer, “Worth While,” represented 1914 Gay and Hancock edition; Project Gutenberg #3238. The line is poetic encouragement and does not imply that smiling is an adequate response to every form of suffering.

Source identified90
“You have seen how a man was made a slave; you shall see how a slave was made a man.”

The line marks a reversal from imposed dehumanization toward recovered agency, dignity, resistance, and self-possession.

Source note: Narrative of the Life of Frederick Douglass; the sentence introduces a turning point in Douglass’s account of resistance.

Source identified91
“Hope is the bird with its dim sensations; The shell that keeps it alive is Patience.”

MacDonald pictures patience as the protective structure around hope: hope may begin weakly and imperfectly, while patience gives it time to mature rather than demanding immediate proof.

Source note: “Hope and Patience,” in The Poetical Works of George MacDonald in Two Volumes, Volume II (1893), Project Gutenberg #9984. The bird-and-shell image is a poetic metaphor rather than a literal psychological model.

Source identified92
“It is not a lost year, but one that may prove the most helpful of any you ever know.”
Voice: Fictional character · Jo Bhaer

A painful or disappointing period can still become useful experience when it changes judgment, humility, resolve, and the way a person begins again.

Source note: Jo's Boys; the reassurance follows a setback and reframes a difficult year as experience that may later prove unusually helpful rather than simply wasted time.

Source identified95
“Other desires and other hopes beset me, Hopes which obscure, but cannot do thee wrong!”

New desires and hopes can enter life without necessarily betraying the person who is remembered, allowing continuation and fidelity to coexist.

Source note: “Remembrance,” Project Gutenberg #1019. The speaker is negotiating loyalty to a lost beloved rather than announcing a universal timetable for moving on.

Source identified97
“Faithful, indeed, is the spirit that remembers After such years of change and suffering!”

Remembering after long change and suffering is presented as a form of fidelity, showing that grief can alter across time without making the earlier bond unreal.

Source note: “Remembrance,” Project Gutenberg #1019. The poem’s speaker is reflecting on a long-dead beloved within a literary lyric.

Source identified98
“What then remains but well our pow'r to use, And keep good-humour still whate'er we lose?”
Voice: Fictional character · Clarissa

Within Clarissa’s speech, the practical response to inevitable loss is to use one’s capacities well and preserve composure rather than trying to make change impossible.

Source note: The Rape of the Lock, Canto V; Clarissa speaks before the poem immediately returns to comic battle, a contrast that keeps the moral counsel inside the satire.

Source identified99
“Human life is everywhere a state in which much is to be endured and little to be enjoyed.”
Voice: Fictional character · Imlac

The novel resists fantasies of perfect circumstances by emphasizing that difficulty follows people across different places and conditions.

Source note: Rasselas, Chapter XVI; spoken by Imlac while comparing European life with the travelers’ expectations of happiness.

Source identified100
“What, to our eyes, may seem hopeless failure is often but the dawning of a greater success.”

Immediate appearances can mislead: a failure may reveal another direction or become part of later success, so present defeat need not define the whole trajectory.

Source note: The Majesty of Calmness, “Failure as a Success.” The passage is motivational interpretation, not a promise that every loss will produce a better outcome.

Source identified101
“Hope Was but a timid friend; She sat without the grated den, Watching how my fate would tend.”

Hope is personified as present but unreliable, capturing the frustration of wanting encouragement while feeling that it remains outside the speaker’s confinement.

Source note: “Hope,” in Poems by Currer, Ellis, and Acton Bell; Project Gutenberg #1019. The poem personifies Hope critically rather than offering a straightforward optimistic slogan.

Source identified102
“If a man knows the wherefore of his existence, then the manner of it can take care of itself.”

A sufficiently clear reason for living or acting can reorganize how difficulty is endured, because purpose supplies direction before every practical detail has been solved.

Source note: The Twilight of the Idols, “Maxims and Missiles,” maxim 12, Anthony M. Ludovici translation, Project Gutenberg #52263. This is Nietzsche’s represented wording; later paraphrases such as “He who has a why…” should not be silently substituted for it.

Source identified103
“Failure is often the turning-point, the pivot of circumstance that swings us to higher levels.”

A setback can force reassessment and redirect effort, so Jordan treats some failures as transitions rather than final verdicts.

Source note: Self-Control, Its Kingship and Majesty, essay on failure and development. “Often” matters: the source does not say every failure automatically produces improvement.

Source identified105
“Then did I learn how existence could be cherished, Strengthened, and fed without the aid of joy.”

The speaker describes learning to sustain life after joy itself no longer provides the support it once did, making adaptation an explicit result of suffering.

