Quote Atlassourced quotes & context
Page 2 of 3 · 218 quotations total

Friendship quotes — Page 2

This continuation page contains additional source-backed quotations not shown in the initial 70-quotation overview. Return to the topic guide and browse collection.

100 shown · 218 total
Source identified71
My little children, let us not love in word, neither in tongue; but in deed and in truth.

“My little children, let us not love in word, neither in tongue; but in deed and in truth.”

Love is measured by conduct rather than verbal display, making practical help and truthful action more important than affectionate claims alone.

Source details

1 John 3:18 in the King James Version, following a contrast between having resources and closing oneself to another person’s need.

Source identified73
Charity shall cover the multitude of sins.

“Charity shall cover the multitude of sins.”

The verse connects enduring love with the ability of a community to survive faults without letting every offence become the whole relationship.

Source details

1 Peter 4:8 in the King James Version; excerpt from the instruction to maintain fervent charity among one another.

Source identified74
Be clothed with humility: for God resisteth the proud, and giveth grace to the humble.

“Be clothed with humility: for God resisteth the proud, and giveth grace to the humble.”

Humility is described as something practiced visibly in community, not merely an inward opinion about oneself.

Source details

1 Peter 5:5 in the King James Version; this excerpt keeps the central humility clause.

Source identified75
Wherefore comfort yourselves together, and edify one another, even as also ye do.

“Wherefore comfort yourselves together, and edify one another, even as also ye do.”

Encouragement is described as mutual work: people strengthen a community by helping one another recover perspective and continue.

Source details

1 Thessalonians 5:11 in the King James Version, calling readers to comfort and build one another up.

Source identified76
I pray thee, forgive the trespass of thine handmaid.

“I pray thee, forgive the trespass of thine handmaid.”

Voice: Reported speaker · Abigail

Abigail asks pardon while attempting to prevent violence, connecting forgiveness with humility, mediation, and the practical work of interrupting retaliation.

Source details

1 Samuel 25:28, King James Version; Abigail speaks to David during her appeal intended to avert bloodshed against Nabal’s household.

Source identified77
Humanity does not desire to be great, but to be beloved.

“Humanity does not desire to be great, but to be beloved.”

Smith contrasts humane character with status-seeking by presenting affection and social trust, rather than greatness itself, as the fitting reward of humanity.

Source details

The Theory of Moral Sentiments, Part III, in Smith’s discussion of the rewards commonly associated with industry, truth, justice, and humanity.

Source identified78
How selfish soever man may be supposed, there are evidently some principles in his nature, which interest him in the fortune of others.

“How selfish soever man may be supposed, there are evidently some principles in his nature, which interest him in the fortune of others.”

Smith opens his moral theory by arguing that human beings possess capacities for fellow-feeling even when another person’s welfare offers no material advantage.

Source details

The Theory of Moral Sentiments, Part I, Section I, Chapter I “Of Sympathy”; represented by Project Gutenberg’s 1777 Dublin edition.

Source identified79
To err is human; to forgive, divine.

“To err is human; to forgive, divine.”

Error is treated as ordinary human limitation, while forgiveness requires an additional act of generosity.

Source details

An Essay on Criticism, Part III; Pope joins good nature and good sense before contrasting ordinary human error with the higher moral act of forgiveness.

Source identified82
At ev'ry word a reputation dies.

“At ev'ry word a reputation dies.”

Voice: Poetic speaker · Mock-heroic narrator

Pope compresses the destructive speed of fashionable gossip into a comic line about reputations being damaged in ordinary conversation.

Source details

The Rape of the Lock, Canto III, line 16 in the 1714 second edition. ‘At ev’ry Word a Reputation dies’ is already present in that edition and remains dated 1714; the line occurs in a satirical description of fashionable social talk rather than as literal reportage.

Source identified83
All for one, one for all—that is our motto, is it not?

“All for one, one for all—that is our motto, is it not?”

Voice: Fictional character · d’Artagnan

D’Artagnan turns the four companions’ alliance into a compact of mutual loyalty, making shared commitment more important than acting as isolated individuals.

Source details

The Three Musketeers, Chapter IX, “D’Artagnan Shows Himself,” Project Gutenberg #1257. D’Artagnan proposes “All for one, one for all” and Athos, Porthos and Aramis repeat the formula together immediately before Chapter X begins. The English wording is translated fictional dialogue and a solidarity motto within the novel, not Alexandre Dumas autobiography.

Source identified85
Friendship seems to be the bond of Social Communities.

“Friendship seems to be the bond of Social Communities.”

Friendship has a public dimension as well as a private one because trust and goodwill help hold communities together.

Source details

Nicomachean Ethics, Book VIII; the discussion connects friendship with social and political association.

Source identified86
Three may keep a secret, if two of them are dead.

“Three may keep a secret, if two of them are dead.”

The joke exaggerates how difficult secrecy becomes once information is shared, making discretion the safest form of confidentiality.

Source details

Poor Richard’s Almanack; one of Franklin’s compact maxims about secrecy and human behavior.

Source identified87
He that lies down with dogs shall rise up with fleas.

