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Decision quotes — Page 3

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Source identified151
Here is my work, here or nowhere.

“Here is my work, here or nowhere.”

Carlyle’s imagined capable leader locates responsibility in the actual sphere available to him rather than waiting for a more convenient setting in which to act.

Source details

Latter-Day Pamphlets, No. IV “The New Downing Street”; Project Gutenberg #1140. The sentence occurs inside Carlyle’s controversial political argument about leadership; this collection uses it for work/responsibility while retaining that historical context.

Source identified152
the sum of knowledge for all of us.

“the sum of knowledge for all of us.”

Carlyle says understanding the present includes asking what the present situation requires people to do, joining interpretation of one’s time with practical judgment.

Source details

Latter-Day Pamphlets, No. I “The Present Time”; Project Gutenberg #1140. The excerpt completes Carlyle’s sentence about knowing the present time and what it bids people do; the local political context remains essential.

Source identified153
Do the Duty which lies nearest thee

“Do the Duty which lies nearest thee”

Voice: Fictional narrator · Diogenes Teufelsdröckh (framed voice)

The advice narrows attention from an overwhelming field of possibilities to the responsibility that is already clear enough to act on, with later duties expected to become clearer through action.

Source details

Sartor Resartus, Book II, Chapter IX, “The Everlasting Yea,” printed page 156 / Wikisource scan leaf 188 in The Works of Thomas Carlyle, Centenary Edition, Vol. I (New York: Charles Scribner’s Sons, 1896). “Do the Duty which lies nearest thee” follows the doubt/action sentence and is explicitly described as a precept that was of invaluable service to Teufelsdröckh. It remains fictional-philosophical and religious conduct-of-life rhetoric rather than a context-free productivity command.

Source identified154
Doubt of any sort cannot be removed except by Action.

“Doubt of any sort cannot be removed except by Action.”

Voice: Fictional narrator · Diogenes Teufelsdröckh (framed voice)

The fictional philosophy presented in Sartor argues that some uncertainty becomes clearer only after conduct tests an idea in experience rather than allowing speculation to continue without limit.

Source details

Sartor Resartus, Book II, Chapter IX, “The Everlasting Yea,” printed page 156 / Wikisource scan leaf 188 in The Works of Thomas Carlyle, Centenary Edition, Vol. I (New York: Charles Scribner’s Sons, 1896). “Doubt of any sort cannot be removed except by Action” appears inside Teufelsdröckh’s spiritual conversion and Carlyle’s claim that conviction becomes meaningful through conduct. This collection preserves the fictional-philosophical voice and religious setting rather than presenting the line as uncomplicated Carlyle autobiography or a modern psychological rule.

Source identified155
What female heart can gold despise? What cat's averse to fish?

“What female heart can gold despise? What cat's averse to fish?”

Gray humorously gives the cat both human vanity and animal appetite, using the joke to set up a mock-moral warning about attractive things that conceal danger.

Source details

“Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes,” represented in Project Gutenberg #11254. The poem is comic mock-moral verse about Horace Walpole’s cat Selima; the gendered eighteenth-century joke remains historical literary language rather than a modern claim about women.

Source identified156
Theories thus become instruments, not answers to enigmas, in which we can rest.

“Theories thus become instruments, not answers to enigmas, in which we can rest.”

James describes theories as tools for moving inquiry and experience forward rather than final intellectual resting places that eliminate the need for further testing or revision.

Source details

Pragmatism, Lecture II, “What Pragmatism Means”; Project Gutenberg #5116. Capitalization has been normalized from the represented all-caps sentence while the wording is otherwise preserved.

Source identified157
Pragmatism unstiffens all our theories, limbers them up and sets each one at work.

“Pragmatism unstiffens all our theories, limbers them up and sets each one at work.”

James presents pragmatism as a method that makes theories answer to practical consequences and experience instead of allowing abstract formulations to remain rigid and self-sufficient.

