“Our remedies oft in ourselves do lie.”
Before assuming rescue must come from outside, the line asks what capacity, choice, or effort is already available within.
Source note: All’s Well That Ends Well, Act 1, Scene 1.
Browse 15 quotations connecting William Shakespeare with Inspirational, with meanings, source notes and related themes.
Each quotation is included because its central idea connects with this theme, not simply because one matching word appears in the sentence.
Sources represented here include Julius Caesar, Hamlet, Measure for Measure. Keeping the work and source note beside each quotation makes differences in setting, speaker and emphasis easier to see.
Sources represented here include Julius Caesar, Hamlet, Measure for Measure.
“Our remedies oft in ourselves do lie.”
Before assuming rescue must come from outside, the line asks what capacity, choice, or effort is already available within.
Source note: All’s Well That Ends Well, Act 1, Scene 1.
“Sweet are the uses of adversity.”
Adversity is presented as capable of yielding insight or value even when the experience itself is unwelcome.
Source note: As You Like It, Act 2, Scene 1; Duke Senior reflects on what adversity can reveal while living in exile.
“The readiness is all.”
The emphasis is not on controlling every outcome but on meeting what comes with preparedness and acceptance.
Source note: Act 5, Scene 2.
“We know what we are, but know not what we may be.”
The line leaves room between present identity and future possibility, making it useful for reflection on change and potential.
Source note: Hamlet, Act 4, Scene 5; Ophelia speaks during her disrupted state, so the line remains dramatic dialogue rather than Shakespearean autobiography.
“The better part of valour is discretion.”
Courage is balanced with judgment here: avoiding a needless danger can sometimes be wiser than performing bravery for appearance.
Source note: Act 5, Scene 4; Falstaff reframes survival as a form of judgment.
“Men at some time are masters of their fates.”
Circumstances matter, but people also have moments when their own decisions meaningfully shape what follows.
Source note: Julius Caesar, Act 1, Scene 2.
“There is a tide in the affairs of men which, taken at the flood, leads on to fortune.”
Brutus uses the tide metaphor to argue that judgment includes timing: opportunities can require action before circumstances change.
Source note: Julius Caesar, Act 4, Scene 3; Brutus argues for taking the current opportunity rather than waiting.
“Cowards die many times before their deaths; the valiant never taste of death but once.”
The contrast suggests that repeated fear can make a person suffer imagined losses long before the real event arrives.
Source note: Julius Caesar, Act 2, Scene 2; Caesar contrasts repeated imagined fear with the single reality of death.
“The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings.”
The line rejects passive fatalism and places responsibility for circumstances more directly on human decisions, ambition, and action.
Source note: Act 1, Scene 2; Cassius argues that human choices matter more than fate.
“The miserable have no other medicine but only hope.”
When circumstances offer little immediate relief, hope can preserve the possibility of endurance without pretending the pain is gone.
Source note: Measure for Measure, Act 3, Scene 1.
“Our doubts are traitors, and make us lose the good we oft might win, by fearing to attempt.”
Doubt becomes harmful when it stops useful action before reality has had a chance to test what might be possible.
Source note: Act 1, Scene 4; Lucio argues against letting fear prevent an attempt.
“Wisely and slow; they stumble that run fast.”
Speed without judgment can undermine the very goal a person is pursuing, so patience becomes part of effective action.
Source note: Act 2, Scene 3; Friar Laurence urges Romeo to move with greater care.
“How far that little candle throws his beams! So shines a good deed in a naughty world.”
A small good action can remain visible precisely because it contrasts with a difficult environment.
Source note: Act 5, Scene 1.
“What’s past is prologue.”
The past is framed as context rather than the whole story, leaving the future open to further action.
Source note: The Tempest, Act 2, Scene 1; Antonio says this while urging Sebastian toward a conspiracy against Alonso. The phrase is therefore embedded in morally compromised dramatic persuasion rather than neutral advice.
“Things won are done; joy’s soul lies in the doing.”
Anticipation and active pursuit can carry more energy than possession itself, making the process part of the reward.
Source note: Troilus and Cressida, Act 1, Scene 2.