“He that lies down with dogs shall rise up with fleas.”

The proverb uses a comic physical image to make a serious point: companions and environments often leave consequences behind.

Source details

Poor Richard’s Almanack; Franklin uses the image as a warning about association and consequences.

Source identified88
those who have done the most for you, those who have stood by you most closely.

“those who have done the most for you, those who have stood by you most closely.”

The phrase directs attention toward the people whose sustained presence and help deserve to be remembered when evaluating one’s own conduct.

Source details

Character Building, “Have You Done Your Best?”, Project Gutenberg #60484. Washington is asking students to imagine answering to parents or their nearest and dearest friends.

Source identified89
There are darknesses in life, and there are lights; you are one of the lights.

“There are darknesses in life, and there are lights; you are one of the lights.”

Van Helsing praises Mina as a source of truth, help and moral steadiness during a frightening period, contrasting her contribution with the surrounding darkness.

Source details

Dracula, Chapter XIV, Mina Harker’s journal entry for 25 September, Project Gutenberg #345. Professor Van Helsing tells Mina, “There are darknesses in life, and there are lights; you are one of the lights,” while thanking her for the records assisting his investigation. It is fictional praise by Van Helsing within the novel.

Source identified90
I wish that we should know and trust each other, Florence.

“I wish that we should know and trust each other, Florence.”

Voice: Fictional character · Edith Granger

Edith deliberately asks for mutual knowledge and trust with Florence before marriage joins their households, framing family relationship as something that must be built.

Source details

Dombey and Son, Chapter 30, Project Gutenberg #821. Edith speaks to Florence while inviting her into closer confidence.

Source identified91
You are dear to me, Florence. I did not think that anything could ever be so dear to me

“You are dear to me, Florence. I did not think that anything could ever be so dear to me”

Voice: Fictional character · Edith Granger

Edith’s attachment to Florence becomes an unexpected form of family affection within a household otherwise marked by coldness, pride and strained marriage.

Source details

Dombey and Son, Chapter 35, Project Gutenberg #821. Edith speaks to Florence; the line belongs to their fictional relationship inside the Dombey household.

Source identified92
No one is useless in this world who lightens the burden of it for any one else.

“No one is useless in this world who lightens the burden of it for any one else.”

Dickens gives usefulness a relational measure: easing another person’s burden can itself be meaningful contribution even without status or public achievement.

Source details

Our Mutual Friend, Book III, Chapter IX (“Somebody Becomes the Subject of a Prediction”), verified against Project Gutenberg #883 and the stable Wikisource chapter transcription. John Rokesmith (the Secretary) says “No one is useless in this world ... who lightens the burden of it for any one else” after Bella Wilfer calls herself useless. This row preserves the represented primary-text wording and is the same underlying passage as the older modernized catalog variant; it remains fictional dialogue rather than Dickens autobiography or modern psychological evidence.

Source identified93
They love us for their own sakes, and we love them for love’s sake.

“They love us for their own sakes, and we love them for love’s sake.”

Voice: Fictional character · Pelagia

Pelagia voices a painful asymmetry: what feels like self-giving love to one person may be experienced as self-interest or possession from the other side.

Source details

Hypatia — or New Foes with an Old Face, Chapter XXIV, “Lost Lambs,” Project Gutenberg #6308. Pelagia tells Philammon that men love women for their own sakes while women love “for love’s sake” during a distressed reflection on betrayal, dependence and the absent Amal. It is fictional dialogue in Kingsley’s historical novel, not a universal claim about men and women.

Source identified94
All social relations have their roots in mutual trust

“All social relations have their roots in mutual trust”

Wagner treats trust as infrastructure for social life, implying that communication becomes costly and defensive when people cannot rely on one another’s sincerity.

Source details

The Simple Life, Chapter IV, “Simplicity of Speech,” Mary Louise Hendee translation, Project Gutenberg #23092; the surrounding paragraph discusses sincerity and confidence.

Source identified95
Be sincere, moderate, simple in the expression of your feelings and opinions

“Be sincere, moderate, simple in the expression of your feelings and opinions”

The advice combines candor with restraint: truthful expression does not require exaggeration, and moderation can make feelings and opinions more faithful to their source.

Source details

The Simple Life, Chapter IV, “Simplicity of Speech,” Mary Louise Hendee translation, Project Gutenberg #23092; Wagner links sincerity, moderation and plain expression.

Source identified96
A true friend is, as it were, another self.

“A true friend is, as it were, another self.”

Voice: Dialogue speaker · Gaius Laelius

The phrase captures the intimacy of friendship: another person becomes close enough that concern for them resembles concern for oneself.

Source details

De Amicitia, chapter 21 / classical section 80, Andrew P. Peabody translation, Project Gutenberg #7491. Laelius says that unless self-love is transferred into friendship a true friend cannot be found, “for such a friend is, as it were, another self.” The familiar another-self formulation is presented in its philosophical context and not as a literal identity claim.

Source identified97
Friendship springs from nature rather than from need.

“Friendship springs from nature rather than from need.”