Source note: “Remembrance,” Project Gutenberg #1019. The line follows the collapse of earlier dreams and is literary reflection on endurance, not a prescription to avoid joy or support.

Source identified106
“Thou must be like a promontory of the sea, against which though the waves beat continually, yet it stands.”

The image recommends steadiness under repeated pressure: external disturbance can arrive continuously without requiring inner collapse.

Source note: Meditations, Book IV, in the public-domain Casaubon-style English text distributed by Project Gutenberg.

Source identified107
“Have this thought ever present with thee, when thou losest any outward thing, what thou gainest in its stead.”

Loss is not automatically the whole story; the instruction asks what freedom, clarity, experience, or other value may accompany what has been given up.

Source note: The Golden Sayings of Epictetus, saying XXVII, Hastings Crossley translation.

Source identified108
“Only the Peace of Heaven endures through all trial, and only the selfless heart can know the Peace of Heaven.”

The peace Allen values is tested by adversity: he associates durability under trial with a heart less dominated by self-centered demand and reactive desire.

Source note: The Way of Peace; Allen contrasts temporary comfort with a spiritual peace that he says remains stable through trial.

Source identified109
“No great work has ever been done “at a heat.” It is the result of repeated efforts, and often of many failures.”

Repeated attempts and failure are treated as normal parts of producing substantial work, countering the idea that important creation happens fully formed in one effort.

Source note: Thrift, Chapter I, “Industry,” Project Gutenberg #14418. The sentence immediately follows the poetry example and presents substantial work as the product of repeated effort and failure; the absolute wording is Smiles’s rhetorical generalization.

Source identified110
“Such friendship at once enhances the lustre of prosperity, and by dividing and sharing adversity lessens its burden.”
Voice: Dialogue speaker · Gaius Laelius

A good friend does not matter only in crisis: companionship can enlarge good fortune while also making hardship easier to carry because difficulty is no longer borne alone.

Source note: De Amicitia, section 6–7 transition, Project Gutenberg #7491. Cicero contrasts true and perfect friendship with merely moderate association and emphasizes its usefulness in both prosperity and adversity.

Source identified111
“It’s all I’ve got to think of now—to do my work well and make the world a bit better place for them as can enjoy it.”
Voice: Fictional character · Adam Bede

After severe loss, Adam redirects attention toward doing his work well and improving what he can for other people rather than expecting his own circumstances to be restored.

Source note: Adam Bede; Adam speaks to Arthur late in the novel after the central tragedy, so the line is grounded in grief, work, and responsibility rather than generic productivity advice.

Source identified112
“Better is the end of a thing than the beginning thereof: and the patient in spirit is better than the proud in spirit.”

Finishing and enduring are given more weight than the excitement of starting or the pride of appearance.

Source note: Ecclesiastes 7:8 in the King James Version; the verse contrasts patient spirit with pride and values the completed end of a matter over the excitement of its beginning.

Source identified113
“The traveller must be born again on the road, and earn a passport from the elements, the principal powers that be for him.”

Thoreau presents serious travel as a demanding experience that changes the traveller through exposure, effort and direct encounter with conditions beyond ordinary comfort.

Source note: A Week on the Concord and Merrimack Rivers, Thursday, Project Gutenberg #4232. The sentence follows Thoreau’s claim that sincere travelling is no pastime and precedes his description of weariness, sore feet and experience acquired on the road; it is nineteenth-century travel philosophy rather than practical safety advice.

Source identified114
“Success is to be measured not so much by the position that one has reached in life as by the obstacles which he has overcome.”

Achievement can be judged by distance traveled and difficulty overcome, not merely by comparing final positions that began from very different circumstances.

Source note: Up from Slavery, Chapter II, “Boyhood Days,” Project Gutenberg #2376. Washington reflects on the disadvantages surrounding Black childhood after slavery and says achievement should be measured by the obstacles overcome rather than by final position alone.

Source identified115
“The battle of life is, in most cases, fought up-hill; and to win it without a struggle were perhaps to win it without honour.”

Difficulty is not treated as evidence that effort is pointless; resistance can be part of the process by which achievement acquires substance.

Source note: Self-Help, Chapter XI, “Self-Culture—Facilities and Difficulties,” Project Gutenberg #935. The passage comes immediately after Hodson’s reflection on resolutely doing difficult duties and continues by presenting difficulty as a stimulus to people of resolution and valour.

Source identified116
“grudge no expense of trouble, patience, or courage, in the striving to accomplish the hard thing you have set yourselves to do.”

Addressing art students, Morris emphasizes the persistence, patience and courage needed to carry difficult creative work toward the standard the maker has chosen.

