Courage Quotes About Acting Despite Fear — Page 2

Abigail Adams to John Adams, March 31, 1776. The request appears in a private letter discussing independence, law and women’s lack of political voice; the original spelling and capitalization are substantially preserved.

Cooper Union Address, February 27, 1860, closing passage. Lincoln is defending Republican opposition to the extension of slavery into federal territories; the line retains that antislavery political context.

Moral printed after “The Oak and the Woodcutters”; the oak laments wedges made from its own branches.

An Epistle from Mr. Pope to Dr. Arbuthnot (1735 first-edition scan), printed page 15 / scan leaf 21, lines 292–293. “A Lash like mine no honest man shall dread” states Pope’s own defence of satire immediately before the attack on “Paris” / Lord Hervey. The first edition capitalizes “Lash”; the frozen catalog lowercase is normalized orthography.

The Three Musketeers, Chapter IX, “D’Artagnan Shows Himself,” Project Gutenberg #1257. D’Artagnan proposes “All for one, one for all” and Athos, Porthos and Aramis repeat the formula together immediately before Chapter X begins. The English wording is translated fictional dialogue and a solidarity motto within the novel, not Alexandre Dumas autobiography.

“The Narrow Way,” dated April 27, 1848 and represented by Wikisource’s Complete Poems text. The poem explicitly describes a Christian path of labour, endurance, pardon and devotion to God; the metaphor is religious poetry rather than generic success doctrine.

“Say Not the Struggle Nought Availeth,” first published as “The Struggle” in The Crayon, August 1855; text represented by Representative Poetry Online. The poem’s military imagery is metaphorical encouragement shaped by the political disappointments of the 1848–49 era.

Timber, or Discoveries Made Upon Men and Matter, represented by Project Gutenberg #5134. Jonson follows the sentence with his refusal to have readers defend a position merely because it is his; the aphorism belongs to a direct prose reflection on independent judgment and truth.

Poor Richard’s Almanack; the maxim appears in Franklin’s collected Poor Richard material.

Poor Richard’s Almanack.

Political Ideals, discussion of what social institutions should make possible for individuals. Russell immediately connects self-respect with courage, hope and living by the best within oneself despite obstacles.

Character Building, “The Cultivation of Stable Habits,” Project Gutenberg #60484. After describing two Tuskegee graduates who finished what they undertook, Washington tells students to “fight it out” and stick to their course despite discouragement and material difficulty.

Character Building, “Growth,” Project Gutenberg #60484. The line sits inside a longer appeal to remember parents and others invested in the student’s success.

The Future of the American Negro, Chapter VIII; Project Gutenberg #26507. This short excerpt appears in Washington’s closing policy discussion, where he distinguishes ordinary political cooperation from cases involving a question of right or wrong and advises standing by principle in those cases.

Working With the Hands, Chapter I; Project Gutenberg #64504. This is an autobiographical fragment whose surrounding paragraph describes repeated attempts before improvement.

Jane Eyre; Jane insists on moral and personal independence during a decisive conversation with Rochester.

Jane Eyre, Chapter XXVII, Project Gutenberg #1260. Jane answers the pressure to remain with Rochester by saying she cares for herself and will respect herself more when friendless and unsupported, then explicitly invokes law, principles and temptation. It is fictional first-person moral reasoning under dramatic pressure, not Charlotte Brontë autobiography or universal relationship advice.

The Yellow Wallpaper, represented by Project Gutenberg #1952. The words are spoken by the unnamed narrator to John at the story’s disturbing climax; the scene depicts psychological breakdown inside fiction and is not presented as mental-health guidance.

‘Advent,’ second stanza, in Goblin Market, The Prince's Progress, and Other Poems, Project Gutenberg #16950. ‘The watch is long betimes and late, / The prize is slow to win’ belongs to Rossetti's explicitly Christian devotional waiting; later stanzas name Christ and Jesus Christ directly. It is devotional poetry rather than a secular guarantee that persistence produces a reward.