Voice: Dialogue speaker · Gaius Laelius

Friendship is not reduced to usefulness; Cicero argues that it arises from natural affection before calculations of advantage.

Source details

De Amicitia, chapter 8 / classical section 27, Andrew P. Peabody translation, Project Gutenberg #7491. Laelius argues that friendship springs from nature rather than need and from an inclination of the mind with consciousness of love rather than calculation of utility. This is Cicero’s philosophical position voiced through Laelius, not modern social-science evidence.

Source identified98
Firm, steadfast, self-consistent men are to be chosen as friends.

“Firm, steadfast, self-consistent men are to be chosen as friends.”

Voice: Dialogue speaker · Gaius Laelius

Reliable friendship depends on reliable character; steadiness matters because trust cannot grow when conduct constantly changes with advantage.

Source details

De Amicitia, chapter 17 / classical section 62, Andrew P. Peabody translation, Project Gutenberg #7491. “Firm, steadfast, self-consistent men are to be chosen as friends” follows Laelius’ recollection of Scipio’s concern that people test possessions more carefully than friendships. The counsel remains ancient character ethics rather than a diagnostic rule for evaluating people.

Source identified99
Is not prosperity robbed of half its value if you have no one to share your joy?

“Is not prosperity robbed of half its value if you have no one to share your joy?”

Voice: Dialogue speaker · Gaius Laelius

Good fortune becomes more meaningful when it can be shared, making companionship part of the value of prosperity itself.

Source details

Laelius on Friendship; the surrounding passage pairs shared joy with support during misfortune.

Source identified100
You might just as well take the sun out of the sky as friendship from life; for the immortal gods have given us nothing better or more delightful.

“You might just as well take the sun out of the sky as friendship from life; for the immortal gods have given us nothing better or more delightful.”

Voice: Dialogue speaker · Gaius Laelius

Friendship is treated not as an optional ornament but as one of the basic goods that makes ordinary life worth inhabiting.

Source details

Laelius on Friendship, Shuckburgh translation.

Source identified101
What you do not want done to yourself, do not do to others.

“What you do not want done to yourself, do not do to others.”

A simple test for conduct is to consider whether we would accept the same treatment if our positions were reversed.

Source details

The Analects of Confucius, James Legge’s public-domain English translation; Book XV gives the maxim as a concise rule for conduct toward others.

Source identified102
Two are better than one; because they have a good reward for their labour.

“Two are better than one; because they have a good reward for their labour.”

Shared effort can increase both practical results and resilience because responsibility does not rest on one person alone.

Source details

Ecclesiastes 4:9, King James Version.

Source identified103
The real loneliness is living among all these kind people who only ask one to pretend!

“The real loneliness is living among all these kind people who only ask one to pretend!”

Wharton separates physical solitude from social isolation: Ellen feels most alone when acceptance depends on hiding what she actually thinks and has experienced.

Source details

The Age of Innocence, Book I, Chapter IX, Project Gutenberg #541. Countess Ellen Olenska tells Newland Archer that “The real loneliness” is living among kind people who ask one to pretend after explaining that her relatives will help only on condition that unpleasant truths remain unheard. It remains fictional character dialogue inside Wharton’s critique of social convention rather than a universal sociological finding.

Source identified104
Reason always means what someone else has got to say.

“Reason always means what someone else has got to say.”

Martha jokingly dismisses “reason” when it threatens her determination to stay loyal to Miss Matty, revealing how people can rename disagreement as irrationality when affection fixes their decision.

Source details

Cranford, Project Gutenberg #394. Martha says the line during a comic but affectionate refusal to leave Miss Matty after financial trouble; it is character dialogue, not Gaskell’s definition of reason.

Source identified105
The holly is dark when the rose-briar blooms, But which will bloom most constantly?

“The holly is dark when the rose-briar blooms, But which will bloom most constantly?”

The seasonal contrast asks whether the less showy bond may prove more constant once the most visibly attractive season has passed.

Source details

“Love and Friendship,” Project Gutenberg #1019. The question belongs to the poem’s rose-and-holly metaphor for love and friendship.

Source identified107
The soul selects her own society, then shuts the door.

“The soul selects her own society, then shuts the door.”

Dickinson’s compressed image emphasizes selective attention and the right to decide what receives intimate access.

Source details

“The Soul Selects Her Own Society”; capitalization is lightly normalized.

Source identified108
Try to enjoy the great festival of life with other men.

“Try to enjoy the great festival of life with other men.”

Life is pictured as something shared rather than possessed privately, joining enjoyment with participation in a wider human community.

Source details

The Golden Sayings of Epictetus, saying III, Hastings Crossley translation.

Source identified109
There is no man that imparteth his joys to his friend, but he joyeth the more; and no man that imparteth his griefs to his friend, but he grieveth the less.

“There is no man that imparteth his joys to his friend, but he joyeth the more; and no man that imparteth his griefs to his friend, but he grieveth the less.”

Sharing experience changes its emotional weight: celebration can become fuller when another person receives it, while grief can become less isolating when it is spoken to someone trusted.