Source note: Hopes and Fears for Art, lecture “The Art of the People”; Project Gutenberg #3773. The counsel is explicitly directed to people studying or practicing art.

Source identified117
“That faith and self-respect had early been awakened which must always lead, at last, to an outward serenity and an inward peace.”

Self-respect and inward faith are presented as foundations that can survive adversity and gradually produce greater steadiness in both outward life and inner experience.

Source note: Woman in the Nineteenth Century, in the discussion of Miranda; Fuller explicitly connects awakened self-respect with serenity and inward peace.

Source identified118
“If a man is to turn everything whatsoever into his own calm, dignity, and happiness, he must make this use even of his own failures.”

Failure becomes useful when it is examined and incorporated into future conduct instead of being allowed to settle a person’s sense of dignity or possibility.

Source note: The Human Machine, discussion of using experience for self-command. Bennett’s claim is philosophical self-training advice; it does not imply that every failure is beneficial or emotionally easy.

Source identified119
“On the occasion of every accident that befalls you, remember to turn to yourself and inquire what power you have for turning it to use.”

Instead of beginning with what an event has taken away, the practice asks which capacity—endurance, restraint, patience, or judgment—can still be exercised.

Source note: Enchiridion, section X, George Long translation; Epictetus gives examples such as endurance under pain and patience under abuse.

Source identified120
“But God gives patience, Love learns strength, And Faith remembers promise, And Hope itself can smile at length On other hopes gone from us.”

The elegy moves from a family’s acute loss toward a specifically Christian vocabulary of patience, strengthened love, remembered promise and slowly returning hope.

Source note: “A Child’s Grave at Florence,” stanza XXII; Project Gutenberg #31015. The poem commemorates a child who died in 1849 and frames consolation through Christian faith.

Source identified121
“Show the world that you respect yourself, that you believe in yourself, and that, no matter how hard the way, you are marching on to victory.”

Marden treats visible self-respect as a refusal to let hardship define identity, encouraging a posture of agency even when material circumstances are difficult.

Source note: The Victorious Attitude, opening chapter; the rhetoric is deliberately motivational and reflects early twentieth-century success literature rather than an empirical psychological claim.

Source identified122
“That you must master the secret for yourselves lay implicit in our bargain, and you were never promised that a writer's training would be easy.”

Learning to write is presented as demanding practice rather than a shortcut: difficulty belongs to the training and does not by itself signal failure.

Source note: On the Art of Writing, Lecture XII, “On Style,” Project Gutenberg #17470; excerpted from Quiller-Couch’s reminder that students must master craft for themselves.

Source identified123
“They concentrated all their powers upon it. They wrote and re-wrote—they repeated to each other what they committed to memory as if it were a lesson.”
Voice: Narrator voice · Narrator

The boys improve through concentrated rehearsal, rewriting and mutual repetition, giving the learning process visible effort rather than effortless talent.

Source note: The Lost Prince; Project Gutenberg #384. The material being memorized belongs to a fictional covert political mission, so the record focuses on the described study process rather than the mission itself.

Source identified124
“Fortune has often in the past got the upper hand of you, and yet you have not surrendered, but have leaped up and stood your ground still more eagerly.”

Past recovery is evidence of present capacity: being struck down by fortune is different from surrendering to it.

Source note: Moral Letters to Lucilius, Letter 13, section 3, Richard M. Gummere translation.

Source identified125
“whoever may Discern true ends here, shall grow pure enough To love them, brave enough to strive for them, And strong to reach them though the roads be rough”

The political poem links clearer ends with the character needed to pursue them, moving from discernment to courage, effort and persistence on a difficult road.

Source note: Casa Guidi Windows, Part II; Project Gutenberg #31015. Browning is writing specifically about Tuscan and Italian political freedom, so the excerpt is not detached from its Risorgimento context.

Source identified126
“If we look back to the history of efforts which have made great changes, it is astonishing how many of them seemed hopeless to those who looked on in the beginning.”
Voice: Fictional character · Daniel Deronda

Deronda argues that later historical success can obscure how improbable reform movements looked at their beginning, making apparent hopelessness a poor measure of eventual consequence.

Source note: Daniel Deronda; Deronda speaks in a discussion of political and national efforts, with historical reform as the immediate context.

Source identified127
“I have learned that success is to be measured not so much by the position that one has reached in life as by the obstacles which he has overcome while trying to succeed.”

Achievement is measured against the difficulty of the path, not just the final position, making endurance and progress part of the definition of success.

Source note: Up from Slavery, Chapter II, “Boyhood Days,” Project Gutenberg #2376. Washington reflects on the obstacles facing Black youth after slavery and measures success by difficulty overcome rather than by final social position; the historical racial context is kept explicit.