“Up-Hill,” in Goblin Market and Other Poems (1862); Project Gutenberg #16950. The road is a spiritual-life allegory, so the line is not reduced to literal travel advice.

Laelius on Friendship; Laelius frames friendship as useful and natural in both good and difficult times.

Tusculan Disputations, Book V, section XIV, represented by Project Gutenberg #14988. Cicero defines security parenthetically as freedom from anxiety while arguing that a happy life must rest on stable goods and virtue rather than vulnerable externals. It remains ancient philosophical psychology mediated by translation, not modern clinical anxiety-treatment evidence.

Moll Flanders, Project Gutenberg #370. The fictional first-person narrator uses weather metaphor while recalling an early relationship crisis and the family’s growing hostility toward her.

Ecclesiastes 7:8 in the King James Version; the verse contrasts patient spirit with pride and values the completed end of a matter over the excitement of its beginning.

Sonnets from the Portuguese, Sonnet XXXVI; Project Gutenberg #2002. The growth is emotional and relational within the poem, not a clinical recovery benchmark.

Solitude of Self; Stanton develops an extended navigation metaphor to argue that every person must be equipped for the emergencies and decisions of an individual life.

The Woman's Bible, The Book of Judges, Chapter II, Judges xi, Project Gutenberg #9880. Stanton imagines Jephthah's unnamed daughter rejecting sacrifice: ‘My first duty is to develop all the powers given to me and to make the most of myself and my own life.’ This is Stanton's invented protest voice within her commentary, not a biblical quotation or speech preserved in Judges.

Discourses of Epictetus, Book II, Chapter I, “That confidence (courage) is not inconsistent with caution,” George Long translation; 1877 George Bell & Sons witness on Wikisource, cross-checked against Project Gutenberg #10661. Epictetus distinguishes confidence toward externals from moral caution in the use of one’s own will.

Enchiridion, section X, George Long translation; Epictetus gives examples such as endurance under pain and patience under abuse.

The Golden Sayings of Epictetus, saying XV, Hastings Crossley translation.

Iola Leroy; Or, Shadows Uplifted, represented by Project Gutenberg #12352. Iola says this while declining Dr. Gresham’s marriage proposal and explaining her commitment to serve the Black community after emancipation. It is fictional character speech embedded in Harper’s Reconstruction-era racial and social argument.

“Learning to Read” in Sketches of Southern Life, represented by Project Gutenberg #69249. Aunt Chloe speaks in Harper’s first-person poetic persona while recalling enslavers withholding literacy. The dialect, slavery context and constructed poetic voice are retained rather than flattening the couplet into Harper autobiography.

A Little Princess; Sara uses an imagined inner identity to preserve dignity during poverty and mistreatment.

Life and Times of Frederick Douglass, Project Gutenberg #71893, in Douglass’s retrospective account of resisting Edward Covey. The passage belongs to the history of slavery and self-emancipation; it should not be reduced to a generic motivational slogan detached from that violence.

My Bondage and My Freedom, immediately after Douglass describes his resistance to Covey; capitalization follows the represented Project Gutenberg text.

My Bondage and My Freedom, Chapter XVII, ‘The Last Flogging,’ Project Gutenberg #202. Douglass calls his fight with Edward Covey the turning point in his ‘life as a slave’ and writes ‘I was a changed being after that fight’ immediately before ‘I WAS A MAN NOW.’ The passage is autobiographical testimony about resistance to enslavement and restored self-respect, not a universal prescription for violence or a clinical theory of agency.

My Bondage and My Freedom; Douglass is recounting one of the practical struggles through which persistence accompanied his pursuit of greater freedom and independence.

Narrative, Chapter VI; Douglass recalls hearing Hugh Auld argue that literacy would make him unfit for slavery.

Narrative, Chapter VII; Douglass describes how literacy and reflection made the idea of freedom permanently present to him.

Narrative of the Life of Frederick Douglass; the sentence introduces a turning point in Douglass’s account of resistance.