Source details

Essays, “Of Friendship,” Project Gutenberg #56463. Bacon concludes his first “fruit” of friendship by arguing that disclosure redoubles joys and cuts griefs in halves.

Source identified110
One must learn to love, one must learn to be kind, and this from childhood onwards.

“One must learn to love, one must learn to be kind, and this from childhood onwards.”

The aphorism treats loving and kind dispositions as capacities that can be practiced and cultivated rather than assumed to arise automatically.

Source details

Human, All-Too-Human, Part I, aphorism 601, “Learning to Love”; Helen Zimmern translation; this record uses the opening sentence.

Source identified111
The more I love humanity in general, the less I love man in particular.

“The more I love humanity in general, the less I love man in particular.”

Voice: Reported speaker · A doctor recounted by Father Zossima

Abstract concern for humanity can coexist with impatience toward real people, exposing the gap between idealized benevolence and daily practice.

Source details

The Brothers Karamazov, Book II, Chapter 4, “A Lady of Little Faith,” Constance Garnett translation, verified against Project Gutenberg #28054 and Wikisource. Father Zossima recounts an older doctor’s bitterly comic confession that the more he loves humanity in general, the less he loves individual people; the retained quotation is embedded reported speech by the doctor, not Zossima speaking autobiographically.

Source identified112
Love in action is a harsh and dreadful thing compared with love in dreams.

“Love in action is a harsh and dreadful thing compared with love in dreams.”

Voice: Fictional character · Father Zossima

Real love asks for repeated effort, patience, and inconvenience, unlike imagined love that can remain noble without enduring another person’s needs.

Source details

The Brothers Karamazov, Book II, Chapter 4, “A Lady of Little Faith,” Constance Garnett translation, verified against Project Gutenberg #28054 and Wikisource. Father Zossima contrasts idealized love in dreams with active love as labour and fortitude; the line remains theological/fictional counsel rather than a modern clinical or relationship rule.

Source identified113
Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth.

“Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth.”

Voice: Fictional character · Father Zossima

Father Zossima separates care for a person from approval of wrongdoing, locating mercy inside his explicitly Christian teaching that human failure should not extinguish love.

Source details

The Brothers Karamazov, Book VI, Chapter 3, Constance Garnett translation, verified against Project Gutenberg #28054 and Wikisource. Father Zossima urges his listeners to love a person even in sin as a likeness of divine love; the statement remains explicitly Christian fictional exhortation, not uncomplicated Dostoevsky autobiography.

Source identified114
Bear ye one another's burdens, and so fulfil the law of Christ.

“Bear ye one another's burdens, and so fulfil the law of Christ.”

Mutual care is treated as an active responsibility: another person’s difficulty becomes something the community helps carry rather than merely observes.

Source details

Galatians 6:2 in the King James Version, in a passage about restoring and supporting one another.

Source identified115
every unostentatious word or smile that shows a heart awake to others

“every unostentatious word or smile that shows a heart awake to others”

Voice: Narrator voice · Narrator

The phrase values small, unshowy signs of attention because they reveal active awareness of other people rather than performative benevolence.

Source details

Daniel Deronda; narrator-level phrase in a passage about unnoticed social influence and responsiveness to others.

Source identified116
What do we live for, if it is not to make life less difficult to each other?

“What do we live for, if it is not to make life less difficult to each other?”

Voice: Fictional character · Dorothea Brooke

A meaningful life is connected with reducing other people’s burdens, making usefulness and care central rather than peripheral.

Source details

Middlemarch, Book VIII, Chapter LXXII, Project Gutenberg #145. Dorothea asks what people live for if not to make life less difficult for one another while arguing that Lydgate’s friends should investigate the calumny against him and support him. It is fictional character dialogue inside the novel’s moral and social drama, not an empirical definition of life’s purpose.

Source identified117
you mustn't think o' running away from father. What 'ud father do without his little wench?

“you mustn't think o' running away from father. What 'ud father do without his little wench?”

Voice: Fictional character · Mr. Tulliver

Mr Tulliver answers a child’s impulse to run away by stressing reciprocal attachment: Maggie matters to her father as much as she depends on him.

Source details

The Mill on the Floss, Book I, Project Gutenberg #6688. Mr Tulliver speaks to Maggie; dialect and fictional voice are retained rather than normalized into authorial advice.

Source identified118
Trust them, make them free, and give them the responsibility of caring for themselves, and they will soon learn to help each other.

“Trust them, make them free, and give them the responsibility of caring for themselves, and they will soon learn to help each other.”

Jacobs argues that emancipation should be joined with trust and responsibility rather than paternalistic assumptions that formerly enslaved people cannot organize mutual support.

Source details

“Life Among the Contrabands,” The Liberator, September 5, 1862, represented by Encyclopedia Virginia’s primary-document transcription. Jacobs writes from her relief work among people who had escaped slavery in Washington and Alexandria; the sentence belongs to a Civil War abolitionist report and should not be detached from the material deprivation and racist assumptions she is answering.

Source identified119
The bitterest tears shed over graves are for words left unsaid and deeds left undone.

“The bitterest tears shed over graves are for words left unsaid and deeds left undone.”