Source identified128
“The simple truth is that a will strong enough to keep a man continually striving for things not wholly beyond his powers will carry him in time very far toward his chosen goal.”

Marden emphasizes sustained effort toward difficult but attainable aims, making persistence more important than a single burst of enthusiasm.

Source note: Architects of Fate, chapter discussion of will and purpose; Project Gutenberg #21622. The wording reflects nineteenth-century success literature.

Source identified129
“I believe in some blending of hope and sunshine sweetening the worst lots. I believe that this life is not all; neither the beginning nor the end. I believe while I tremble; I trust while I weep.”
Voice: Fictional narrator · Lucy Snowe

Lucy Snowe holds hope and fear at the same time; endurance here does not require the disappearance of trembling or grief before trust becomes possible.

Source note: Villette, late in the novel; spoken in the first-person narrative voice of the fictional Lucy Snowe. The religious hope belongs to Lucy’s character and scene, not a direct autobiographical declaration by Charlotte Brontë.

Source identified130
“A man begins to deteriorate, to go toward failure, not when he loses all of his material possessions, not when he fails in his undertakings, but when he loses faith in himself, in his ability to make his dreams come true.”

Material loss and failed attempts are separated from the deeper danger of abandoning personal agency; the sentence treats continued self-belief as a resource for beginning again.

Source note: The Victorious Attitude; this sentence appears in Marden’s sustained argument that loss of self-faith is more damaging than the loss of possessions or an individual undertaking.

Source identified131
“Experience has taught me, in fact, that no man should be pitied because, every day in his life, he faces a hard, stubborn problem, but rather that it is the man who has no problem to solve, no hardships to face, who is to be pitied.”

A demanding problem can give effort direction and exercise ability; Washington therefore treats a life without challenge as potentially more limiting than one requiring sustained problem-solving.

Source note: My Larger Education, Chapter I, “Learning from Men and Things”; Project Gutenberg #73923. The sentence continues Washington’s argument that confronting difficult practical problems can develop strength and clarity rather than merely consume effort.

Source identified132
“I came to see that, along with his disadvantages, the Negro in America had some advantages, and I made up my mind that opportunities that had been denied him from without could be more than made up by greater concentration and power within.”

Washington argues for concentrating on agency that remains available under unequal conditions, without pretending those external disadvantages are unreal or morally acceptable.

Source note: My Larger Education, Chapter I, “Learning from Men and Things”; Project Gutenberg #73923. Washington reflects on how he came to emphasize internal discipline and concentrated effort while explicitly acknowledging externally imposed disadvantage.

Source identified133
“The majority of successful men are persons who have had difficulties to overcome, problems to master; and, in overcoming those difficulties and mastering those problems, they have gained strength of mind and a clearness of vision that few persons who have lived a life of ease have been able to attain.”

Difficulty can train judgment when it has to be actively mastered; the claimed benefit comes from the capacities developed while solving problems, not from hardship being desirable in itself.

Source note: My Larger Education, Chapter I, “Learning from Men and Things”; Project Gutenberg #73923. Washington connects repeated problem-solving with strength of mind and clearer judgment, contrasting developed capacity with an untested life of ease.

Read beyond the line

Compare the idea, then check the source context

A memorable sentence can change meaning when separated from its original work. Each card keeps the author, source, source note and explanation together.

Use quotations carefully

One line rarely settles a complicated subject

Compare writers, genres and time periods before treating a quotation as advice or a complete statement of an author’s view.

Questions about this collection

How to use these never give up quotes

What do these never give up quotes focus on?

The collection brings together quotations whose central idea connects with never give up. The topic guide and related themes help distinguish different ways authors approach the idea.

Which authors and sources appear here?

Representative voices include Frances Hodgson Burnett, Booker T. Washington, Emily Brontë. Representative sources include The Lost Prince, If—, A Child's Grave at Florence. Author and source links make it easy to continue reading in context.

How should I read the attribution labels?

“Source identified” means the quotation is connected with a named source. “Attribution review” or “Disputed” signals that the attribution needs extra caution. Editions, punctuation and translations can still vary.

Why include a meaning under every quote?

A memorable line can be flattened or misread when separated from its context. The explanation states the immediate idea in new wording, while source notes flag where genre, scene, speaker or translation matters.

Can I use one of these never give up quotes in a message, caption, speech or journal?

Yes, but choose for fit rather than popularity. Check the author and source, avoid changing wording in a way that alters the meaning, and consider whether the line suits your situation and audience.

What if a quotation or attribution seems wrong?

Check the source note and verification label first. If stronger evidence changes the attribution, wording or source context, the record can be corrected. See the verification method for details.