Source details

Pragmatism, Lecture II, “What Pragmatism Means”; Project Gutenberg #5116. The sentence follows James’s claim that theories become instruments rather than final answers.

Source identified158
We must know the truth; and we must avoid error.

“We must know the truth; and we must avoid error.”

James separates two intellectual duties—seeking truth and avoiding falsehood—to show that prioritizing one over the other can produce different habits of belief and inquiry.

Source details

The Will to Believe, essay “The Will to Believe”; Project Gutenberg #26659. James immediately argues that truth-seeking and error-avoidance are distinct laws rather than two phrasings of one command.

Source identified159
coolness and presence of mind under all circumstances

“coolness and presence of mind under all circumstances”

Osler defines professional imperturbability as maintaining enough composure to perceive and act clearly when circumstances are difficult or urgent.

Source details

Aequanimitas, valedictory address delivered at the University of Pennsylvania on May 1, 1889; reviewed against the represented 1906 second edition of Aequanimitas with Other Addresses, Internet Archive identifier aequanimitaswith00osle_0. Osler defines imperturbability as ‘coolness and presence of mind under all circumstances,’ immediately followed by ‘calmness amid storm’ and ‘clearness of judgment in moments of grave peril.’ This remains historical medical-professional rhetoric about composure, not clinical guidance or an instruction to suppress emotion.

Source identified161
The better part of valour is discretion.

“The better part of valour is discretion.”

Voice: Fictional character · Falstaff

Courage is balanced with judgment here: avoiding a needless danger can sometimes be wiser than performing bravery for appearance.

Source details

Henry IV, Part 1, Act V Scene 4; reviewed against the 1917 Yale Shakespeare edition edited by Samuel B. Hemingway, printed page 110 / scan leaf 124. Falstaff says 'The better part of valour is discretion' after counterfeiting death during the battle and immediately boasts that this discretion saved his life. It remains comic fictional self-justification rather than a universal rule for courage or risk.

Source identified162
Men at some time are masters of their fates.

“Men at some time are masters of their fates.”

Voice: Fictional character · Cassius

Circumstances matter, but people also have moments when their own decisions meaningfully shape what follows.

Source details

Julius Caesar, Act I, Scene 2, in the 1919 Yale Shakespeare edition edited by Lawrence Mason. Cassius says ‘Men at some time are masters of their fates’ immediately before the fuller stars/underlings argument; the retained short record is part of the same local persuasion scene.

Source identified163
The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings.

“The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings.”

Voice: Fictional character · Cassius

The line rejects passive fatalism and places responsibility for circumstances more directly on human decisions, ambition, and action.

Source details

Julius Caesar, Act I, Scene 2, in the 1919 Yale Shakespeare edition edited by Lawrence Mason. Cassius tells Brutus that men can be masters of their fates and immediately continues, ‘The fault, dear Brutus, is not in our stars, / But in ourselves, that we are underlings.’ This is Cassius’s political persuasion inside the drama, not neutral historical evidence or Shakespeare speaking directly.

Source identified164
Wisely and slow; they stumble that run fast.

“Wisely and slow; they stumble that run fast.”

Voice: Fictional character · Friar Laurence

Speed without judgment can undermine the very goal a person is pursuing, so patience becomes part of effective action.

Source details

Act 2, Scene 3; Friar Laurence urges Romeo to move with greater care.

Source identified165
All that glisters is not gold.

“All that glisters is not gold.”

Voice: Textual source voice · Casket inscription, read by the Prince of Morocco

Appearance can imitate value without possessing it, so the line encourages evidence and discernment before admiration or trust.

Source details

Act 2, Scene 7; the inscription warns against judging by outward appearance.

Source identified166
Better three hours too soon than a minute too late.

“Better three hours too soon than a minute too late.”

Voice: Fictional character · Ford

Punctuality is treated as prudence: arriving early creates margin, while lateness spends time that cannot be restored.

Source details

The Merry Wives of Windsor; a comic line about timing and punctuality.