Stowe links some of grief’s deepest regret to affection, appreciation or helpful action that was withheld until death made expression impossible.

Source details

The Chimney-Corner, IV, ‘Little Foxes.—Part III,’ first published in The Atlantic Monthly (April 1865) and represented by Project Gutenberg #30611, around printed page 500. ‘The bitterest tears shed over graves...’ follows Stowe's argument that affection left unexpressed can become remorse after death and is followed by examples of words people wish they had said. This collection's ‘Repression’ label describes this moral section rather than a separate printed chapter title; the passage is domestic-moral essay rhetoric, not clinical grief guidance or a guarantee about bereavement.

Source identified120
After all, life is short, and the great thing is to do for others.

“After all, life is short, and the great thing is to do for others.”

Voice: Fictional character · Mary Scudder

Mary tries to orient a difficult personal decision toward usefulness and service to others, revealing both her moral seriousness and the pressures shaping her choice.

Source details

The Minister's Wooing, represented by Project Gutenberg #47958. Mary Scudder says the line while discussing marriage, duty and usefulness with her mother. The surrounding scene shows real emotional conflict, so the quotation is not presented as a blanket instruction to suppress one’s own needs for others.

Source identified121
And let us consider one another to provoke unto love and to good works.

“And let us consider one another to provoke unto love and to good works.”

Attention to other people is meant to encourage constructive action, making community partly a practice of drawing out one another’s better conduct.

Source details

Hebrews 10:24 in the King James Version, immediately before an appeal to continue gathering and encouraging one another.

Source identified122
For in touch is all love and intelligence.

“For in touch is all love and intelligence.”

Touch becomes both information and relationship for Keller, carrying emotional connection as well as practical knowledge about people and surroundings.

Source details

The World I Live In (1908), Chapter I, “The Seeing Hand,” printed page 3, Project Gutenberg #27683. Keller says that paradise is attained by touch and that “in touch is all love and intelligence” while introducing touch as her primary mode of contact with people and the world; this is first-person reflective testimony, not a clinical model for all deaf-blind experience.

Source identified123
Humility—to put a seal upon your lips and forget what you have done.

“Humility—to put a seal upon your lips and forget what you have done.”

Drummond defines humility as allowing good work to remain larger than the ego that performed it: kindness is followed by a refusal to turn the act into self-advertisement or private self-congratulation.

Source details

“The Greatest Thing in the World,” in The Greatest Thing in the World and Other Addresses, Project Gutenberg #16739. Drummond explicitly places Humility among the “ingredients” of Christian love and glosses it as love that does not vaunt itself.

Source identified124
If I loved you less, I might be able to talk about it more.

“If I loved you less, I might be able to talk about it more.”

Voice: Fictional character · George Knightley

The difficulty of speaking is used as evidence of emotional depth, contrasting sincere feeling with polished or excessive declaration.

Source details

Emma, Volume III, Chapter XIII, scan-backed 1816 John Murray first edition on Wikisource. George Knightley tells Emma “If I loved you less, I might be able to talk about it more” during his declaration, explicitly contrasting the depth of his feeling with his difficulty making polished speeches.

Source identified125
Seldom, very seldom, does complete truth belong to any human disclosure.

“Seldom, very seldom, does complete truth belong to any human disclosure.”

Voice: Narrator voice · Narrator

Austen observes that even sincere accounts can contain omission, disguise, or misunderstanding, which makes careful listening and humility important in judging what people say.

Source details

Emma, Volume III, Chapter XIII, scan-backed 1816 John Murray first edition on Wikisource. The narrator observes that complete truth seldom belongs to any human disclosure while explaining that even the Emma–Knightley understanding contains mistaken conduct alongside genuine feeling.

Source identified126
My good opinion once lost, is lost forever.

“My good opinion once lost, is lost forever.”

Voice: Fictional character · Fitzwilliam Darcy

Darcy presents trust and esteem as difficult to restore once serious judgment has turned against someone, revealing both the firmness and the potential rigidity of his early character.

Source details

Pride and Prejudice, Chapter XI, Project Gutenberg #1342. Fitzwilliam Darcy says this to Elizabeth Bennet during their discussion of faults; Elizabeth immediately identifies the position as implacable resentment, so the novel itself does not leave the maxim unchallenged.

Source identified127
For what do we live, but to make sport for our neighbours, and laugh at them in our turn?

“For what do we live, but to make sport for our neighbours, and laugh at them in our turn?”

Voice: Fictional character · Mr. Bennet

Mr. Bennet’s joke treats social observation as reciprocal: everyone is somebody else’s entertainment, including the people doing the laughing.

Source details

Pride and Prejudice, Chapter 57; Mr. Bennet comments on the absurd rumour concerning Elizabeth and Darcy.

Source identified129
Greater love hath no man than this, that a man lay down his life for his friends.

“Greater love hath no man than this, that a man lay down his life for his friends.”

Voice: Reported speaker · Jesus

The verse defines love through costly action, making willingness to sacrifice for friends a measure of devotion rather than merely affectionate language.

Source details

John 15:13 in the King James Version.

Source identified130
I have called you friends.

