Self-Awareness quotes

The Brothers Karamazov, Book II, Chapter 4, “A Lady of Little Faith,” Constance Garnett translation, verified against Project Gutenberg #28054 and Wikisource. Father Zossima tells the visitor, “Above all, don’t lie to yourself,” and develops the warning into an argument about self-deception, respect and love; this is fictional character counsel inside the novel.

Plato, Apology, Benjamin Jowett translation, Project Gutenberg #1656. Socrates says this after examining a politician whom others considered wise; the wording is dialogue speech attributed to Socrates within Plato’s work, not a claim that Socrates knew literally nothing.

Strange Case of Dr Jekyll and Mr Hyde, “Henry Jekyll’s Full Statement of the Case,” Project Gutenberg #42. This is Jekyll’s fictional account of moral and psychological division inside the novel, not a medical or psychological diagnosis.

All for Love, represented by Project Gutenberg #2062. Dolabella speaks the line while reflecting on Antony’s passion and his own conflicting attraction to Cleopatra. It is dramatic character speech inside a tragedy, not Dryden autobiography or a universal developmental claim.

Apology 38a; wording varies by translation.

An Historical and Moral View of the Origin and Progress of the French Revolution, Project Gutenberg #68724. Wollstonecraft connects “Respect thyself” with religion, justice and self-love while criticizing social arrangements that encourage people to sacrifice truthful character for status.

A Room with a View, Chapter XIV, Project Gutenberg #2641. The frozen catalog wording is a clause extract from the narrator’s longer sentence: “Life is easy to chronicle, but bewildering to practice, and we welcome ‘nerves’ or any other shibboleth that will cloak our personal desire.” The passage concerns Lucy Honeychurch’s self-deception in fiction, not modern psychological evidence.

The Professor at the Breakfast-Table, Project Gutenberg #2665. The sentence appears in a reflection on young poets whose sensitivity can seem older than their years; it is literary-philosophical observation by the book’s conversational persona, not a measurable law of learning.

Modern Painters, Volume III, Part IV, Chapter XVI, “Of Modern Landscape,” section 24, printed page 260, Project Gutenberg #38923. Ruskin calls humility the first test of a truly great man, then immediately distinguishes humility from doubting one’s real power or hesitating about one’s opinions; his point is proportion, not self-denial. This is Victorian art criticism and moral reflection, not modern clinical or psychological evidence about humility.

The Prophet, section “Self-Knowledge.” A man asks Almustafa to speak about self-knowledge, and Almustafa answers with this line before describing the heart’s knowledge and the self as a boundless sea. The represented wording is the 1923 text preserved by Wikisource/Project Gutenberg #58585.

As You Like It, Act V, Scene 1, Touchstone; 1919 Yale Shakespeare edition edited by Jack R. Crawford, printed page 89 / Wikisource scan leaf 101. Touchstone says, “The fool doth think he is wise, but the wise man knows himself to be a fool,” while verbally outmaneuvering William in a comic exchange over Audrey. The maxim remains fictional comic dialogue rather than a direct Shakespearean self-help proposition.

A Journal of the Plague Year, Project Gutenberg #376. The remark follows a false rumor that meat in Newgate Market was infected. It is historical-literary plague narration, not modern psychological or medical guidance.

“The Author to Her Book,” represented by Poetry Foundation from Bradstreet’s posthumous 1678 collection. The extended parent-child metaphor reflects authorship, unauthorized publication and revision rather than a literal statement about children.

Enchiridion, section 33 in George Long’s public-domain translation, Project Gutenberg #10661. The line is the suggested reply after hearing that someone has spoken ill of you; it is Stoic self-command, not an instruction to accept abuse without boundaries.

The Autobiography of Benjamin Franklin, Part II, Humility discussion near the close of the Passy 1784 continuation. Franklin reflects that pride survives attempts to suppress it and can attach itself even to apparent humility; the reviewed direct locator is Wikisource Section Thirty Nine.

The Art of War, Chapter III “Attack by Stratagem,” section 18, Lionel Giles translation (1910), beginning on printed page 24 / scan leaf 80 and continuing onto printed page 25 / scan leaf 81 in the original Giles edition on Wikisource, cross-checked against Project Gutenberg #17405. The enemy/self-knowledge sentence closes Chapter III’s discussion of conditions for victory and remains translation-mediated military strategy rather than a modern psychological or self-help claim.

Character, Chapter IX, “Manner—Art,” Project Gutenberg #2541. Smiles places the sentence in his discussion of politeness as respect for the personality and circumstances of others, then describes the well-mannered person as modest, unpretentious and more interested in doing than boasting.