Narrative of the Life of Frederick Douglass, Chapter V, Project Gutenberg #23. Douglass is explaining his belief that Providence shaped his removal to Baltimore and immediately connects that belief with a continuing conviction that slavery would not hold him forever.

Speech in Canandaigua, New York, August 3, 1857.

Speech in Canandaigua, New York, August 3, 1857.

The Twilight of the Idols, “Maxims and Missiles,” maxim 8, Anthony M. Ludovici translation, 1911 Complete Works edition, Project Gutenberg #52263. The source introduces it as “From the military school of life.”

Crime and Punishment, Part I, Chapter I, printed page 2 / Wikisource scan leaf 34, Constance Garnett translation in the scan-backed 1917 Harvard Classics Shelf of Fiction / P. F. Collier & Son edition, cross-checked against Project Gutenberg #2554. Raskolnikov thinks “Taking a new step, uttering a new word is what they fear most” while walking toward the pawnbroker during his contemplated “rehearsal”; the line remains morally compromised fictional interior monologue rather than generic motivational advice.

‘Maxims for Revolutionists,’ under the heading ‘REASON,’ appended to Man and Superman and represented by Project Gutenberg #26107. Shaw contrasts the ‘reasonable’ man who adapts to the world with the ‘unreasonable’ man who tries to adapt the world to himself, then gives the deliberately provocative conclusion that progress depends on the latter. It is epigrammatic polemic rather than an empirical rule that unreasonable conduct reliably produces progress.

Daniel Deronda; Deronda speaks in a discussion of political and national efforts, with historical reform as the immediate context.

“Hope and Patience,” in The Poetical Works of George MacDonald in Two Volumes, Volume II (1893), Project Gutenberg #9984. The bird-and-shell image is a poetic metaphor rather than a literal psychological model.

The Invisible Man, Chapter IX, “Mr. Thomas Marvel,” Project Gutenberg #5230. Griffin tells Thomas Marvel that “An invisible man is a man of power” while coercing the frightened stranger into becoming his helper; Chapter X begins immediately after this exchange. The line remains fictional character speech within Wells’s critique of Griffin’s power fantasy rather than a general endorsement of domination.

Uncle Tom’s Cabin, Chapter XL, “The Martyr,” Project Gutenberg #203. “The longest way must have its close” opens the chapter immediately after its religious epigraph and before the narrator returns to Tom’s suffering under slavery and Legree’s final violence. The morning/night imagery belongs to Stowe’s antislavery and Christian martyrdom frame rather than context-free positivity or guaranteed recovery advice.

Hebrews 13:6 in the King James Version.

Optimism: An Essay; Keller connects optimism with purposeful action rather than passive cheerfulness.

The Story of My Life; the line appears in material connected with Keller’s ambitions and education.

A Doll’s House, Act III, R. Farquharson Sharp translation, Project Gutenberg #15492. Nora Helmer says she must think things over for herself during the final confrontation with Torvald, after saying she must educate herself and stand alone. This is fictional dramatic speech, not Ibsen autobiography or contemporary family / legal guidance.

An Enemy of the People, Act V, R. Farquharson Sharp public-domain translation, Project Gutenberg #2446. Dr. Thomas Stockmann tells his family that “the strongest man in the world is he who stands most alone” after deciding to remain in town and educate boys despite public hostility. This is fictional dramatic speech within a contentious political conflict, not a neutral empirical rule about isolation.

Ghosts, Act II, R. Farquharson Sharp public-domain translation, Project Gutenberg #2467. Mrs. Alving says “And we are so miserably afraid of the light, all of us” immediately after describing inherited “old dead ideas” and beliefs as ghosts. The light is a dramatic metaphor within a conflict over family, duty and conventional belief, not a clinical claim.

A Week on the Concord and Merrimack Rivers, Thursday, Project Gutenberg #4232. The sentence follows Thoreau’s claim that sincere travelling is no pastime and precedes his description of weariness, sore feet and experience acquired on the road; it is nineteenth-century travel philosophy rather than practical safety advice.