“I have called you friends.”

Voice: Reported speaker · Jesus

The brief phrase reframes the relationship from mere obedience toward disclosed trust and personal closeness.

Source details

John 15:15 in the King James Version; Jesus contrasts servants with friends who have been told what he has heard.

Source identified131
If thy brother trespass against thee, rebuke him; and if he repent, forgive him.

“If thy brother trespass against thee, rebuke him; and if he repent, forgive him.”

Voice: Reported speaker · Jesus

This passage does not equate forgiveness with silence about harm: it places honest confrontation and forgiveness in the same sequence when repentance follows.

Source details

Luke 17:3 in the King James Version.

Source identified132
If he trespass against thee seven times in a day ... thou shalt forgive him.

“If he trespass against thee seven times in a day ... thou shalt forgive him.”

Voice: Reported speaker · Jesus

Repeated offence makes forgiveness harder, which is exactly the point of the passage: the moral demand is not limited to the first easy opportunity to forgive.

Source details

Luke 17:4 in the King James Version; the middle repetition is shortened with an ellipsis while preserving the verse’s instruction.

Source identified133
I say not unto thee, Until seven times: but, Until seventy times seven.

“I say not unto thee, Until seven times: but, Until seventy times seven.”

Voice: Reported speaker · Jesus

The answer rejects a small numerical limit on forgiveness, making repeated mercy the point rather than merely reaching a quota.

Source details

Matthew 18:22 in the King James Version; Jesus answers Peter’s question about how often a brother should be forgiven.

Source identified134
If ye from your hearts forgive not every one his brother their trespasses.

“If ye from your hearts forgive not every one his brother their trespasses.”

Voice: Reported speaker · Jesus

The emphasis falls on forgiveness that is more than outward compliance: the teaching demands a response rooted in the heart rather than merely performed.

Source details

Matthew 18:35, King James Version; the sentence concludes the parable of the unforgiving servant and returns to forgiveness between people.

Source identified135
Thou shalt love thy neighbour as thyself.

“Thou shalt love thy neighbour as thyself.”

Voice: Reported speaker · Jesus

The command uses care for oneself as the measure for care toward another person, linking healthy self-regard with outward responsibility rather than selfishness.

Source details

Matthew 22:39 in the King James Version.

Source identified136
Love your enemies, bless them that curse you, do good to them that hate you.

“Love your enemies, bless them that curse you, do good to them that hate you.”

Voice: Reported speaker · Jesus

The teaching moves beyond merely withholding retaliation and asks for active goodwill toward opponents, making forgiveness part of a transformed response to hostility.

Source details

Matthew 5:44, King James Version; Jesus commands love, blessing, and good action toward enemies within the Sermon on the Mount.

Source identified138
And forgive us our debts, as we forgive our debtors.

“And forgive us our debts, as we forgive our debtors.”

Voice: Reported speaker · Jesus

The prayer links asking for mercy with practicing mercy toward other people, making forgiveness a reciprocal moral discipline rather than a one-sided demand.

Source details

Matthew 6:12 in the King James Version.

Source identified139
For if ye forgive men their trespasses, your heavenly Father will also forgive you.

“For if ye forgive men their trespasses, your heavenly Father will also forgive you.”

Voice: Reported speaker · Jesus

Forgiveness is framed as conduct expected from people who themselves depend on mercy, tying belief to the way injury is answered.

Source details

Matthew 6:14 in the King James Version.

Source identified140
Forgiveness to the injured does belong; But they ne’er pardon, who have done the wrong.

“Forgiveness to the injured does belong; But they ne’er pardon, who have done the wrong.”

Voice: Fictional character · Zulema

Zulema cynically suggests that pardon belongs to the person who was harmed while the wrongdoer may remain trapped in shame or hostility; the drama immediately undercuts him by showing that he plans fresh deception.

Source details

The Conquest of Granada, Part II, Act I, Scene II (‘The Alhambra’), in The Works of John Dryden, Volume IV, Project Gutenberg #15349. Zulema says ‘Forgiveness to the injured does belong’ immediately after recalling that he has been pardoned, then declares that ‘feigned honesty’ will conceal his lust and work him back into trust. The couplet is therefore compromised fictional dramatic speech, not Dryden's neutral moral instruction or a universal rule about forgiveness.

Source identified141
Give a little love to a child, and you get a great deal back.

“Give a little love to a child, and you get a great deal back.”

Ruskin presents affection toward children as relational rather than one-way: care given to a child can be met with trust, warmth and generosity in return.

Source details

The Crown of Wild Olive, Lecture I, “Work,” Project Gutenberg #26716, printed page 41. Ruskin places the sentence inside a Victorian Christian discussion of what he calls the loving and generous character of “right childhood”; this collection preserves that historical moral framework rather than treating every surrounding prescription as modern child-development evidence.

Source identified142
Fear not: for am I in the place of God?

“Fear not: for am I in the place of God?”

Voice: Reported speaker · Joseph

Joseph refuses the role of final judge over the brothers who harmed him, creating space for reconciliation after fear and guilt.

