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“The more the habit of thrift is practised, the easier it becomes.”
Repeated practice lowers the effort required for prudent behavior, illustrating how a difficult choice can gradually become an established habit.
Source note: Thrift, Chapter II, “Habits of Thrift,” Project Gutenberg #14418. The sentence completes Smiles’s practical paragraph on forming habits of economy: repeated thrift becomes easier and eventually compensates the self-denial it initially requires.
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“Get into the habit of being orderly and neat.”
Order is treated as trainable behavior that reduces avoidable friction and supports reliability in work, study, and shared environments.
Source note: Character Building, “Some Great Little Things,” Project Gutenberg #60484. Washington tells students to make order and neatness habitual in crowded rooms, immediately before his advice to work and close doors quietly.
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“Generally then if you would make anything a habit, do it.”
Repeated behavior trains the corresponding habit, so change depends on practicing the desired action rather than merely endorsing it in theory.
Source note: Discourses, George Long translation; Epictetus explains that faculties and habits are strengthened by corresponding actions.
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“Not a day passes without its discipline, whether for good or for evil.”
Daily experience is always training something, so ordinary choices can reinforce either constructive habits or patterns that make later self-command harder.
Source note: Character, Chapter I, “Influence of Character,” Project Gutenberg #2541. Smiles introduces the sentence while explaining that character is formed by many minute circumstances under partial individual control, so each day contributes discipline for good or ill.
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“Early to bed and early to rise, makes a man healthy, wealthy, and wise.”
The proverb links routine and self-discipline with health, productivity, and practical judgment.
Source note: Poor Richard’s Almanack; proverb on routine, work and practical discipline.
Source identified
“what is an artist but a workman who is determined that, whatever else happens, his work shall be excellent?”
Morris defines artistic practice through workmanship and a deliberate standard of excellence, joining creative identity to sustained attention to the quality of the work itself.
Source note: Hopes and Fears for Art, lecture “Making the Best of It”; Project Gutenberg #3773. The sentence addresses artistic workmanship rather than claiming every form of labor is art.