Civil Disobedience, first published in 1849 as 'Resistance to Civil Government'; reviewed in the public-domain Miscellanies transcription. The obligation-to-do-right sentence occurs early in Thoreau's argument contrasting conscience with automatic deference to majority rule and law. It remains historical political philosophy rather than current legal advice or a blanket instruction to violate law.

The Ambassadors, Book Fifth, Chapter II, Project Gutenberg #432. Strether tells little Bilham “Live all you can; it’s a mistake not to” during the Gloriani-garden conversation, speaking from regret about opportunities he believes he missed. James’s own Preface identifies this speech as central to the novel, but the line remains fictional character dialogue rather than James autobiography or universal life advice.

Poem “A Psalm of Life.”

“Hawthorne and His Mosses” (1850), represented in Billy Budd and Other Prose Pieces, Project Gutenberg #76513. Melville is arguing for literary originality and an independent American voice; the sentence is about creative imitation, not a universal ranking of every failure above every success.

“Lynch Law in America,” Chicago, January 1900, represented by Lit2Go’s historical speech transcription. The quotation preserves Wells’s period racial terminology because it is part of the primary text; its purpose is an anti-lynching demand for due process, not endorsement of historical vocabulary.

Southern Horrors: Lynch Law in All Its Phases (1892), “SELF-HELP,” represented by Project Gutenberg #14975. Wells writes “The people must know before they can act, and there is no educator to compare with the press” while explaining why Black newspapers needed resources to investigate and publish suppressed facts about lynching. This is historical anti-lynching journalism and civic argument, not a general empirical rule about media effects.

The Red Record (1895), “A Field for Practical Work,” represented by Project Gutenberg #14977. Wells immediately asks supporters to circulate documented facts and figures about lynching; the record preserves the historical anti-lynching campaign context.

A Lady's Life in the Rocky Mountains, Letter IX, Project Gutenberg #755. Bird calls the nearly thirty-mile cattle-hunt ride one of the most splendid she ever took and immediately describes galloping, fallen timber, rocky descents, deep rapid streams, elk and mountain scenery. This is nineteenth-century firsthand travel narrative, not present-day route, riding or safety guidance.

Peter Pan / Peter and Wendy, Project Gutenberg #16. Peter says the line while stranded on Marooners’ Rock as the water rises; it is fictional character speech in a perilous scene, not advice about death or risk-taking.

Peter Pan in Kensington Gardens, Project Gutenberg #26998. The narrator comments on Peter after he feels shunned by the birds, explaining that losing faith in his power to fly would itself end that power within the story's fantasy logic. The line is narrator voice, not an autobiographical claim by Barrie.

White Fang, Part II, Chapter IV, ‘The Wall of the World,’ Project Gutenberg #910. The narrator says ‘Growth is life, and life is for ever destined to make for light’ as the grey cub disobeys fear and moves toward the cave opening. It remains literary animal-development narration and metaphor rather than a modern biological, developmental or behavioral law.

The Making of an American, represented by Project Gutenberg #6125. This clause is retained from Riis’s first-person immigrant autobiography as he recalls arriving in New York; it is personal retrospective narrative rather than a general claim about immigration outcomes.

James 1:2 in the King James Version.

As a Man Thinketh, “Thought and Purpose.”

The Way of Peace; Allen contrasts temporary comfort with a spiritual peace that he says remains stable through trial.

John 15:13 in the King James Version.

John 16:33 in the King James Version; excerpt from Jesus’s closing words to the disciples.

How We Think (1910), Chapter VIII, “Judgment: The Interpretation of Facts,” section 1, printed page 106, Project Gutenberg #37423. Dewey says the thinker must choose among candidate meanings for a perplexing situation and therefore accepts risk; the prudent thinker selects warily and remains answerable to later confirmation or frustration. This is part of Dewey’s historical educational/logical account of reflective judgment, not a modern decision-science finding.

