Browse 14 quotations connecting Oscar Wilde with Deep, with meanings, source notes and related themes.
Each quotation is included because its central idea connects with this theme, not simply because one matching word appears in the sentence.
Sources represented here include De Profundis, The Picture of Dorian Gray — 1890 magazine text, Lady Windermere’s Fan. Keeping the work and source note beside each quotation makes differences in setting, speaker and emphasis easier to see.
Sources represented here include De Profundis, The Picture of Dorian Gray — 1890 magazine text, Lady Windermere’s Fan.
“Suffering is one very long moment.”
Severe suffering can collapse ordinary time into one continuous experience, making individual days feel less distinct than the pain that joins them.
Source note: De Profundis, public-domain 1913 Methuen text; the sentence appears in Wilde’s description of prison time and the apparent sameness of suffering.
“Where there is sorrow there is holy ground.”
Sorrow can make a moment morally serious and deserving of care, attention, and humility rather than dismissal or forced positivity.
Source note: De Profundis; Wilde reflects on suffering as a source of seriousness, humility, and transformed perception.
“For us there is only one season, the season of sorrow.”
Prolonged grief can make ordinary changes of season feel irrelevant because sorrow becomes the dominant measure of time and experience.
Source note: De Profundis, public-domain 1913 Methuen text; Wilde writes from prison about suffering, memory, humiliation, and the changed experience of time.
“Life is far too important a thing ever to talk seriously about.”
Wilde uses deliberate contradiction to suggest that solemnity is not the only way to take life seriously.
Source note: Lady Windermere’s Fan.
“We are all in the gutter, but some of us are looking at the stars.”
The line contrasts difficult circumstances with the direction of attention, leaving room for aspiration without denying hardship.
Source note: Act 3.
“The old believe everything: the middle-aged suspect everything: the young know everything.”
The epigram compresses three stereotypes of certainty into one balanced joke, mocking credulity, suspicion, and youthful overconfidence at once.
Source note: “Phrases and Philosophies for the Use of the Young,” first published in The Chameleon in 1894.
“The truth is rarely pure and never simple.”
Wilde resists neat moral simplification by reminding the reader that truth often arrives mixed with context and contradiction.
Source note: The Importance of Being Earnest, Act 1; Algernon delivers the purity-and-simplicity line as a comic epigram during the play’s conversation about truth and social performance.
“To lose one parent may be regarded as a misfortune—to lose both seems like carelessness.”
Lady Bracknell’s absurdly bureaucratic response turns tragedy into a social failing, which is funny because her concern for status overwhelms ordinary sympathy.
Source note: The Importance of Being Earnest, Act 1; Lady Bracknell reacts to Jack’s uncertain parentage.
“The only way to get rid of a temptation is to yield to it.”
The line is a deliberately seductive paradox rather than practical advice, expressing the character’s philosophy of appetite and indulgence.
Source note: The Picture of Dorian Gray, 1890 Lippincott magazine text, Chapter 2; Lord Henry states the temptation paradox while influencing Dorian in Basil Hallward’s garden.
“Nowadays people know the price of everything and the value of nothing.”
The distinction between price and value criticizes a way of thinking that can measure cost while missing significance.
Source note: The Picture of Dorian Gray, 1890 Lippincott magazine text, Chapter 3; Lord Henry gives the price-and-value epigram after describing a bargain for old brocade.
“Beauty is a form of Genius—is higher, indeed, than Genius, as it needs no explanation.”
Lord Henry’s deliberately provocative claim treats beauty as immediate and self-justifying; the novel later complicates that confidence by showing the cost of worshipping appearance.
Source note: The Picture of Dorian Gray, 1890 Lippincott magazine text, Chapter 2; Lord Henry praises Dorian’s beauty and youth.
“To define is to limit.”
Definitions clarify ideas but can also narrow them, especially when a label is treated as the complete reality of a person or experience.
Source note: The Picture of Dorian Gray, 1891 edition, Chapter 17; Lord Henry answers the Duchess of Monmouth’s question “What are you?” with “To define is to limit.”
“All art is at once surface and symbol.”
The aphorism resists a simple choice between appearance and hidden meaning: an artwork can operate through both at the same time.
Source note: The Picture of Dorian Gray, 1891 edition, Preface; part of Wilde’s warning about reading beneath artistic surfaces.
“To live is the rarest thing in the world. Most people exist, that is all.”
Wilde separates deliberate individual living from merely passing through existence, making self-realization and chosen purpose part of what it means to live fully.
Source note: The Soul of Man under Socialism; Wilde develops individualism as the freedom to form a life from within rather than conform to social expectation.