Source identified1
“Love all, trust a few, do wrong to none.”
Voice: Fictional character · Countess of Roussillon
The advice combines generosity with judgment: goodwill can be broad while trust remains selective.
Source note: All’s Well That Ends Well, Act 1, Scene 1; the Countess gives Bertram compact advice about conduct before he leaves.
Source identified2
“The quality of mercy is not strained.”
Voice: Fictional character · Portia
Portia begins by arguing that real mercy cannot be forced; its moral value comes from being freely given rather than mechanically compelled.
Source note: The Merchant of Venice, Act 4, Scene 1; opening of Portia’s mercy speech during the trial.
Source identified3
“It is twice blest: it blesseth him that gives and him that takes.”
Voice: Fictional character · Portia
Mercy is described as reciprocal in effect: it helps the recipient, but it also changes the moral character of the person who chooses to give it.
Source note: The Merchant of Venice, Act 4, Scene 1; Portia explains why mercy benefits both sides.
Source identified4
“How far that little candle throws his beams! So shines a good deed in a naughty world.”
Voice: Fictional character · Portia
A small good action can remain visible precisely because it contrasts with a difficult environment.
Source note: Act 5, Scene 1.
Source identified5
“We do pray for mercy, and that same prayer doth teach us all to render the deeds of mercy.”
Voice: Fictional character · Portia
Portia turns the desire to receive mercy into a responsibility to practice it, making forgiveness a consistency test rather than a one-way request.
Source note: The Merchant of Venice, Act 4, Scene 1; conclusion of the central argument in Portia’s mercy speech.
Source identified6
“I can no other answer make but thanks, and thanks, and ever thanks.”
Voice: Fictional character · Sebastian
Sebastian responds to Antonio’s costly loyalty with repeated thanks while also admitting that words alone are an inadequate repayment for practical care.
Source note: Twelfth Night, Act 3, Scene 3, Project Gutenberg #1526. Sebastian says this to Antonio after Antonio explains that fear for Sebastian’s safety drove him to follow despite the danger of returning to Illyria; it is character dialogue, not Shakespeare autobiography.