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William Shakespeare Quotes About Peace

Browse 10 quotations connecting William Shakespeare with Peace, with meanings, source notes and related themes.

Sources

Where these peace quotations appear

Sources represented here include The Merchant of Venice, All’s Well That Ends Well, Hamlet.

10 shown
Quotations

10 matching quotations with meanings and source context

Source identified1
Love all, trust a few, do wrong to none.

“Love all, trust a few, do wrong to none.”

Voice: Fictional character · Countess of Roussillon

The advice combines generosity with judgment: goodwill can be broad while trust remains selective.

Source details

All’s Well That Ends Well, Act I, Scene 1; the Countess of Roussillon gives Bertram the counsel “Love all, trust a few, do wrong to none.” Verified against Wikisource’s 1910 facsimile transcription of the 1623 First Folio (folio spelling “Loue all, trust a few, Doe wrong to none”); direct evidence resolves to the reviewed Act I transcription.

Source identified3
What’s done cannot be undone.

“What’s done cannot be undone.”

Voice: Fictional character · Lady Macbeth

Some consequences cannot be reversed, so the practical question becomes how to respond now rather than how to erase the past.

Source details

Macbeth, Act V, Scene I, reviewed against the scan-backed 1918 Yale text. Lady Macbeth says 'What's done cannot be undone' during the sleepwalking scene; the dramatic context is guilt and psychological disintegration, not generic advice that consequences should simply be accepted.

Source identified4
To mourn a mischief that is past and gone is the next way to draw new mischief on.

“To mourn a mischief that is past and gone is the next way to draw new mischief on.”

Voice: Fictional character · Duke of Venice

Grief over what cannot be changed can become a second injury when it prevents attention to what can still be done.

Source details

Othello, Act I, Scene III, reviewed against the scan-backed 1910 First Folio facsimile on Wikisource. The Duke's 'To mourne a Mischeefe that is past and gon' sentence is part of the same attempt to redirect Brabantio after Desdemona's marriage; this collection preserves modernized spelling and punctuation rather than Folio orthography.

Source identified5
Wisely and slow; they stumble that run fast.

“Wisely and slow; they stumble that run fast.”

Voice: Fictional character · Friar Laurence

Speed without judgment can undermine the very goal a person is pursuing, so patience becomes part of effective action.

Source details

Act 2, Scene 3; Friar Laurence urges Romeo to move with greater care.

Source identified6
The quality of mercy is not strained.

“The quality of mercy is not strained.”

Voice: Fictional character · Portia

Portia begins by arguing that real mercy cannot be forced; its moral value comes from being freely given rather than mechanically compelled.

Source details

The Merchant of Venice, Act 4, Scene 1; opening of Portia’s mercy speech during the trial.

Source identified7
But mercy is above this sceptered sway.

“But mercy is above this sceptered sway.”

Voice: Fictional character · Portia

The speech places mercy above the visible instruments of authority, suggesting that restraint can represent a higher form of power than punishment.

Source details

The Merchant of Venice, Act 4, Scene 1; Portia contrasts mercy with the coercive force symbolized by a monarch’s scepter.

Source identified8
It is twice blest: it blesseth him that gives and him that takes.

“It is twice blest: it blesseth him that gives and him that takes.”

Voice: Fictional character · Portia

Mercy is described as reciprocal in effect: it helps the recipient, but it also changes the moral character of the person who chooses to give it.

Source details

The Merchant of Venice, Act 4, Scene 1; Portia explains why mercy benefits both sides.

Source identified9
We do pray for mercy, and that same prayer doth teach us all to render the deeds of mercy.

“We do pray for mercy, and that same prayer doth teach us all to render the deeds of mercy.”

Voice: Fictional character · Portia

Portia turns the desire to receive mercy into a responsibility to practice it, making forgiveness a consistency test rather than a one-way request.

Source details

The Merchant of Venice, Act 4, Scene 1; conclusion of the central argument in Portia’s mercy speech.

Source identified10
The rarer action is in virtue than in vengeance.

“The rarer action is in virtue than in vengeance.”

Voice: Fictional character · Prospero

Prospero chooses deliberate mercy over retaliation, presenting forgiveness not as weakness but as the more difficult exercise of reason and character.

Source details

The Tempest, Act 5, Scene 1; Prospero decides against vengeance after considering the suffering of his enemies.

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