Source details

Genesis 50:19 in the King James Version; Joseph answers his brothers after Jacob’s death when they fear retaliation.

Source identified143
Forgive, I pray thee now, the trespass of thy brethren, and their sin;

“Forgive, I pray thee now, the trespass of thy brethren, and their sin;”

Voice: Reported speaker · Joseph’s brothers (message relayed to Joseph)

The request comes after their father’s death, when Joseph’s brothers fear retaliation and appeal directly for forgiveness of the wrong they committed against him.

Source details

Genesis 50:17, King James Version; Joseph’s brothers send a message asking pardon for their earlier wrongdoing against him.

Source identified144
My friend, I am not what I seem.

“My friend, I am not what I seem.”

The outward persona is not treated as the whole self, reminding readers that appearances and social roles can conceal a much larger private inner life.

Source details

The Madman, “My Friend”; the speaker contrasts the visible self with the quieter self that remains inaccessible.

Source identified145
The “I” in me, my friend, dwells in the house of silence.

“The “I” in me, my friend, dwells in the house of silence.”

Gibran imagines an inner self that cannot be completely translated into performance or conversation, preserving a private dimension beneath social identity.

Source details

The Madman, “My Friend”; the image follows the claim that the speaker is not identical with what others see.

Source identified148
And ever has it been that love knows not its own depth until the hour of separation.

“And ever has it been that love knows not its own depth until the hour of separation.”

Separation can expose the depth of attachment that ordinary familiarity concealed, making loss a painful measure of how much the bond mattered.

Source details

The Prophet, “On Love.”

Source identified149
Believe me, my young friend, there is nothing—absolute nothing—half so much worth doing as simply messing about in boats.

“Believe me, my young friend, there is nothing—absolute nothing—half so much worth doing as simply messing about in boats.”

Rat expresses exuberant delight in a simple shared activity, valuing absorbed enjoyment of the moment over a more utilitarian measure of what is worth doing.

Source details

The Wind in the Willows, Chapter I, “The River Bank,” Project Gutenberg #27805. Water Rat tells Mole that nothing is half so worth doing as messing about in boats during their first excursion, then immediately crashes into the bank while daydreaming. The line is enthusiastic comic fictional dialogue, not a universal prescription about leisure or life priorities.

Source identified151
Wherefore putting away lying, speak every man truth with his neighbour.

“Wherefore putting away lying, speak every man truth with his neighbour.”

Truthfulness is framed as a responsibility within relationship, not merely as a private personal preference.

Source details

Ephesians 4:25 in the King James Version; the first clause and command are quoted here.

Source identified153
He that is slow to anger is better than the mighty.

“He that is slow to anger is better than the mighty.”

Self-command is valued above outward dominance, redefining strength as the ability to govern one’s response.

Source details

Proverbs 16:32 in the King James Version; the first comparison is quoted here.

Source identified154
Keep up your courage, for I'll see you a little later.

“Keep up your courage, for I'll see you a little later.”

Voice: Fictional character · Billina

Billina reassures Dorothy before taking a risk herself, making courage something supported through friendship and confidence in reunion.

Source details

Ozma of Oz, represented by Project Gutenberg #486. Billina says this to Dorothy immediately before entering the Nome King’s enchanted palace to make her guesses. The line is fictional reassurance inside a fantasy danger scene, not Baum autobiography.

Source identified155
I don't want any time! I know who I love best, who I'm happiest with, and I choose uncle.

“I don't want any time! I know who I love best, who I'm happiest with, and I choose uncle.”

Voice: Fictional character · Rose Campbell

Rose’s choice of guardian is grounded in affection, trust and felt happiness, making chosen family attachment central to where she understands home to be.

Source details

Eight Cousins; Or, The Aunt-Hill, Chapter 21, Project Gutenberg #38567. Rose chooses Uncle Alec when relatives ask which household she wants to join.

Source identified156
Happy the boys and girls who tell all things freely to father or mother, sure of pity, help, and pardon

“Happy the boys and girls who tell all things freely to father or mother, sure of pity, help, and pardon”

Voice: Narrator voice · Narrator

Family trust is pictured as freedom to disclose trouble without expecting abandonment, with pity, practical help and forgiveness making honest communication safer.

Source details

Eight Cousins; Or, The Aunt-Hill, Chapter 17, Project Gutenberg #38567. Narrator commentary on confidence between children and parents.

Source identified157
Brothers and sisters ought to live together; especially when the brother needs some one to make home pleasant for him

“Brothers and sisters ought to live together; especially when the brother needs some one to make home pleasant for him”

Voice: Fictional character · Charlie Campbell

Sibling closeness is connected to the making of a home, with companionship presented as practical care rather than only a family label.

Source details

Eight Cousins; Or, The Aunt-Hill, Chapter 21, Project Gutenberg #38567. Charlie is trying to persuade Rose to choose a household after her guardianship question is raised.

Source identified158
I see that Daisy is bound up in Nat; and if he is worthy of her I shall let them be happy in their own way

“I see that Daisy is bound up in Nat; and if he is worthy of her I shall let them be happy in their own way”

Voice: Fictional character · Meg Brooke

Parental care here includes allowing an adult child to choose her own relationship when the parent judges the partner worthy rather than controlling the outcome.

