Belief quotes

The Age of Reason, Part I, Chapter I, “The Author’s Profession of Faith”; Moncure Daniel Conway collected/edited text represented by Project Gutenberg #3743 and cross-checked against Wikisource. “My own mind is my own church” follows Paine’s rejection of compulsory institutional creeds and states his historical deist emphasis on individual conscience and reason; this collection does not flatten it into a context-free rejection of all community, worship or institutions.

My Religion, Introduction; Huntington Smith translation, represented 1885 Crowell edition, Project Gutenberg #43794. Tolstoy’s autobiographical opening says that faith came to him five years earlier and describes the reversal of his former judgments and desires.

‘On the Feeling of Immortality in Youth,’ opening of the essay first published unsigned in The Monthly Magazine, March 1827, represented in The Collected Works of William Hazlitt, Volume XII, Project Gutenberg #72206. ‘No young man believes he shall ever die’ opens Hazlitt's rhetorical account of youth's felt distance from mortality; it is historical essay reflection, not a literal claim about every young person.

Cooper Union Address, February 27, 1860, closing passage. Lincoln is defending Republican opposition to the extension of slavery into federal territories; the line retains that antislavery political context.

“God’s Grandeur,” in Poems of Gerard Manley Hopkins Now First Published, Project Gutenberg #22403. Hopkins wrote the sonnet in 1877; it was published posthumously in 1918. The statement is Christian poetic belief, not an empirical description of nature.

The Will to Believe, essay “The Will to Believe”; Project Gutenberg #26659. James immediately argues that truth-seeking and error-avoidance are distinct laws rather than two phrasings of one command.

Sartor Resartus, Book II, Chapter IX, “The Everlasting Yea,” printed page 156 / Wikisource scan leaf 188 in The Works of Thomas Carlyle, Centenary Edition, Vol. I (New York: Charles Scribner’s Sons, 1896). “Doubt of any sort cannot be removed except by Action” appears inside Teufelsdröckh’s spiritual conversion and Carlyle’s claim that conviction becomes meaningful through conduct. This collection preserves the fictional-philosophical voice and religious setting rather than presenting the line as uncomplicated Carlyle autobiography or a modern psychological rule.

“Light Shining out of Darkness,” first published in 1774 and later included in Olney Hymns; represented by the Cowper & Newton Museum. The line is explicitly Christian devotional poetry about providence, not evidence that every hardship has a knowable beneficial purpose.

Human, All-Too-Human, Part I, aphorism 483, “The Enemies of Truth”; Helen Zimmern translation, 1909 edition.

An Enquiry Concerning Human Understanding, Section X, ‘Of Miracles,’ Part I, paragraph 87 in the represented Selby-Bigge text, Project Gutenberg #9662. ‘A wise man, therefore, proportions his belief to the evidence’ follows Hume's discussion of varying degrees of assurance from experience. It is eighteenth-century epistemological argument and preserves the connective ‘therefore’; it is not a complete modern statistical or scientific decision rule.

Through the Looking-Glass, Chapter V, “Wool and Water,” printed page 100 / scan leaf 120 in the fully validated 1872 Macmillan first-edition witness on Wikisource. The White Queen tells Alice that with enough practice she sometimes believed as many as six impossible things before breakfast. This collection retains its 1871 source-year convention while the evidence witness is title-dated 1872; this remains fictional nonsense-logic rather than Lewis Carroll’s literal theory of belief or instruction to accept impossible claims.

Peter Pan in Kensington Gardens, Project Gutenberg #26998. The narrator comments on Peter after he feels shunned by the birds, explaining that losing faith in his power to fly would itself end that power within the story's fantasy logic. The line is narrator voice, not an autobiographical claim by Barrie.

Optimism: An Essay; Keller connects optimism with purposeful action rather than passive cheerfulness.

Enchiridion 5 in George Long’s translation; the passage distinguishes events from the opinions that disturb us.

Measure for Measure, Lucio to Isabella. The retained modern locator is Act I, Scene 4; the represented 1623 First Folio witness, reviewed through the 1910 Methuen facsimile transcription on Wikisource, labels the same scene Act I, Scene V (Scena Quinta). Lucio urges Isabella to test her ability to plead for Claudio rather than let doubt prevent the attempt. This is fictional dramatic speech, not Shakespeare speaking autobiographically or a universal psychological law.

What's Wrong with the World, Part One, Chapter V, ‘The Unfinished Temple,’ Project Gutenberg #1717. Chesterton argues that the Christian ideal was ‘found difficult; and left untried’ while claiming that older ideals failed through incomplete practice rather than exhaustion. It remains explicitly Christian and historical polemic rather than a neutral empirical rule about why institutions or ideals fail.

The Secret Garden (1911), Chapter XXVII, “In the Garden.” This collection keeps a shortened opening excerpt of the narrator’s longer sentence: strange possibilities move from disbelief to hope, then to demonstrated possibility and eventual accomplishment. It remains narrator commentary inside the novel rather than a scientific law of progress.

A Portrait of the Artist as a Young Man, Project Gutenberg #4217. Stephen says this to Cranly near the end of the novel; it is a fictional character’s program of artistic and personal independence, not a universal rule.

Dream Days, “The Reluctant Dragon,” Project Gutenberg #270. The child narrator and Charlotte are following uncertain tracks in snow and imagining a dragon; the sentence is playful literary narration about imagination and fixed expectations.

A Theologico-Political Treatise — Part III, Chapter XIV, paragraph 77, Project Gutenberg #991. The frozen catalog preserves the opening of Spinoza’s longer sentence; the paragraph continues by condemning teachings tending toward obstinacy, hatred, strife and anger and praising justice and charity. This is seventeenth-century theological / political philosophy, not a modern empirical claim.

The Advancement of Learning, First Book, Project Gutenberg #5500, transcribed from the 1893 Cassell & Company edition. Bacon contrasts impatience of doubt with mature suspension of judgment and then sets out two ways of contemplation before saying that beginning with certainties ends in doubts while beginning with doubts can end in certainties. It remains early-modern epistemological argument rather than a modern experimental rule for scientific method.

“A Child’s Grave at Florence,” stanza XXII; Project Gutenberg #31015. The poem commemorates a child who died in 1849 and frames consolation through Christian faith.

Villette, late in the novel; spoken in the first-person narrative voice of the fictional Lucy Snowe. The religious hope belongs to Lucy’s character and scene, not a direct autobiographical declaration by Charlotte Brontë.

On Liberty, Chapter II, Project Gutenberg #34901. Mill’s next argument is epistemic as well as political: suppressing an opinion can deprive everyone of truth or of the clearer understanding created when truth is tested against error.

The Problems of Philosophy, Chapter XV, “The Value of Philosophy,” beginning on printed page 242 / scan leaf 246 and continuing onto printed page 243 / scan leaf 247 in the fully validated 1912 Williams & Norgate Wikisource scan, cross-checked against Project Gutenberg #5827. The “no tincture of philosophy” sentence criticizes inherited common-sense, national and habitual prejudices that have not been examined by deliberate reason; it remains Russell’s philosophical argument rather than a diagnosis of people who do not study philosophy.

Darkwater: Voices from Within the Veil, “Credo,” originally published in 1920. Project Gutenberg #15210. The sentence continues with freedom of association, movement, thought, dream and work “uncursed by color.”