Holy Sonnet 10, posthumously printed in 1633 and represented by Wikisource. The poem’s defiance of death rests on explicitly Christian claims about resurrection and eternal life; it is devotional poetry, not factual evidence about death.

“Barbara Frietchie,” represented in Project Gutenberg #9578, Poems in Wartime. The words are dramatized speech inside Whittier’s Civil War poem. Whittier later noted that the received story was probably incorrect in some details, so this record does not present the sentence as a verified historical transcript.

Paradise Lost (1667), Book II, lines 432–433; Satan addresses the infernal council before undertaking the journey out of Hell. The line describes the epic’s literal route from Hell toward light and remains character speech, not a general promise of recovery.

Stickeen; Muir says this while attempting a dangerous glacier crossing, tying the line to immediate physical risk rather than abstract motivational language.

The Mountains of California; the surrounding paragraph discusses hazards in the mountains and fear of leaving home.

The Ethics of the Dust, Lecture IV, Project Gutenberg #4701. Ruskin immediately contrasts many persevering people with the rarer patient person and later insists that genuine patience is not necessarily passive or idle.

On Liberty, Chapter III; Mill contrasts imitation with actively choosing one’s own plan of life.

2 Timothy 1:7 in the King James Version; the verse contrasts fear with power, love, and disciplined-mindedness.

Romans 5:3 in the King James Version.

The Wonderful Wizard of Oz; the line appears in the story’s recurring contrast between perceived deficiency and existing ability.

Tao Teh King, chapter 44, James Legge translation; these compact poetic lines follow a contrast among fame, life, and wealth.

The Kingdom of God Is Within You, Chapter XII; Constance Garnett translation, Project Gutenberg #43302. In the concluding chapter Tolstoy discusses soldiers, authority, hypnotic social conditioning and moral responsibility, arguing that conscience may be put to sleep without being destroyed.

War and Peace; public-domain translations vary slightly.

Jo's Boys; the reassurance follows a setback and reframes a difficult year as experience that may later prove unusually helpful rather than simply wasted time.

Little Women, Chapter 44, “My Lord and Lady,” Project Gutenberg #514. Amy March Laurence says “I’m not afraid of storms, for I’m learning how to sail my ship” while discussing her new married life with Laurie. This exact-contraction record and the older expanded “I am not afraid...” catalog variant represent the same underlying fictional passage.

Little Women, Chapter 44, “My Lord and Lady,” Project Gutenberg #514. Amy March Laurence says the represented storm/sailing thought while discussing married life with Laurie. The frozen catalog wording expands the source contraction to “I am not afraid of storms,” while the represented #514 text reads “I’m not afraid of storms”; this is a legacy wording variant of the same passage represented by the separate contracted record, not a second independent locus.

Little Women, Chapter 16, “Letters,” Project Gutenberg #514. Mrs. March tells her daughters, “Hope and keep busy, and whatever happens, remember that you never can be fatherless” immediately before leaving for Washington after news of Mr. March’s illness. The line is maternal counsel in a fictional family crisis, not a claim that work removes grief, fear or uncertainty.

Project Gutenberg #2680, correspondence appendix, Ad M. Caes. ii. 2. Marcus closes a letter about Fronto’s role in the Herodes Atticus dispute with this sentence. It is personal epistolary reasoning inside a specific conflict, not a universal rule to intervene in every disagreement.

Meditations, Book IV; George Long translation, in the reflection on meeting misfortune without being crushed by it.

Meditations, Book III, section 5, George Long translation.

Meditations, Book XI; George Long translation, in a reflection on responding to wrongdoing without anger.

Meditations, Book VII, section 61, George Long translation; the full sentence emphasizes readiness for sudden and unexpected onsets.

Meditations, Book VIII, section 49, George Long translation.

Meditations, Book XII, section 6, George Long translation.

Meditations, Book VIII, section 48, George Long translation.