Source identified
“Taking a new step, uttering a new word is what they fear most.”
Voice: Fictional character · Raskolnikov
The thought notices how novelty can feel more threatening than familiar difficulty, but in the novel it belongs to Raskolnikov while he is approaching a contemplated crime, so it is not presented as generic motivational advice.
Source note: Crime and Punishment, Part I, Chapter I, Constance Garnett translation, Project Gutenberg #2554. Raskolnikov thinks this while walking toward the pawnbroker during his 'rehearsal'; the surrounding monologue is morally compromised and intentionally unstable.
Source identified
“Our errors are surely not such awfully solemn things.”
James resists treating every possible intellectual mistake as catastrophic, because an excessive fear of error can itself prevent inquiry, experience and the possibility of gaining truth.
Source note: The Will to Believe, essay “The Will to Believe”; Project Gutenberg #26659. James is contrasting the risk of being mistaken with the cost of refusing every uncertain intellectual venture.
Source identified
“Sweet are the uses of adversity.”
Voice: Fictional character · Duke Senior
Adversity is presented as capable of yielding insight or value even when the experience itself is unwelcome.
Source note: As You Like It, Act 2, Scene 1; Duke Senior reflects on what adversity can reveal while living in exile.
Source identified
“Nothing noble can be performed without danger.”
Avoiding every danger can also prevent worthy action; prudence needs to distinguish reckless exposure from risks that meaningful conduct sometimes requires.
Source note: Essays of Montaigne, Book I, Charles Cotton translation, in a discussion of distrust, security, and princely conduct.
Source identified
“There was no help for it, however, but to go on.”
Voice: Quoted historical voice · George Stephenson
During the Chat Moss crisis, continuing became the practical choice after heavy investment and discouraging expert opinion had narrowed the alternatives.
Source note: The Life of George Stephenson and of his Son Robert Stephenson, Chapter XI, “Chat Moss—Construction of the Railway”; represented 1868 revised edition, Project Gutenberg #46229. Smiles records Stephenson’s first-person recollection of the directors’ crisis over Chat Moss in quoted speech.
Source identified
“You can turn over a new leaf every hour if you choose.”
A failed plan need not govern the remainder of the day; Bennett frames each hour as another practical opportunity to restart deliberate action.
Source note: How to Live on 24 Hours a Day, discussion of beginning a programme of self-directed use of spare time. The sentence is practical encouragement within Bennett’s period self-improvement argument.