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Trust quotes — Page 4

This continuation page contains additional source-backed quotations not shown in the initial 70-quotation overview. Return to the topic guide and browse collection.

9 shown · 279 total
Source identified271
The course of true love never did run smooth.

“The course of true love never did run smooth.”

Voice: Fictional character · Lysander

Love is described as complicated rather than frictionless, which makes the line a durable reminder against idealizing relationships.

Source details

A Midsummer Night’s Dream, Act I, Scene 1; Lysander says this to Hermia while describing the obstacles that repeatedly frustrate lovers. Verified in the scan-backed 1918 Yale Shakespeare edition edited by Willard Higley Durham; direct evidence resolves to the reviewed Act I transcription.

Source identified272
There’s daggers in men’s smiles.

“There’s daggers in men’s smiles.”

Voice: Fictional character · Donalbain

Friendly appearance can conceal harmful intent, so trust should consider patterns of conduct rather than expressions alone.

Source details

Macbeth, Act II, Scene III, reviewed against the scan-backed 1918 Yale text and the First Folio facsimile. Donalbain's 'There's daggers in men's smiles' follows Duncan's murder as Malcolm and Donalbain decide to flee; it is fictional suspicion under immediate danger rather than a universal claim about trust.

Source identified273
Parting is such sweet sorrow.

“Parting is such sweet sorrow.”

Voice: Fictional character · Juliet

The phrase holds affection and pain together: separation hurts precisely because the relationship being left is valued.

Source details

Romeo and Juliet, Act 2, Scene 2; Juliet speaks as the lovers part for the night.

Source identified275
What’s in a name? That which we call a rose by any other word would smell as sweet.

“What’s in a name? That which we call a rose by any other word would smell as sweet.”

Voice: Fictional character · Juliet

The line questions whether labels and inherited identities should determine the value or reality of the person beneath them.

Source details

Act 2, Scene 2; Juliet separates Romeo from the social meaning of his family name.

Source identified276
It is twice blest: it blesseth him that gives and him that takes.

“It is twice blest: it blesseth him that gives and him that takes.”

Voice: Fictional character · Portia

Mercy is described as reciprocal in effect: it helps the recipient, but it also changes the moral character of the person who chooses to give it.

Source details

The Merchant of Venice, Act 4, Scene 1; Portia explains why mercy benefits both sides.

Source identified277
Hope is a lover's staff; walk hence with that And manage it against despairing thoughts.
Image design Midnight

“Hope is a lover's staff; walk hence with that And manage it against despairing thoughts.”

Voice: Fictional character · Proteus

Proteus describes hope as a walking staff for a lover who has been forced away from the person he loves: it offers something to lean on while facing separation. His advice is complicated by his own disloyalty to Valentine.

Source details

The Two Gentlemen of Verona, Act III, Scene 1: Proteus speaks to Valentine after the Duke banishes him. Although the words sound encouraging in isolation, Proteus has secretly betrayed Valentine’s plan. The MIT play transcription supplies the displayed public-domain wording and scene; this is fictional dialogue rather than Shakespeare’s personal confession.

Source identified278
If music be the food of love, play on.

“If music be the food of love, play on.”

Voice: Fictional character · Duke Orsino

Love is treated as an appetite that can be intensified through beauty, sensation, and repeated emotional stimulation.

Source details

Twelfth Night, Act I, Scene 1, Orsino; 1922 Yale Shakespeare edition edited by George Henry Nettleton, printed page 1 / Wikisource scan leaf 13. “If music be the food of love, play on” opens Orsino’s attempt to use excess music to surfeit and extinguish his appetite for love. It remains fictional dramatic speech shaped by Orsino’s self-dramatizing desire, not Shakespeare speaking autobiographically or a modern psychological claim about music and emotion.

Source identified279
The best portion of a good man’s life, His little, nameless, unremembered acts of kindness and of love.

“The best portion of a good man’s life, His little, nameless, unremembered acts of kindness and of love.”

A good life is measured through small acts of care that may never become famous or even remain in memory.

Source details

Lines Composed a Few Miles above Tintern Abbey; the speaker reflects on small, often unremembered acts of kindness and love.