Source details

Jo's Boys, Chapter 10, Project Gutenberg #3499. Mrs Meg is considering Daisy and Nat; the surrounding dialogue explicitly compares her choice with the freedom her own parents gave her.

Source identified160
At least I prefer to write unwisely rather than to be silent unkindly.

“At least I prefer to write unwisely rather than to be silent unkindly.”

Marcus explains why he risks offering awkward advice to Fronto: preserving kindness and speaking when concern matters can be preferable to staying silent simply to avoid possible embarrassment.

Source details

Project Gutenberg #2680, correspondence appendix, Ad M. Caes. ii. 2. Marcus closes a letter about Fronto’s role in the Herodes Atticus dispute with this sentence. It is personal epistolary reasoning inside a specific conflict, not a universal rule to intervene in every disagreement.

Source identified161
I cannot ever endure to write anything to you unless with mind at ease and untroubled and free.

“I cannot ever endure to write anything to you unless with mind at ease and untroubled and free.”

Marcus links intimate correspondence with mental composure: he wants to write to Fronto from an unhurried and settled state rather than forcing a personal letter while distracted or troubled.

Source details

Project Gutenberg #2680, correspondence appendix, reference iii. 21. Marcus explains why he had not written earlier while discussing Fronto’s health. This is a personal letter-writing preference in context, not a general productivity prescription.

Source identified162
Love mankind. Follow God.

“Love mankind. Follow God.”

The compressed instruction joins humane concern for other people with commitment to a larger moral order.

Source details

Meditations; George Long translation in Thoughts of Marcus Aurelius Antoninus.

Source identified164
Men exist for the sake of one another. Teach them then or bear with them.

“Men exist for the sake of one another. Teach them then or bear with them.”

Human interdependence creates two practical choices when others fall short: help them learn when possible, or practice patient endurance when change is unavailable.

Source details

Meditations, Book VIII; George Long translation in Thoughts of Marcus Aurelius Antoninus.

Source identified165
For the soul seeks not adorers, but peers.

“For the soul seeks not adorers, but peers.”

Respectful relationship is distinguished from worship or dependency: a developed person seeks equals capable of intelligent sympathy rather than admirers who surrender judgment.

Source details

Life Without and Life Within, Part I ‘Reviews,’ essay ‘Menzel's View of Gœthe,’ Project Gutenberg #39037. ‘For the soul seeks not adorers, but peers’ appears in Fuller's discussion of the youth of genius, mockers and worshippers, immediately contrasting blind worship with ‘intelligent sympathy.’ It remains nineteenth-century literary criticism and intellectual reflection rather than a universal social or relationship rule.

Source identified166
I must depend on myself as the only constant friend.

“I must depend on myself as the only constant friend.”

The statement does not deny friendship with others; it names the continuity of one’s relationship with oneself as a reason to cultivate dependable inward resources.

Source details

Woman in the Nineteenth Century; spoken by Fuller’s illustrative figure Miranda while explaining the self-dependence encouraged by her upbringing.

Source identified167
Thinking of death makes us tenderly cling to our affections.

“Thinking of death makes us tenderly cling to our affections.”

Awareness of mortality intensifies attachment by reminding a person that relationships and opportunities for affection are finite.

Source details

Letters Written During a Short Residence in Sweden, Norway, and Denmark, Letter VII; represented Cassell & Company 1889 text in Project Gutenberg #3529. “Thinking of death makes us tenderly cling to our affections” closes the same meditation on mortality and immediately becomes a personal assurance to the recipient of the letter. The line remains first-person epistolary reflection, not a universal clinical claim about bereavement or attachment.

Source identified168
Leaves. On the ivy vine. When the last one falls I must go, too.

“Leaves. On the ivy vine. When the last one falls I must go, too.”

Johnsy links her own survival to the dwindling ivy leaves while ill and despairing, revealing how completely hopelessness has narrowed her attention.

Source details

“The Last Leaf,” in The Trimmed Lamp, Project Gutenberg #3707. Johnsy speaks while seriously ill; the story rejects her fatalistic belief and later centers care, sacrifice and renewed desire to live. This is fiction, not health advice.

Source identified169
When one is in love one begins by deceiving oneself. And one ends by deceiving others.

“When one is in love one begins by deceiving oneself. And one ends by deceiving others.”

Voice: Fictional character · Lord Illingworth

The line turns romance into a two-stage comedy of self-deception and social deception, exaggerating cynicism to expose how desire distorts judgment.

Source details

A Woman of No Importance, Act III; Lord Illingworth answers Gerald’s question about love with the romance/self-deception epigram. The exact catalog wording is supported by this play, not by The Picture of Dorian Gray.

Source identified170
And now abideth faith, hope, charity, these three; but the greatest of these is charity.

“And now abideth faith, hope, charity, these three; but the greatest of these is charity.”

Faith and hope remain important, but the chapter concludes by placing love above them as the greatest continuing virtue.

Source details

1 Corinthians 13:13 in the King James Version.