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“The world is my idea.”
Schopenhauer opens his system by arguing that the experienced world is always presented in relation to a knowing subject, making perception and consciousness conditions of the world as it is known.
Source note: The World as Will and Idea, Vol. I, First Book, §1, Haldane and Kemp translation, Project Gutenberg #38427. “Idea” translates Vorstellung in this historical philosophical vocabulary and should not be read as the everyday sense of a passing thought.
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“And is the soul seen or not seen?”
Voice: Dialogue speaker · Socrates
Socrates advances the dialogue by separating what can be perceived directly from what must be examined through argument, preparing the discussion of body and soul.
Source note: Phaedo, Benjamin Jowett translation; Socrates asks the question during the dialogue’s argument about visible bodies and the unseen soul.
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“We shall never learn the affinities of beauty”
Stevenson treats beauty as deeper than any complete technical explanation, warning that analysis of artistic mechanism does not exhaust why form can move or delight.
Source note: Essays in the Art of Writing, “On Some Technical Elements of Style in Literature,” represented by the 1905 Chatto & Windus edition in Project Gutenberg #492. The collection is posthumous; the excerpt concerns literary aesthetics.
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“The world is a perpetual caricature of itself.”
Social appearances repeatedly exaggerate or contradict reality, making ordinary life look like an ongoing parody of its own pretensions.
Source note: Soliloquies in England, “Dickens”; Santayana uses caricature to describe the gap between living reality and conventional masks.
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“All art constantly aspires towards the condition of music.”
Pater uses music as his model for the closest possible union of form and content, a critical claim about artistic structure rather than a literal hierarchy of media.
Source note: The Renaissance, “The School of Giorgione”; Project Gutenberg #2398. The surrounding paragraph explains that other arts strive to reduce the separation between matter and form.
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“Then the soul is more like to the unseen, and the body to the seen?”
Voice: Dialogue speaker · Socrates
Within the dialogue’s metaphysical argument, Socrates associates soul with the unseen and body with the visible; the record preserves that historical philosophical context rather than treating it as established fact.
Source note: Phaedo, Benjamin Jowett translation; Socrates is reasoning with Cebes about visibility, mortality and the proposed nature of soul and body.