Oenone, in The Early Poems of Alfred, Lord Tennyson, Project Gutenberg #8601. Pallas speaks the lines while arguing that self-reverence, self-knowledge and self-control lead to a life governed by right rather than by reward; this is poetic character speech, not a prose maxim detached from the poem.

The Thoughts of Blaise Pascal, C. Kegan Paul translation, Project Gutenberg #46921. The next sentence extends the paradox by observing how difficult it is to speak humbly about humility.

The House of the Seven Gables, Project Gutenberg #77. This is Gothic literary narration surrounding Clifford’s long history of confinement and inner suffering; the metaphor is not a clinical account of mental illness.

The Black Tulip, Chapter VIII, “An Invasion,” Project Gutenberg #965. Exact-witness review corrects the inherited Chapter VI locator: the narrator says that evil minds soon grow familiar with evil thoughts immediately after Boxtel first shrinks from informing against Van Baerle and before he rationalizes the act.

The Battle of the Books, 'The Preface of the Author,' represented by Project Gutenberg #623. Swift's 'satire is a sort of glass' image opens the Preface and explains why readers recognize other people's faults more readily than their own. The retained semicolon marks a frozen excerpt from a longer sentence; this is satirical/literary metaphor rather than a psychological measurement rule.

The Theory of Moral Sentiments, Part III, discussion of self-examination and the impartial spectator; Smith is describing the difficulty of judging one’s own conduct fairly.

The Devil’s Dictionary, entry “Education,” Project Gutenberg #972. This is a deliberately cynical comic dictionary definition and should be read as satire rather than as a literal educational theory.

Letters Written During a Short Residence in Sweden, Norway, and Denmark, Letter IX; represented Cassell & Company 1889 text in Project Gutenberg #3529. The frozen catalog reads “What a long time it requires to know ourselves, and yet every one has more of this knowledge than he is willing to own,” while the represented witness reads “What a long time it requires to know ourselves; and yet almost every one has more of this knowledge than he is willing to own, even to himself.” This collection retains its legacy shortened wording and explicitly records the omitted “almost” / closing phrase rather than silently rewriting it. Wollstonecraft is reflecting on her own solitude, experience and knowledge of the heart.

Tao Teh King, Chapter 71, James Legge translation, Project Gutenberg #216.

Dhammapada 63, Chapter V, “The Fool,” F. Max Müller translation, Project Gutenberg #2017. The verse belongs to a Buddhist canonical collection and remains a textual source voice rather than a modern individual-author quotation.

Amelia, Book II, Chapter III, “The narrative continued. More of the touchstone,” Project Gutenberg #6098, George Saintsbury edited witness. Captain Booth says the love / grief sentence while recounting his failed attempts to cure himself of attachment to Amelia. It is fictional retrospective speech, not clinical guidance about grief or relationships.

Tao Teh King, chapter 33, James Legge translation; the chapter continues by connecting contentment with richness and steadfastness with will.

The Scarlet Letter, Chapter XX, “The Minister in a Maze,” Project Gutenberg #33. Hawthorne’s narrator says that a man who long wears one face privately and another before the multitude may become bewildered about which is true while describing Arthur Dimmesdale’s divided identity. It remains literary moral and psychological characterization rather than a clinical diagnosis.

Of Peace of Mind, section VI, Aubrey Stewart translation (1889), cross-checked against Project Gutenberg #64576 and Wikisource. Seneca orders practical deliberation as an examination of oneself, the proposed business, and the people for whose sake or in whose company it will be done.

Symposium, Socrates recounting Diotima’s teaching, Benjamin Jowett translation, Project Gutenberg #1600. Diotima is a reported speaker within the dialogue; the passage is philosophical argument about ignorance and desire for wisdom.

Main Street, Project Gutenberg #543. The narrator gives this comic generalization immediately before Carol reacts angrily to Vida’s suggestion that she has not suffered; it is satirical fiction, not a psychological finding about every person.

“Footprints on the Seashore,” represented in Twice-Told Tales, Project Gutenberg #13707. The narrator immediately says that forest and ocean summon him away from human haunts; “health and vigor” is literary self-description, not medical advice.

Moby Dick; Or, The Whale, Chapter 1, “Loomings,” represented by Project Gutenberg #2701. Ishmael describes going to sea when his mood becomes grim, restless and drawn toward death imagery. The passage is fictional first-person narration and a literary coping pattern, not mental-health, suicide-prevention or medical advice.